Overdubs Part 1

Chundari Penne - Introduction

Chundari Penne is a beloved Malayalam song from the 2016 film Charlie. The track features Dulquer Salmaan’s warm, conversational vocals and was composed by Gopi Sundar with lyrics by Santhosh Varma. The song’s gentle melody and heartfelt words made it an instant favourite. Its mix of acoustic guitar, light percussion, and subtle strings gives it a nostalgic yet fresh feel.

The song connects deeply with the character of Charlie, a free-spirited traveller in the film. This added emotional layers to the music. The lyrics paint a picture of love and longing in simple but poetic Malayalam. Dulquer’s singing style feels personal, almost like he’s telling a story rather than performing. The track stands out in Malayalam cinema for its blend of modern and traditional sounds.

Chundari Penne Guitar Lesson

Taught by Mike Dugan, this lesson covers the song’s soothing guitar work. The track is in G major and uses a relaxed strumming pattern that matches its easygoing vibe. The main progression moves between G, Em, C, and D, creating a circular, flowing feel. The chords are basic but played with a light touch to keep the mood airy.

The strumming pattern follows a down-down-up-up-down-up rhythm. This gives the song its signature sway. The tempo is slow, so focus on keeping the strokes even and relaxed. The verses have a softer dynamic, while the chorus opens up slightly with fuller strums. Palm muting is used sparingly, just to add subtle texture in certain spots.

For the lead parts, the melody follows the vocal line closely. The fills between verses use simple hammer-ons and pull-offs on the higher strings. The solo section is minimal, sticking to the G major scale with a few tasteful bends. The tone should be clean and warm, with just a hint of reverb to match the original recording.

Beginners can start by mastering the chord changes at a slow pace. The song’s slow tempo makes it forgiving for practice. Intermediate players should work on matching the delicate dynamics between sections. The key is to keep the playing light and expressive, not forceful.

FAQs

Q. What tuning is used in this song?

Standard tuning (E A D G B E). No capo is needed.

Q. How do I get the right strumming feel?

Keep your wrist loose and emphasise the upstrokes slightly to create that bouncy rhythm.

Q. Is this song good for beginners?

Yes, the chords are simple, and the slow tempo makes it great for practising smooth transitions.

Q. What effects are used on the guitar?

A clean tone with light reverb and maybe a touch of chorus for depth.

Q. Can I play it fingerstyle?

Absolutely. Plucking the bass notes with your thumb and the higher strings with your fingers will create a softer sound.

Adiyae Kolluthey – Introduction

Welcome to the guitar lesson on Adiyae Kolluthey, a vibrant romantic track from the 2008 Tamil film Vaaranam Aayiram, directed by Gautham Vasudev Menon. This song stands out with its fresh and youthful vibe, beautifully capturing the excitement and innocence of young love. Composed by Harris Jayaraj, Adiyae Kolluthey features the voices of Krish, Benny Dayal, and Shruti Haasan, with lyrics by Thamarai that add a poetic touch to the melody. The song’s lively energy and emotional depth quickly made it one of the most beloved tracks of the film’s soundtrack.

Visually, the song is equally memorable, shot in stunning locations like the University of California, Berkeley, and the scenic San Francisco Bay area. The beautiful backdrops perfectly complement the playful chemistry between the lead actors, Suriya and Sameera Reddy. This combination of heartfelt music and captivating visuals made Adiyae Kolluthey a favorite among fans and helped cement Harris Jayaraj’s place as one of Tamil cinema’s top composers. The song also marked an important moment for Shruti Haasan, establishing her as a strong playback singer in the industry.

Adiyae Kolluthey – Guitar Lesson

In this lesson, Mike Walker takes you through the essentials of playing Adiyae Kolluthey on guitar, using Eb tuning which lowers the pitch a half step from standard tuning. This tuning helps capture the song’s smooth and mellow feel while making some of the chords easier to finger. The main chords you’ll use include power chords like B5, A5, D5, and E5, along with some major chords like C# and F#. Mike breaks down each chord shape slowly so you can get comfortable with the finger placement and maintain the song’s clean tone.

Mike explains that the song’s arrangement relies a lot on these power chords, which give the track a gentle rock edge without overpowering the vocals. The use of power chords instead of full major or minor chords creates a light but driving sound that fits perfectly with the song’s youthful energy. He also points out the smooth transitions between chords like B5 to A5, which require a relaxed hand and practice to sound fluid.

The rhythm of Adiyae Kolluthey is steady and laid-back, sitting comfortably in a 4/4 time signature at a moderate tempo. Mike guides you through the strumming pattern, which combines downstrokes and light upstrokes to keep the momentum moving without becoming too busy. He also offers tips on muting and palm damping to control the tone, which is important to replicate the song’s clean guitar sound. For those looking to add some flair, Mike suggests subtle embellishments using slides and hammer-ons within the chord shapes, making your playing feel more expressive without overcomplicating things.

