Solo 1
Fear of the Dark - Introduction
Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.
The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.
Fear of the Dark Guitar Lesson
Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.
The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.
For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.
The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.
Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.
FAQs
Q. What tuning does Iron Maiden use for this song?
Standard tuning (EADGBE), though they sometimes play it half-step down live.
Q. How do I play the rhythm correctly?
Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.
Q. Why does the solo sound so dramatic?
It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).
Q. Can I play this song on a single guitar?
Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.
Fear of the Dark Solos
Solo 1
Solo 2
Fear of the Dark - Introduction
Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.
The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.
Fear of the Dark Guitar Lesson
Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.
The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.
For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.
The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.
Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.
FAQs
Q. What tuning does Iron Maiden use for this song?
Standard tuning (EADGBE), though they sometimes play it half-step down live.
Q. How do I play the rhythm correctly?
Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.
Q. Why does the solo sound so dramatic?
It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).
Q. Can I play this song on a single guitar?
Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.
Fear of the Dark Solos
Solo 1
Solo 2
Explore More in English Songs
Introduction
Tune in to a detailed guitar song lesson on What It’s Like, a single by the American musician, Everlast. This 1998’s release was the lead single from his second studio album called Whitey Ford Sings the Blues.
This guitar song lesson is taught by Mike Walker, an experienced musician and instructor at Torrins. He breaks the lesson down into sections: Introduction, Intro Chord Progression, Verse & Chorus, Arrangement, Interlude, and Outro.
Mike Walker teaches the What It’s Like Song guitar lesson using just 3 chords, two of which are Dm and C. No capo is needed!
Chords Used in What It's Like Guitar Lesson
- This song primarily revolves around three simple chords, making it accessible for players of all levels.
- The strumming pattern follows a DDU rhythm, adding a steady groove.
Strumming & Picking Techniques
The song subtly blends strumming and arpeggiation, giving it a dynamic and textured feel. The intro is centered around a D minor chord, with the occasional addition of Dsus4 to introduce subtle variation. Arpeggiated picking is used here to create a melodic and flowing texture, setting the tone for the rest of the song.
In the verse, the D minor chord continues to anchor the progression, while an arpeggiated riff adds depth and makes it more rhythmic.
Moving into the chorus, the strumming follows a consistent DDU (Down-Down-Up) pattern, repeated four times. On the fourth repetition, however, there’s a variation introduced at the end which is a distinctive 8-note strum pattern that adds energy and creates a pumping, driving effect.
Song Structure & Arrangement
The song builds gradually, with familiar sections repeating and subtle changes keeping things interesting. Here's a simple breakdown of how the song flows:
- Intro: A catchy opening riff sets the mood and is played four times.
- Verse 1: The main melody kicks in and repeats six times, helping you settle into the groove.
- Chorus: This part brings in energy. It’s played four times, with a twist added on the fourth round to keep things fresh.
- Interlude: A gentle picking section gives you a short breather before heading back into the main theme.
- Verse 2: Similar to the first verse, but extended — this time it's played eight times.
- Chorus: Returns with the same pattern, repeated four times.
- Bridge: Feels like a throwback to the intro, but with a longer run — played six times.
- Verse 3: Back again for eight repetitions.
- Final Chorus: Played three times as the song winds down.
- Outro: The song gradually fades out, giving it a smooth ending.
Mike shares a tip for those struggling with Fmaj7? Try leading with your third finger—this helps you get the note covered first, giving you an extra split second to position the rest of your fingers.
Why Learn What It’s Like?
- This lesson covers both strumming and fingerpicking, making it great for building dexterity.
- The song’s structure teaches you how to transition smoothly between sections and add dynamics to your playing.
- This song is a fantastic example of storytelling through music, giving you a chance to add emotion to your performance.
FAQs – What It’s Like Guitar Lesson
- Q1: Is this song beginner-friendly?
- Yes! While the Fmaj7 chord can be tricky, the slow tempo and repetitive structure make it easier to master.
- Q2: How can I improve my arpeggiation?
- Start slow, focus on even picking, and gradually increase speed.
- Q3: Do I need a capo?
- No capo is required for this version.
Fun Fact: The song became Everlast’s biggest solo hit after he left the trio House of Pain and transitioned from rap to a bluesy, acoustic hip-hop style, which was a bold and unexpected move at the time!
Similar Metal Songs
If You Like Iron Maiden, You'll Love These
Introduction
Tune into a guitar lesson on the classic heavy metal song "The Trooper" brought to you by Torrins, led by our expert instructor, Bobby Koeble. This song by the English heavy metal band Iron Maiden was released in 1983, and a live version of the song was issued in 2005.
Fun Fact: "The Trooper" by Iron Maiden was inspired by the famous Charge of the Light Brigade during the Crimean War in 1854. The song’s lyrics are based on Alfred, Lord Tennyson’s poem of the same name, which describes the bravery and tragic loss of British cavalry who were misled into a deadly Russian artillery ambush. The intense galloping rhythm of the song reflects the chaos and urgency of the battlefield charge.
Bobby breaks down this classic song lesson into the following parts to ensure a smooth learning experience for learners:
Introduction
Intro Riff
Main Riff & Verse
Chorus & Song Arrangement
Solo 1- Part 1 & 2
Rhythm for Solos
Solo 2
Solo 2 using Whammy Bars
Discussion & Conclusion
Trooper with Backing Track
Chords Used in The Trooper Guitar Lesson
- Most of the song is in the key of E or E minor with a 4/4 time signature. Bobby plays the song in standard tuning.
- The chorus uses a D chord followed by a low E power chord.
- The solos are in the key of A minor and use chords like G, and F, along with others.
- There are harmony parts in the intro and main riffs, with techniques like pull-offs and whammy bar used in the solos.
Strumming Pattern
- The song follows a fast-paced, galloping rhythm—a signature Iron Maiden style.
- Bobby breaks down the strumming pattern and offers options for handling the harmony in the intro.
- Beginners can start with a simple downstroke rhythm, while more advanced players can work on refining the galloping feel.
Song Structure
The song unfolds with a clear and consistent progression that keeps listeners engaged from start to finish. It kicks off with a high-energy intro riff, a fast-paced harmony section that repeats four times to set the tone. This leads into the main riff and verse, where the finger placements and note sequences are broken down for easy understanding.
From there, the momentum builds into the chorus, which delivers a bold shift in rhythm and mood. After returning briefly to the main harmony riff, the song moves into the second verse, introducing a slight rhythmic variation with a galloping feel that adds fresh texture.
The next pass through the chorus sets the stage for not just one, but two solo sections, each packed with expressive phrasing and technique. After the solos, the main harmony riff reappears, anchoring the listener before launching into the third and final verse. Finally, the track winds down with an outro that circles back to the familiar intensity of the intro, bringing the piece full circle with a satisfying sense of closure.
Improvisation Techniques
- The solos are played in A minor.
- Solo 2 includes whammy bar technique for added depth and expression.
Bobby ends the lesson by playing along with a backing track—a great way to practice and refine your playing.
FAQs – The Trooper Guitar Lesson
Q1. Is this song suitable for beginners?
It’s more suited for intermediate players due to the fast-paced rhythm and advanced solo work.
Q2. What’s the key challenge in this song?
The galloping rhythm and smooth chord transitions require precision and practice.
Q3. Do I need a special tuning?
No, the song is played in standard tuning.
