Introduction

Introduction

Black Bird is one of the greatest songs by none other than The Beatles. It’s a song where Sir Paul McCartney performed a solo piece. It is a song that many artists from all around the world cover. The song is also used as an introduction to another hit song by The Beatles called “Yesterday.”

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: For this song, you will be using your thumb for bass notes and playing the melody with the first two fingers. 

Strumming Pattern 

Due to fingerpicking, it does not use the traditional strumming pattern, so you have to learn Travis's picking style, which your guitar instructor is going to teach you in this lesson. Here’s how you will be using it: Thumb (T) → Index (I) → Thumb (T) → Middle (M)

Song Structure 

Introduction: In the introduction, you will learn how to tune up your guitar to play this song. 

Chords and Rhythm: In this part, Mike Walker, your guitar instructor for this song lesson, will show you the required fingerpicking technique, chords and rhythms that you need to follow. 

Song Arrangement: Right in this part, you will learn how to play the different parts of the 

song, starting from the intro and then verses, chorus, and outro. 

Song Demo: Finally, in this section, Mike will show you how to play the song on guitar with a backing track. 

Snowtime is an understated song by James Taylor, and this song exemplifies Taylor’s enduring ability to create intimacy and warmth by using simple musical elements. Taylor is known for composing masterful fingerpicking and mellow vocal tones, and even with the inclusion of these two signature styles of his, Taylor has made this song feel like a quiet 

conversation with his listeners rather than a performance. 

Snowtime keeps up with the folk-pop sensibilities, which is again Taylor’s signature sound; he uses clean guitar lines, gentle melodies and even simple lyrics, which somehow feel like a personal reflection and universal relatability. The guitar work you have to learn for this song is deceptively simple, yet it has technical finesse to it. 

In order to play this song similar to Taylor’s version, you have to learn precise fingerpicking, which is something generations of acoustic guitarists have to learn if they wish to learn guitar as more than just a hobby.

Snowtime is a song masterclass of a song that was held by restraints; it’s a gentle and introspective song that combines simplicity and sincerity. Whenever you are going to play this song on guitar, you and your audience will feel like they have been transported to their old friend’s home for a cup of evening tea or a cold beer. 

Why Learn Snowtime Song By James Taylor Song On Guitar?

The signature fingerpicking of Taylor is present in Snowtime, and as you learn it, you will get to know about precision, control and independence between your thumb and fingers. This song could be one of the best practical exercises you can do to develop smooth, melodic fingerpicking, doesn’t matter if you are a beginner or an intermediate guitar player. 

Snowtime is a song that describes the life of a performer, and ironically, as you learn this song on guitar, you will have a perfect song to play in an acoustic setting. Just Imagine yourself playing this song live, with confidence and full control over chord progression!!

FAQs – Snowtime Song By James Taylor Guitar Lesson

Q1. Which guitar tuning does James Taylor use for the song Snowtime?

Ans. James usually tunes his guitar in standard tuning of EADGBE when he has to play Snowtime, but to play this song; he also applies signature string gauge adjustments and tweaks the guitar’s tuning to enhance the tonality; if you are just learning how to play this song on guitar, it would be best to go with the standard tuning. 

Q2. Which of the fingerpicking techniques do I need to learn for the song Snowtime?  

Ans. Travi-style fingerpicking is our best pick to learn if you do not wish to follow a strumming pattern for this song. 

B.Y.O.B. – Introduction

Welcome to the guitar lesson on one of the greatest anti-establishment rebellion songs that brings together metal, punk, and Middle Eastern melodies into a politically charged anthem. – B.Y.O.B. by System of a Down. The song has been received with love across the world and has won a Grammy for the best hard rock performance in 2006. The song has amassed more than 500 million views on YouTube since its release in 2005.

The song name is an acronym for Bring Your Own Bombs, and was made as a form of protest against the american coalition led Iraq War (2003–2011), with lyrics calling out, “Why don't presidents fight the war? Why do they always send the poor?”. It is a song written in strong political commentary on the situation of wars and oppression around the world. The band has a reputation for speaking out for social justice and matters like drug abuse, politics, and suicide in the heavy metal genre.

B.Y.O.B. Guitar Lesson

The lesson on B.Y.O.B. is brought to you by our beloved instructor, Mike Walker, who demonstrates the song in its entirety and explains all parts of the song in great detail. Since this is a heavy metal song, there are a number of unconventional rhythmic patterns and fast melodic lines for the electric guitar, which is a signature sound for this genre of music.

The song is in the key of F major, but the tuning is half a step down; all the strings are tuned down a semitone. This, firstly, widens or brightens the tone, which makes it feel ‘heavy’ and secondly, loosens the strings, which makes it easier to play at a high tempo.

