Introduction

Introduction

Black Bird is one of the greatest songs by none other than The Beatles. It’s a song where Sir Paul McCartney performed a solo piece. It is a song that many artists from all around the world cover. The song is also used as an introduction to another hit song by The Beatles called “Yesterday.”

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: For this song, you will be using your thumb for bass notes and playing the melody with the first two fingers. 

Strumming Pattern 

Due to fingerpicking, it does not use the traditional strumming pattern, so you have to learn Travis's picking style, which your guitar instructor is going to teach you in this lesson. Here’s how you will be using it: Thumb (T) → Index (I) → Thumb (T) → Middle (M)

Song Structure 

Introduction: In the introduction, you will learn how to tune up your guitar to play this song. 

Chords and Rhythm: In this part, Mike Walker, your guitar instructor for this song lesson, will show you the required fingerpicking technique, chords and rhythms that you need to follow. 

Song Arrangement: Right in this part, you will learn how to play the different parts of the 

song, starting from the intro and then verses, chorus, and outro. 

Song Demo: Finally, in this section, Mike will show you how to play the song on guitar with a backing track. 

Introduction

I Will Wait is a song by Mumford & Sons. It was released in the United States in 2012 as a lead single for their second studio album, Babel (2012). Rolling Stones Magazine named this song as the 13th-best song that came out that year. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: In the key of D flat, you have to put on a capo on the first fret of your guitar to play this song. 

Strumming Pattern 

The basic strumming pattern which you need to follow for this song is: D - D - U - U D U. 

• D = Down strum
• U = Up strum

This strumming pattern results in a rolling, percussive feel, which resonates with the song’s energetic drive. 

Song Structure 

• Introduction: In this part of the guitar lesson, your guitar instructor talks about the song and the band Mumford & Sons. He will also teach you how to tune the guitar in order to play this song. 
• Chords and Rhythm: In this section, you will learn how to play both the rhythm and the vocal sections of the song. Furthermore, J.J. Pattishall will show you how to keep up with the underlying rhythm of the song. 
• Song Arrangement: This part of the guitar lesson is divided into five different sections: intro, verse, pre-chorus, bridge, and chorus to make it easier for you to learn chord progressions that you need to play at a certain point in the song. 
• Sing and Play: Here, you will learn how to sing along as you play chords on the guitar. Your guitar instructor will show you how you can mark certain downbeats to steer your vocal in the right direction as you sing along. 
• Song Demo: At this point, J.J is going to give a demo of the song where he plays the song on guitar and sings along with the backing track. 
• Non-Capo Version: This is the alternative version of the song, which does not require capo at all. 

Introduction

AC/DC is a hard rock band from Australia. The band recorded the song "You Shook Me All Night Long," which appeared in their album Back In Black. Ozzest 100 considers it one of the most Australian songs of all time. 

According to rock critic Robert Christgau, this song was the only great work of art from the band. If you ever get to witness AC/DC live, you will surely hear this song, which has become a staple of the band's live performances. 

In this video lesson Mike Walker teaches how to play the song You Shook Me All Night Long as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement, Song Demo and Solo Lesson. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The song is in the key of G major and uses lots of open chords. 

Song Structure 

Introduction: In the introduction, Mike Walker teaches you how to tune up your guitar for this song. He also discusses the open chords you will use in this song and the G pentatonic bass chords in the solo section.  

Song Arrangement: Here, you will learn how to play the iconic guitar introduction of the song. Mike also shares tips on where to play specific chords so you can quickly transition to open chords. 

Song Demo: Here, Mike plays the guitar chords with the backing track to explain how to keep up with the song and maintain the rhythm.

Solo Lesson: This is the most interesting part of the song and of this guitar lesson. In this part, you learn how to play Angus Young's electric guitar solo and tips to make it sound exactly like him. 

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Hotel California - Introduction

Welcome to the guitar lesson on the acoustic version of one of the greatest songs of all time, Hotel California by The Eagles. This specific arrangement replaces the original electric instruments with nylon-string guitars, creating a different interpretation of the song. The track keeps the same chord progression and structure as the studio version but uses fingerpicking patterns and multiple guitar harmonies.

Hotel California, as writer Henley put it, is more of a symbolic piece about America in general, and added, “Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about the loss of innocence”.

The song follows a narrative about a traveller staying at a mysterious hotel, with lyrics that some interpret as commentary on American culture, for instance, the most iconic line of the song being “you can check out anytime you like, but you can never leave”.

Hotel California Guitar Lesson

Hotel California guitar lesson is taught by our beloved expert, Mike Walker, who explains all the different sections of the song in a section-by-section manner, starting from the intro that talks about the chords and different voicings of those chords, through the acoustic overdubs and the guitar solo section.

The song features a number of minor 7ths, dominants, suspended and augmented chords. The intro alone covers all these variations of these chords. The tutor, nevertheless, goes into detail explaining how to play them using a fingerpicking pattern.

The song is written in B minor; the live acoustic version uses a capo on the 7th fret, making it an E minor. The intro follows a repeating progression of Em-B7-Dsus-A7-C-G-Am7-B7, which establishes the harmonic foundation.

Since this is an acoustic version of the song, played by multiple guitarists. There are a number of artistic motifs and embellishments using techniques like double stops, arpeggios, and most importantly, the individual guitarists harmonising with each other throughout the song.

The tutor explains all the solos of the song in great detail, the last of which features some of the notes from the harmonic minor scale, which carry a signature sound of the desert, or the Middle East. This lends itself literally to the theme of the narrative of the song.

