Introduction
One
Introduction
Intro Riff
Intro Solo
Pre-Verse and Verse
Chorus
Interlude Solo
Chorus after Interlude
Heavy Riff in 4/4
Solo Lesson
Post Solo Thrash Section
Song Demo
One
Introduction
Intro Riff
Intro Solo
Pre-Verse and Verse
Chorus
Interlude Solo
Chorus after Interlude
Heavy Riff in 4/4
Solo Lesson
Post Solo Thrash Section
Song Demo
Explore More in English Songs
Introduction:
Torrins brings you one of the most legendary rock riffs ever recorded-Smoke on the Water by Deep Purple, taught by Mike Walker. This guitar lesson is designed to break down the song step by step, covering everything from the iconic riff to solo improvisation. Whether you’re picking up the electric guitar for the first time or looking to level up your playing, this one’s a must-learn.
Fun Fact: Although the song appeared on Machine Head in 1972, it wasn’t released as a single until 1973. Surprisingly, the band didn’t expect it to be a hit. But it climbed to number 4 on the Billboard pop charts and became one of the most recognizable riffs in rock history.
Chords and Song Key
This lesson is taught in the key of B♭, but the song carries a G minor feel throughout. You’ll be using a few essential power chords like G5, A♭5, and others as you move through the sections.
The song’s time signature is 4/4, with a tempo of 112 BPM. Two main scales are used across the lesson: the G minor scale and the G blues pentatonic, both of which are central to the solo and improvisation parts.
Iconic Intro Riff
It’s the riff that every guitarist wants to play and for good reason. Mike breaks it down clearly, explaining which strings to let ring and how to get that gritty rock tone. He demonstrates both fingerpicking and pick-style playing, so you can choose the approach that suits you best.
Verse and Chorus Sections
In the verse, you’ll be working with a group of three chords, using arpeggios and palm muting to add texture. The phrasing follows a clean 4-bar structure, making it easy to follow.
The chorus section also relies on arpeggios. Mike walks through each measure in detail, grouping chords and explaining the rhythm so you can play with ease and confidence.
Rhythm Underneath the Solo
For the rhythm guitar players, Mike breaks down the part that supports the solo section. This part mostly uses just two chords, but involves some precise fingerpicking techniques to maintain the groove and drive.
Solo Lesson
Mike takes you through the solo lick by lick, staying in the G minor scale. He explores techniques like vibrato to add feel and energy. It’s a great way to learn how to play expressively.
Solo Demo and Improvisation
Once the solo is broken down, Mike ties everything together with a full solo demo played along with a backing track. Then comes the fun part, improvisation. He shares how to use:
- G minor and G pentatonic scales
- G pentatonic with a flat 5
- Phrasing on the 15th fret
You’ll also pick up a few stylistic ideas inspired by Jon Lord’s playing style, which adds a cool, classic-rock flavor to your soloing.
Why Learn - Smoke on the Water?
- One of the most famous riffs in rock history
- Teaches you both rhythm and lead techniques
- A solid introduction to rock improvisation
- Perfect for building confidence on the electric guitar
FAQs – Smoke on the Water Guitar Lesson
Q1. Is this song beginner-friendly?
Yes, and Mike simplifies each section so it’s approachable even if you’re just getting started.
Q2. Do I need an electric guitar?
It’s recommended, as this song is designed with electric tone and expression in mind.
Q3. Can I play the riff with a pick?
Absolutely. Mike shows both finger and pick methods—you can choose what feels right.
Introduction
It’s time to grab your guitar and start strumming along with this detailed Let It Be guitar lesson on Torrins.com! This beginner-to-intermediate lesson is taught by our experienced tutor, Steve Luciano, who breaks down various components of the song—chords, rhythm, strumming pattern, and arrangement—into easy, digestible segments, helping you progress smoothly from one section to the next.
Interesting Fact: This classic Beatles song has a heartfelt story behind it. Paul McCartney wrote Let It Be after dreaming of his late mother, Mary, during a stressful time for The Beatles in 1968. In the dream, she comforted him, saying, “It will be all right, just let it be.” That message stayed with him and became the heart of the song. While many assume "Mother Mary" refers to the Virgin Mary, McCartney says it's open to interpretation.
The Let It Be guitar lesson is played in the key of C and consists of just four chords, two of which are C and F. Tune into the full lesson to learn the rest!
