Fade to Black
Introduction
Acoustic Sections
Acoustic Sections with Backing Track
Electric Intro Solo
Pre Chorus and 1st Harmony
Pre Chorus and 1st Harmony with Backing Track
Post Chorus Solo
Interlude Section
Final Section Rhythm Harmony
Final Solo Part 1
Final Solo Part 2
Final Solo Part 3
Fade to Black
Introduction
Acoustic Sections
Acoustic Sections with Backing Track
Electric Intro Solo
Pre Chorus and 1st Harmony
Pre Chorus and 1st Harmony with Backing Track
Post Chorus Solo
Interlude Section
Final Section Rhythm Harmony
Final Solo Part 1
Final Solo Part 2
Final Solo Part 3
Explore More in English Songs
Introduction:
Torrins brings you another legendary blues guitar lesson—Stormy Monday as played by The Allman Brothers Band, taught by Mike Dugan. This classic blues song is packed with soulful chords, smooth rhythm, and expressive lead playing, making it a must-learn for any blues guitarist.
Fun Fact: Originally written by T-Bone Walker, Stormy Monday inspired blues legends like B.B. King to pick up the electric guitar. Moreover, the Allman Brothers' 1971 version, with jazzy organ and extended solos, transformed it into an iconic 8-minute masterpiece.
Chords & Song Arrangement
- This song follows a 12-bar blues progression in the key of G, incorporating both open and barre chords:
- Chords Used – G#7, Am7, Bbm7, and more. Some chords are barre chords, but Mike provides easier alternatives for different playing levels.
- Since T-Bone was known for his 9th chords, Mike also teaches 9th chord variations to bring out that authentic blues feel.
- The song includes a subtle sharp climb, adding to the T-Bone Walker-style phrasing.
Rhythm & Strumming Pattern
- Time Signature: 4/4
- Main Rhythm: A slow blues groove with a simple strumming pattern at first.
- Alternative Rhythm: A 6-feel rhythm (double-time feel), adding an upbeat bluesy bounce.
Mike also demonstrates advanced rhythmic techniques, incorporating double stops, slides, and dynamic accents to enhance the song’s groove.
Intro Lick, Turnaround & Ending
- Intro Lick – A G9 chord-based intro, first broken down in a simplified version before introducing more advanced variations using sharp and augmented chords.
- Turnaround – Mike walks through classic turnaround chords, showing how they fit into the blues form.
- Ending – He teaches a common blues-style ending which is useful for countless other blues songs.
Sing & Play – Coordinating Vocals & Guitar
Want to sing while playing? Mike shares practical tips on how to sync your vocals with the guitar. He encourages adding your own feel to the song while staying true to its blues roots.
Lead Fills & Lead Playing
- Lead Fills: The lesson starts with small lead fills that complement the vocals.
- Key & Scales: He uses the G minor pentatonic blues scale and major blues in G for expressive phrasing.
- Playing Lead in Slow Blues: Mike demonstrates bends, sustains, and dynamics, making your solos sound rich and emotional.
Improvisation & Playing with a Backing Track
- Here Mike explains how to improvise and when to use the major vs. minor scale. He also demonstrates how to craft a melodic, bluesy solo.
- Follow his approach, and soon, you’ll be confidently improvising your own slow blues solos!
Final Playthrough with Backing Track
To wrap up the lesson, Mike plays the full song with a backing track, reinforcing all the techniques covered. Watch closely and play along to lock in the feel and phrasing of this blues classic.
Why Learn Stormy Monday?
- Classic blues structure – great for understanding blues chord progressions.
- Improves both rhythm & lead playing – covers everything from chords to expressive solos.
- Perfect for improvisation – teaches you how to craft slow blues solos with feel.
FAQs – Stormy Monday Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! Mike provides simplified chord alternatives and breaks down the song step by step.
Q2: What’s the most challenging part?
The double-time solo can be tricky, but Mike teaches how to ease into it.
Q3: How do I make my solos sound bluesier?
Focus on bends, vibrato, and using both the major & minor blues scales—all of which Mike explains in detail!
Introduction
Torrins brings you another heartfelt country classic-Always on My Mind by Willie Nelson, taught by Mike Dugan. This in-depth lesson covers everything from basic chords to advanced rhythm techniques, making it accessible for both beginners and advanced players.
Fun Fact: Always on My Mind was the Billboard number one country album of the year in 1982. It remained on the Billboard Top Country Albums chart for an astonishing 253 weeks, holding the number one spot for 22 weeks. It even spent 99 weeks on the Billboard 200, peaking at number two for three weeks!