The lesson is easier to master as it only requires rhythmic proficiency to play in its entirety. The song is very drums and lyrics forward, as is with most heavy metal songs. The song is fun to play because of the distorted tone of the guitar. It’s a saturated machine-like sound that has low-frequency notes, which give it a slightly percussive vibe, usually called ‘djent’.

This is also a short lesson, taught easily by Mike, comfortably suited for beginners and advanced players alike.

FAQs

Q. Can I play BYOB in standard tuning?

Yes, you can play BYOB in standard tuning, but then you’ll have to play the song in E major instead of F major, and you’ll also lose the ‘crunch’ in the strumming.

Q. How to sound like Daron Malakian?

If you want to sound like Malakian, you need an Ibanez Iceman DMM1 guitar, going into a Boss HM-2 Heavy Metal distortion pedal, into a Marshall MF350 amp.

Q. Can I play this on an acoustic guitar?

Yes, you can, but it will not have the rage that is needed to lead a rebellion against the war profiteering world leaders.

Introduction

AC/DC is a hard rock band from Australia. The band recorded the song "You Shook Me All Night Long," which appeared in their album Back In Black. Ozzest 100 considers it one of the most Australian songs of all time. 

According to rock critic Robert Christgau, this song was the only great work of art from the band. If you ever get to witness AC/DC live, you will surely hear this song, which has become a staple of the band's live performances. 

In this video lesson Mike Walker teaches how to play the song You Shook Me All Night Long as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement, Song Demo and Solo Lesson. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: The song is in the key of G major and uses lots of open chords. 

Song Structure 

Introduction: In the introduction, Mike Walker teaches you how to tune up your guitar for this song. He also discusses the open chords you will use in this song and the G pentatonic bass chords in the solo section.  

Song Arrangement: Here, you will learn how to play the iconic guitar introduction of the song. Mike also shares tips on where to play specific chords so you can quickly transition to open chords. 

Song Demo: Here, Mike plays the guitar chords with the backing track to explain how to keep up with the song and maintain the rhythm.

Solo Lesson: This is the most interesting part of the song and of this guitar lesson. In this part, you learn how to play Angus Young's electric guitar solo and tips to make it sound exactly like him. 

Aces High - Introduction

Aces High" is the eleventh single by legendary British heavy metal band Iron Maiden, written by bassist Steve Harris for their 1984 album Powerslave. The song's lyrics vividly depict a British RAF pilot's experience during the Battle of Britain (1940), with the band's mascot Eddie appearing as a Spitfire pilot on the single artwork. The track has become one of Iron Maiden's most iconic songs, featured in numerous video games and extreme sports films.

The song's B-side contains a cover medley of Nektar's "Crying in the Dark" and "King of Twilight" from their 1972 album. The music video, filmed during the World Slavery Tour in Poland, incorporates authentic Battle of Britain newsreel footage. This powerful imagery became a staple of Iron Maiden's live shows, often paired with Winston Churchill's famous wartime speeches as an introduction.

Aces High Guitar Lesson

This lesson with Mike Walker teaches you how to play "Aces High" properly. The song keeps changing keys - it starts in C, then goes to A, then G, then back to C. This makes the song exciting but tricky to play. When the key changes, the mood of the song changes too, just like how a dogfight has calm moments and crazy moments.

The main riff uses something called harmonised guitars - that means two guitars play the same tune but at different pitches, making a cool twin sound. The rhythm is called "galloping" because it goes fast like a horse (down-down-up, down-down-up). You need to palm mute the strings near the bridge to get that tight, machine-gun sound Iron Maiden is famous for.

The solos use a special scale that sounds Middle Eastern. It's basically the minor scale but with the second note lowered (so in E minor, you play F natural instead of F#). This makes the solo sound tense and dramatic, which goes well for a war song. The fast parts need alternate picking - down-up-down-up - to play cleanly at high speed.

For beginners, start by learning just the power chords (C5, A5, G5) and the galloping rhythm slowly. The chords are simple, but switching between them fast is hard. Advanced players should work on the twin guitar harmonies and the quick key changes. The song is tough, but satisfying to play once you get it right, like most metal songs.

FAQs

Q. What tuning is used in Aces High?

The original recording uses Eb tuning (all strings tuned half-step down) but can be played in standard tuning.

Q. How to play the galloping rhythm?

Use alternate picking with emphasis on the downstrokes: Down-Down-Up pattern repeated.

Q. Is this song suitable for beginners?

The simplified power chord version is accessible, but the full arrangement requires intermediate skills.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.