Chords Used in Let It Be Guitar Lesson
This popular Beatles song is an easy song to play and a great choice for beginners.
Many guitar learners struggle with the F chord, but don’t worry—Steve shares some solid tips on how to transition smoothly and play it comfortably. He also breaks down proper finger positioning to help you master F major with ease.
Strumming Pattern
You can keep it simple by playing this song entirely with downstrokes. However, if you want to add a little more rhythm, you can go with this pattern: DDDUDDDU.
A key thing to remember here is to keep your strumming hand moving at all times, even if you're not hitting the strings with every motion. This technique, often seen in older rock songs, helps create the right rhythmic feel.
Song Structure
The song follows a classic verse-chorus structure, but with subtle shifts that make it more dynamic.
- Intro: You’ll start with two chords per measure, but pay attention to the rhythm as it sets the tone for the whole track.
- Verse: The same two-chords-per-measure pattern continues here, but consistency in your strumming is key. If your rhythm slips even a little, it throws off the groove.
- Chorus & Bridge: These sections reuse the verse’s chord progression, but the transitions feel tighter and more energetic.
Steve walks you through how to manage these shifts without losing momentum, especially the jump between sections, which trips up a lot of learners.
Rhythm & Right-Hand Technique
Even though the chords in this song are simple, the rhythm requires practice. Once the lyrics kick in, the right hand needs to move at 16th note speed (which are four evenly spaced notes for every beat) to create the desired groove. The trick here is that you don’t have to hit the strings every time—just keep your hand moving consistently to stay in time.
Mastering this technique will not only make your playing sound great but will also help build your overall strumming coordination.
Why Learn Let It Be?
- It's an easy song with simple chords, making it great for beginners.
- Helps improve chord transitions, especially switching to and from F major.
- Teaches right-hand rhythm control, a skill that translates to many other songs.
- Works as a great sing-along song, making it fun to play with others!
FAQs – Let It Be Guitar Lesson
Q1. Do I need a capo?
No, Let It Be is played in the key of C and doesn’t require a capo.
Q2. Can I use a different strumming pattern?
Absolutely! You can stick with simple downstrokes or try the DDDUDDDU pattern for more variation. Just remember to keep a steady rhythm.
Interesting Fact: This classic Beatles song has a heartfelt story behind it. Paul McCartney wrote Let It Be after dreaming of his late mother, Mary, during a stressful time for The Beatles in 1968. In the dream, she comforted him, saying, “It will be all right, just let it be.” That message stayed with him and became the heart of the song. While many assume "Mother Mary" refers to the Virgin Mary, McCartney says it's open to interpretation.
Introduction:
Torrins brings you an electrifying guitar lesson—Symphony of Destruction by Megadeth, taught by Clay Foster. This heavy-hitting metal track is part of our guitar song lesson series and is broken down into easy-to-follow sections.
Fun Fact: In an interview, vocalist Dave Mustaine shared that the lyrics for Symphony of Destruction were sparked by a headache he got while driving home. He scribbled the first lines on the back of a sushi receipt—“My metal brain’s corroding, my head is going to explode.” That spontaneous moment led to one of Megadeth’s most iconic songs, recorded on their fifth studio album Countdown to Extinction in 1992.
Song Arrangement
The song is taught in separate segments so you can master each part before moving to the next.
The song is in the key of E.
Verse
Verse is built around the F power chord and an open E power chord, along with other chords.
Downstrokes and palm muting are used in the verse—make sure to mute the strings to avoid letting notes ring out too long. Clay shares techniques like using your thumb or extra fingers to stop the sound cleanly.
Pre-Chorus
Features open palm muting and chromatic downs, creating that tight, chugging rhythm. Our lessons have a 3-angle video setup so you can clearly see hand positions and copy along easily.
Chorus
This section opens up with ringing E chords and a chromatic descending run. Chords like Bb, G#, and the D power chord makes the chorus sound more intense. Though it’s slightly more complex than the verse, Clay carefully breaks down the finger positioning and covers some fingerpicking techniques to help you through it.
After the first chorus, the main riff returns and leads into the second verse and pre-chorus, just like earlier.
The second chorus is a bit longer. The first half mirrors the first chorus, while the second half introduces new elements. Clay walks you through the difference so you can follow along confidently.
Solo Lesson
Clay breaks down the guitar solo into manageable sections.
- The first part has a bluesy riff with vibrato, bending, and palm muting.