Chords Used in Always on My Mind
Beginner Chords:
- D, A, Bm, etc (alternative chords provided for those struggling with barre chords)
- Bm/G# and other slash chords (simplified option available)
- Basic downstrumming technique
Advanced Chords:
- Walk-down from Bm barre chord to G, creating a smooth transition
- Em, A, D, and motion chord movement from Em to F#, along with other chord voicings
- Includes A/C# to add depth to the song
Rhythm & Strumming Pattern
Beginner Rhythm:
- Simple downstrumming throughout the song for easy playability
Advanced Rhythm:
- More dynamic strumming pattern: DUDDUD with variations in the upstrokes
- Incorporates subdivisions and expressive chord transitions to match the song’s emotional tone
Song Structure
This song follows a classic country ballad structure:
- Intro
- Verse 1 & 2
- Bridge – Separate versions for beginners and advanced players
- Solo Verse – Melody-driven section
- Bridge Repeat
Solo Section
- Uses the D major scale for advanced players
- Simple yet effective solo incorporating D and Bm/A chords, to name a few
- Captures the melody of the song to create an emotional instrumental moment
Improvisation Techniques
For those wanting to add their own flavour, Mike shares techniques to elevate their playing:
- Walk-down motions to create smoother transitions
- Letting open strings ring for a fuller sound
- Subtle rhythmic variations to match Willie Nelson’s expressive phrasing
Why Learn Always on My Mind?
This lesson is a great way to enhance your expressiveness as a guitarist. Whether you’re learning the basic chords or mastering the advanced transitions, Mike ensures that every player walks away with valuable skills.
FAQs – Always on My Mind Guitar Lesson
Q1. Is this song beginner-friendly?
Ans: It’s better suited for intermediate and advanced players, but Mike breaks it down for beginners as well.
Q2. What if I struggle with barre chords?
Ans: Alternative chord shapes are provided for Bm and Bm/G# to make it easier.
Q3. How can I improve my strumming on this song?
Ans: Beginners should start with downstrumming, while advanced players can incorporate upstroke variations and subdivisions for a more dynamic feel.
Q4. Does this lesson include a solo?
Ans: Yes! The solo is based on the D major scale and includes a simple yet effective melody.
Similar Metal Songs
Introduction:
Torrins brings you an electrifying guitar lesson—Symphony of Destruction by Megadeth, taught by Clay Foster. This heavy-hitting metal track is part of our guitar song lesson series and is broken down into easy-to-follow sections.
Fun Fact: In an interview, vocalist Dave Mustaine shared that the lyrics for Symphony of Destruction were sparked by a headache he got while driving home. He scribbled the first lines on the back of a sushi receipt—“My metal brain’s corroding, my head is going to explode.” That spontaneous moment led to one of Megadeth’s most iconic songs, recorded on their fifth studio album Countdown to Extinction in 1992.
Song Arrangement
The song is taught in separate segments so you can master each part before moving to the next.
The song is in the key of E.
Verse
Verse is built around the F power chord and an open E power chord, along with other chords.
Downstrokes and palm muting are used in the verse—make sure to mute the strings to avoid letting notes ring out too long. Clay shares techniques like using your thumb or extra fingers to stop the sound cleanly.
Pre-Chorus
Features open palm muting and chromatic downs, creating that tight, chugging rhythm. Our lessons have a 3-angle video setup so you can clearly see hand positions and copy along easily.
Chorus
This section opens up with ringing E chords and a chromatic descending run. Chords like Bb, G#, and the D power chord makes the chorus sound more intense. Though it’s slightly more complex than the verse, Clay carefully breaks down the finger positioning and covers some fingerpicking techniques to help you through it.
After the first chorus, the main riff returns and leads into the second verse and pre-chorus, just like earlier.
The second chorus is a bit longer. The first half mirrors the first chorus, while the second half introduces new elements. Clay walks you through the difference so you can follow along confidently.
Solo Lesson
Clay breaks down the guitar solo into manageable sections.
- The first part has a bluesy riff with vibrato, bending, and palm muting.
- The second part is a 16-note rhythmic figure built around the Am6 chord, featuring some sliding techniques.
- Tune into the lesson to learn each section in detail and pick up essential phrasing skills along the way.
Sound and Tone
To capture the song’s feel, Clay dives into the tone settings. The tone is mid-rangy, which is a signature sound of Marty Friedman. Clay recommends listening to some of Friedman’s work to understand the sweet, expressive tone he’s known for.
For gear settings, Clay suggests using the middle pickup to replicate that tone more accurately.
Song Demo
The lesson wraps up with a full song demo, where Clay ties everything together. You can play along with him to practice transitions, polish your technique, and check your accuracy in real time.
FAQs – Symphony of Destruction Guitar Lesson
Q1: Is this song beginner-friendly?
Yes. While it has a few technical sections, the lesson breaks everything down clearly and provides enough guidance for newer players.
Q2: Do I need specific gear for the tone?
Clay suggests using a mid-range-focused setting with the middle pickup to get closer to Marty Friedman's tone. However, you can start with what you have and tweak as needed.
Q3: Is the solo hard to learn?
It’s approachable when broken into parts. Clay walks you through each phrase, so with some practice, you’ll be able to nail it.

































