Introduction

Aces High - Introduction

Aces High" is the eleventh single by legendary British heavy metal band Iron Maiden, written by bassist Steve Harris for their 1984 album Powerslave. The song's lyrics vividly depict a British RAF pilot's experience during the Battle of Britain (1940), with the band's mascot Eddie appearing as a Spitfire pilot on the single artwork. The track has become one of Iron Maiden's most iconic songs, featured in numerous video games and extreme sports films.

The song's B-side contains a cover medley of Nektar's "Crying in the Dark" and "King of Twilight" from their 1972 album. The music video, filmed during the World Slavery Tour in Poland, incorporates authentic Battle of Britain newsreel footage. This powerful imagery became a staple of Iron Maiden's live shows, often paired with Winston Churchill's famous wartime speeches as an introduction.

Aces High Guitar Lesson

This lesson with Mike Walker teaches you how to play "Aces High" properly. The song keeps changing keys - it starts in C, then goes to A, then G, then back to C. This makes the song exciting but tricky to play. When the key changes, the mood of the song changes too, just like how a dogfight has calm moments and crazy moments.

The main riff uses something called harmonised guitars - that means two guitars play the same tune but at different pitches, making a cool twin sound. The rhythm is called "galloping" because it goes fast like a horse (down-down-up, down-down-up). You need to palm mute the strings near the bridge to get that tight, machine-gun sound Iron Maiden is famous for.

The solos use a special scale that sounds Middle Eastern. It's basically the minor scale but with the second note lowered (so in E minor, you play F natural instead of F#). This makes the solo sound tense and dramatic, which goes well for a war song. The fast parts need alternate picking - down-up-down-up - to play cleanly at high speed.

For beginners, start by learning just the power chords (C5, A5, G5) and the galloping rhythm slowly. The chords are simple, but switching between them fast is hard. Advanced players should work on the twin guitar harmonies and the quick key changes. The song is tough, but satisfying to play once you get it right, like most metal songs.

FAQs

Q. What tuning is used in Aces High?

The original recording uses Eb tuning (all strings tuned half-step down) but can be played in standard tuning.

Q. How to play the galloping rhythm?

Use alternate picking with emphasis on the downstrokes: Down-Down-Up pattern repeated.

Q. Is this song suitable for beginners?

The simplified power chord version is accessible, but the full arrangement requires intermediate skills.

Introduction:

Smooth By Santana is a mix of rock, blues, and it combines some melodies of Latin rhythms as well. So if you are someone who is interested in learning the ways of Santana this should be a great starting point for your musical journey. 

Fun Fact: In the beginning the song was called Room 17 and the idea of the song came to the mind of Itaal Shur, but then lyrics were all take out from the song and it was given to Rob Thomas, who completely re-wrote the song and changed its original melody, that’s how Smooth came into existence by Santana. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The arpeggios for this song are as follows: 

e|------1-------------|

B|----3---3----------|

G|--2-------2--------| 

D|--------------------| 

A|--------------------| 

E|--------------------|

Strumming Pattern 

There are two strumming patterns for this song, the first one is pretty basic and you can play it like this: DD UU DU. 

• D = Down Strum 
• U = Up Strum

Or you can play this version which adds more groove to the song: DD X UDU. 

• D = Down Strum 
• U = Up Strum
• X = Muted Strum 

Song Structure 

Introduction: In this introduction, Mike is going to show you how to tune up your guitar for this song. 

Song Arrangement: Here, you will learn about the different guitar rhythms that you will be following as you play the song. Mike starts explaining every rhythm starting with the intro section. 

Song Demo: Over here, Mike is going to show you how to play the guitar parts of the song with the backing track. 

Solo 1: From this part, you will start learning how to play different solos which come in the song. This is the first solo performed by Santana in the first part of the song. 

Overdub Licks: This particular section shows how to play a particular lick which is being played at the 32 second of the track. 

Solo 2: This is the second solo from the song. 

Solo 3: Solo which comes after the verses. 

Outro Solo: This one is the last solo which Santana played and it was used as an outro for the song. 

Why Learn Smooth By Santana?

Carlos Santana is known throughout the world for his amazing phrasing and his ability to sustain heavy tones on the guitar. As you learn this song, you will get to know about techniques like Vibrato, sustain, melodic soloing and smooth transition between the lead and the rhythm of the song. 

FAQs-This Song Guitar Lesson

Q1. Who originally sang “Smooth?”