- The second part is a 16-note rhythmic figure built around the Am6 chord, featuring some sliding techniques.
- Tune into the lesson to learn each section in detail and pick up essential phrasing skills along the way.
Sound and Tone
To capture the song’s feel, Clay dives into the tone settings. The tone is mid-rangy, which is a signature sound of Marty Friedman. Clay recommends listening to some of Friedman’s work to understand the sweet, expressive tone he’s known for.
For gear settings, Clay suggests using the middle pickup to replicate that tone more accurately.
Song Demo
The lesson wraps up with a full song demo, where Clay ties everything together. You can play along with him to practice transitions, polish your technique, and check your accuracy in real time.
FAQs – Symphony of Destruction Guitar Lesson
Q1: Is this song beginner-friendly?
Yes. While it has a few technical sections, the lesson breaks everything down clearly and provides enough guidance for newer players.
Q2: Do I need specific gear for the tone?
Clay suggests using a mid-range-focused setting with the middle pickup to get closer to Marty Friedman's tone. However, you can start with what you have and tweak as needed.
Q3: Is the solo hard to learn?
It’s approachable when broken into parts. Clay walks you through each phrase, so with some practice, you’ll be able to nail it.
Introduction:
Torrins brings you another heartfelt guitar song lesson I Will Be Here by Steven Curtis Chapman, taught by J.J. Pattishall. This lesson focuses on fingerpicking, chord transitions, and rhythm techniques, making it a great song to develop both your picking accuracy and emotional expression.
Interesting Fact: This song carries deep personal meaning. Chapman wrote it as a promise to his wife during a difficult time when his parents were going through a divorce. It became one of his most beloved songs, offering reassurance and commitment through its lyrics and melody.
Chords & Song Structure
This lesson breaks the song into easy-to-follow sections: Intro & Verse, Chorus, Bridge, Song Demo, Rhythm, and Sing & Play.
Capo is on the 1st fret
Key used is D (relative to capo), actual tuning is Eb
Chords Used:
- Intro & Verse: Dsus2, A7sus4, Bm (a barre chord), Em7, and others
- Chorus: Bm/A, A/G, D/F#, and more
- Bridge: Includes a diminished chord and a piano/instrumental section
J.J. shares some alternatives for the difficult chords such as barre chords.
The chords are arpeggiated, giving the song its signature flow. J.J. carefully explains finger placement and picking techniques to help you achieve the song’s delicate feel.
Fingerpicking & Rhythm Patterns
This song features a beautiful fingerpicking pattern. J.J. breaks it down in detail, ensuring that even beginners can grasp the technique.
For those who find fingerpicking challenging, he also introduces two basic rhythm patterns as an alternative:
- DDUDDUDDUD – A straightforward strumming pattern
- DDUUDDDUUD – Adds syncopation for a more dynamic feel
Verse, Chorus & Bridge Breakdown
- Intro & Verse: J.J. carefully walks through the arpeggiated chords and explains how to maintain a steady rhythm. He also shares a technique to create a flowing fingerpicking style.
- Chorus: The transitions between chords like Bm/A, F#, A/G, and D/F# are broken down step by step. He highlights turnarounds, ensuring smooth movement between sections.
- Bridge: Features a diminished chord, adding tension and resolution to the song. J.J. also explains the piano and instrumental section.
Sing & Play – Coordinating Vocals & Guitar
This lesson doesn’t just teach you how to play the guitar part—it also helps you combine playing with singing. J.J. explains:
- How to sync your strumming or fingerpicking with the lyrics
- Phrasing techniques to match the melody with chord changes
- How to make the song your own while staying true to its essence
Final Song Demo & Play-Along
To bring everything together, J.J. performs the song with a backing track, reinforcing all the techniques covered in the lesson. This play-along section lets you practice along and refine your timing and transitions.
Why Learn I Will Be Here?
- Develops fingerpicking skills – great for improving coordination and technique
- Enhances chord transitions – teaches smooth movement between complex shapes
FAQs – I Will Be Here Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! While the fingerpicking and chord shapes may seem tricky at first, J.J. provides simplified alternatives and a step-by-step breakdown.
Q2: Can I strum instead of fingerpick?
Absolutely. J.J. introduces two strumming patterns for those who prefer a rhythmic approach.
Q3: Do I need a capo?
Yes, place the capo on the 1st fret to match the song’s key.