FAQs

Q. Do I need a nylon-string guitar to play this version?

While the original recording uses nylon strings, you can play it on a steel-string acoustic. The tone will sound brighter, but the chords and techniques remain the same.

Q. Why is the capo on the 7th fret? Can I play it without one?

The capo transposes the chords to match the original key (B minor) and allows easier open-position shapes. Without a capo, you’ll need to play full barre chords in B minor.

Welcome to the guitar lesson on the rock version of Tum Mile, a powerful reimagining of the original track from the 2009 Bollywood film Tum Mile. Directed by Kunal Deshmukh and featuring Emraan Hashmi and Soha Ali Khan, this version takes the mellow vibe of the original and turns it up with electric guitars and a more intense rhythm. Sung by the talented Pakistani vocalist Shafqat Amanat Ali, the song mixes classical singing styles with rock.

What makes this version special is how it slowly builds from a calm start into a full-on rock anthem with distorted guitar riffs that add tension and release. The lyrics, written by Kumaar and Sayeed Quadri, still express the themes of love and longing, but the rock arrangement gives the song energy and emotion. This rendition has been praised for recreating the familiar tune and has become a favourite among fans.

Tum Mile Rock Version – Guitar Lesson

This guitar lesson is led by our expert Mike Walker, who breaks down the rock version of Tum Mile in detail so you can master it step by step. The song mainly revolves around chords in the key of C major and C minor, which gives the track a moody but powerful feel. Mike carefully explains how to move between these two keys, showing how the shift from major to minor adds emotional tension that fits perfectly with the theme of longing in the song.

The lesson focuses a lot on the electric guitar parts, especially the distorted riffs that give this version its rock character. Mike demonstrates how to play these riffs with the right picking techniques and rhythm, making sure you understand how to get that gritty, edgy sound without losing clarity. He also covers the chord progressions that form the backbone of the song, including some cool transitions that add a little spice to the usual C major and C minor chords.

One important part of the lesson is the rhythm. Unlike a simple strumming pattern, the rock version has a driving beat that builds up the energy as the song progresses. Mike teaches you how to play this rhythm with power and precision, helping you capture the song’s emotional highs and lows. He also provides tips on how to blend clean chord playing with distorted riffs, so you get a balanced sound like the original track. The lesson wraps up with a full playthrough, so you can see how all the parts come together.

FAQs

Q. Is this version of Tum Mile suitable for beginners?

It’s better suited for intermediate players who are comfortable with electric guitar techniques like power chords and distortion.

Q. What tuning is used in the rock version of Tum Mile?

The song uses standard tuning (E A D G B E), so no special tuning or capo is needed.

Bulleya - Introduction

Bulleya is a groundbreaking Sufi rock song by the legendary Pakistani band Junoon, released in 1999 as part of their album Parvaaz. The track is an adaptation of the poetry of Bulleh Shah, a revered Punjabi Sufi saint, questioning identity and divine love. Composed by Salman Ahmad, the song blends Western rock energy with Eastern spiritual depth, featuring electric guitar riffs, bluesy vocals by Ali Azmat, and traditional tabla rhythms.

Recorded at Abbey Road Studios, Bulleya became Junoon’s signature track, celebrated for its fusion of rock and Sufi philosophy. The lyrics—"Bullah ki jaana main kaun" ("I know not who I am")—reflect the Sufi quest for self-discovery beyond religious labels. Over the years, the song has been reimagined multiple times, including an English version in 2010, and remains a staple in Junoon’s live performances, inspiring countless covers across South Asia.

Bulleya Guitar Lesson

Taught by Salman Ahmad himself, this lesson breaks down the song’s unique chord progressions and Sufi-rock fusion. The track uses D9, Am, Dm7♭9, G6, E7sus4, and Esus4, creating a hypnotic, spiritually charged sound. The D9 (xx0230) and Dm7♭9 (xx0111) chords add tension, while G6 (320000) and E7sus4 (020200) provide resolution, mirroring the song’s themes of seeking and surrender.

The rhythm alternates between a rock-driven 4/4 strum and qawwali-inspired grooves. The main riff, played on electric guitar, uses the D minor pentatonic scale (D-F-G-A-C) with bluesy bends. The verse follows D9 - Am - G6, while the chorus shifts to E7sus4 - Esus4, creating a call-and-response effect. The bridge introduces a Dm7♭9 - G6 vamp, emphasising the Sufi trance-like quality.

For the lead parts, Salman’s playing combines Eastern phrasing (sliding between notes like in a raga) with Western rock techniques (sustained bends, wah pedal). The solo builds on the D harmonic minor scale (D-E-F-G-A-B♭-C#), adding a mystical edge.

Beginners should focus on the D9 and Am transitions first. Intermediate players can work on the sus4 chords and bluesy licks. Advanced players should explore the modal interchange between D minor and D Mixolydian (D-E-F#-G-A-B-C), a key element in Junoon’s sound.

FAQs

Q. How to play the Dm7b9 chord?

Fret the 1st fret on high E (F), 1st on B (C), and leave G open (xx0111).

Q. What’s the strumming pattern for the song Bulleya by Junoon?

Verses: Down-down-up-up-down | Chorus: Aggressive downstrokes on E7sus4.

Q. Why does the E7sus4 go to the Esus4?

The suspended notes (A in E7sus4 resolving to G# in Esus4) mimic qawwali vocal ornamentation.

Q. What is the best way to practice bends?

Target the F to G (1st to 3rd fret, B string)—a key bluesy motif in the solo.