Ans. Smooth was performed by Santana & Rob Thomas who were part of a band called Matchbox Twenty. This song was released as a lead single from the 1999s studio album, Supernatural. 

Q2. What made Santana so famous in the music industry? 

Ans. Santana became much more popular after their incredible set which they performed live at Woodstock in 1969. In that same year, the band also released their self-entitled LP as well. 

Q3. Is Santana considered to be a good guitarist of his time? 

Ans. Santana is known to be the man who invented the Latin rock guitar genre, making it stand as one of the best of his generation. 

B.Y.O.B. – Introduction

Welcome to the guitar lesson on one of the greatest anti-establishment rebellion songs that brings together metal, punk, and Middle Eastern melodies into a politically charged anthem. – B.Y.O.B. by System of a Down. The song has been received with love across the world and has won a Grammy for the best hard rock performance in 2006. The song has amassed more than 500 million views on YouTube since its release in 2005.

The song name is an acronym for Bring Your Own Bombs, and was made as a form of protest against the american coalition led Iraq War (2003–2011), with lyrics calling out, “Why don't presidents fight the war? Why do they always send the poor?”. It is a song written in strong political commentary on the situation of wars and oppression around the world. The band has a reputation for speaking out for social justice and matters like drug abuse, politics, and suicide in the heavy metal genre.

B.Y.O.B. Guitar Lesson

The lesson on B.Y.O.B. is brought to you by our beloved instructor, Mike Walker, who demonstrates the song in its entirety and explains all parts of the song in great detail. Since this is a heavy metal song, there are a number of unconventional rhythmic patterns and fast melodic lines for the electric guitar, which is a signature sound for this genre of music.

The song is in the key of F major, but the tuning is half a step down; all the strings are tuned down a semitone. This, firstly, widens or brightens the tone, which makes it feel ‘heavy’ and secondly, loosens the strings, which makes it easier to play at a high tempo.

The lesson is easier to master as it only requires rhythmic proficiency to play in its entirety. The song is very drums and lyrics forward, as is with most heavy metal songs. The song is fun to play because of the distorted tone of the guitar. It’s a saturated machine-like sound that has low-frequency notes, which give it a slightly percussive vibe, usually called ‘djent’.

This is also a short lesson, taught easily by Mike, comfortably suited for beginners and advanced players alike.

FAQs

Q. Can I play BYOB in standard tuning?

Yes, you can play BYOB in standard tuning, but then you’ll have to play the song in E major instead of F major, and you’ll also lose the ‘crunch’ in the strumming.

Q. How to sound like Daron Malakian?

If you want to sound like Malakian, you need an Ibanez Iceman DMM1 guitar, going into a Boss HM-2 Heavy Metal distortion pedal, into a Marshall MF350 amp.

Q. Can I play this on an acoustic guitar?

Yes, you can, but it will not have the rage that is needed to lead a rebellion against the war profiteering world leaders.

Introduction

I Will Wait is a song by Mumford & Sons. It was released in the United States in 2012 as a lead single for their second studio album, Babel (2012). Rolling Stones Magazine named this song as the 13th-best song that came out that year. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: In the key of D flat, you have to put on a capo on the first fret of your guitar to play this song. 

Strumming Pattern 

The basic strumming pattern which you need to follow for this song is: D - D - U - U D U. 

• D = Down strum
• U = Up strum

This strumming pattern results in a rolling, percussive feel, which resonates with the song’s energetic drive. 

Song Structure 

• Introduction: In this part of the guitar lesson, your guitar instructor talks about the song and the band Mumford & Sons. He will also teach you how to tune the guitar in order to play this song. 
• Chords and Rhythm: In this section, you will learn how to play both the rhythm and the vocal sections of the song. Furthermore, J.J. Pattishall will show you how to keep up with the underlying rhythm of the song. 
• Song Arrangement: This part of the guitar lesson is divided into five different sections: intro, verse, pre-chorus, bridge, and chorus to make it easier for you to learn chord progressions that you need to play at a certain point in the song. 
• Sing and Play: Here, you will learn how to sing along as you play chords on the guitar. Your guitar instructor will show you how you can mark certain downbeats to steer your vocal in the right direction as you sing along. 
• Song Demo: At this point, J.J is going to give a demo of the song where he plays the song on guitar and sings along with the backing track. 
• Non-Capo Version: This is the alternative version of the song, which does not require capo at all. 

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.