FAQs

Q. What tuning is Adiyae Kolluthey played in?

The song is played in Eb tuning, which is standard tuning lowered by a half step on every string.

Q. Are power chords difficult to play for beginners?

Not really. Power chords are simpler shapes that focus on the root and fifth notes. With some practice, even beginners can play them smoothly.

Elay Keechan is a song composed by A.R. Rahman for the Tamil film Kadal, which was released in 2013. This particular track from the movie's album stands out as the most listened-to song because of its energetic folk-rock fusion and catchy rhythm. 

A.R. Rahman made sure to infuse folk elements with contemporary rock, making this song a truly refreshing listening experience. In this song you will witness acoustic guitar strums in addition to the bluesy bass lines and even the use of harmonica. 

Strumming Pattern 

Elay Keechan has a laid-back sound to it; it holds a nostalgic feel as well, which comes from gentle strumming or light fingerpicking. The recommended strumming pattern for this song is D – D U – U D U. 

• D = Down Strum. 
• U = Up Strum. 
• “–” = Pause or hold

• When you play this song, try to use light dynamics; what this means is that you have to let the strums breathe in order to maintain the song's emotional depth. 
• Furthermore, it would be great if you could use a capo on the 1st or 2nd fret to match up with the original pitch of the song. 
• You can also use fingerpicking in the intro to add more layers of retro vibe to the song. 

Song Structure 

Introduction: The introduction of the song lesson is by Mike Walker, who is also going to be your guitar instructor for this song. Mike talks about how this song is unique with its repetitive rhythmic parts and how it has a country-like solo. In this part of the lesson, you will be learning how to tune up the guitar for this song. 

Riff: Here Mike will first play the closed version of the song, and he explains to you the chords used for it, then he moves to the open version and shares with you the chords for the same. 

Song Demo: After showing you the repetitive rhythm that you need to follow, Mike will demonstrate how to play the song on guitar with the backing track. 

Improvisation: In this section of the guitar lesson, Mike will show you how to implement improvisation techniques for this song. These techniques will make it easier for you to play the song. 

Solo: The last part of this lesson is a guitar solo, which is played at the 10th fret of your guitar. Mike has divided the solo into multiple licks and shows you how to play the entire solo, one lick after the other. 

Crazy Minnal is one of the vibrant Tamil songs that was part of the movie Naduvula Konjam Pakkatha Kaanom, which was released in 2012. This song stands out as the promotional track for the film due to its upbeat tempo and memorable tune. 

Song Structure 

Introduction: The introduction of this guitar lesson is from Bobby Koelble, who is also going to be your instructor. In this introduction, Bobby shares his views on the song; he tells us that the song includes a pretty nice tune that has to be played on acoustic guitar for the best results. 

Verse 1: This particular part is the longest, and here you will learn about the chords, rhythm, and song arrangement of the 1st verse that comes in the beginning. The guitar part starts from the lead vocals; for this part, you will be using right-hand fingerpicking techniques, so do spend some time perfecting this particular part, as this technique is quite useful if you are going to be a professional guitarist. 

Pre-chorus and Chorus: The pre-chorus present in this song is just 4 bars long, and it follows a simple rhythm. 

Solo Rhythm: Now comes the part where you will learn how to play the epic solo; here, Bobby first shows you the chords that are being played below the main solo, which has a very subtle rhythm part that keeps playing in the background as the guitar solo progresses. Once this is done, Bobby will teach you how to play the solo part. 

Bridge: This part shows you how to play the bridge, which is a total of 12 measures; here, you will be mostly playing the chords that you have already learned in the above section; there are two or three additional chords for this lesson. 

Verse 3: When you listen to the third verse, you might think it’s pretty similar to what you have learned in the first verse; well, it is partially true; here, you will find there’s a change in harmony, and if we compare it rhythmically we can find that it is completely different than the 

first one. 

Pre-chorus 2 and Chorus 2: Once again, the pre-chorus is similar to the first one but with the addition of two new chords for you to learn and practice. 

Song Demo: This is the part where your guitar instructor plays the guitar parts of the song with the backing track. 

Solo Lesson: Here, you will learn how to play the solo, which is pretty small in terms of bar length. But it does hold significance when it learns the right essence of this song. 

Simple Version: In this last section, Bobby plays each section of the song, but this time, instead of using complex bar chords and progressions, he will keep things simple to make it easier for beginners to learn this song. 

Aasai Oru Pulveli was a standout song from the movie Attakathi, a Tamil film that was released back in 2012. Santhosh Narayanan did the composition of the song; with this track, Santhosh tried to capture the essence of innocence, which is present in youthful love. 

As the movie was released, this song became a cult favorite among modern Tamil music fans. The title of the song translates to My Desire Is Like A Blade Of Grass, which is there to depict the fragility of falling in love with someone for the very first time. 

Furthermore, this song marked a turning point in the life of composer Santhosh Narayanan, he used analog recording techniques in order to recreate nostalgic and retro vibes of the 80s. He even chose vintage synth sounds and layered vocals to give this song its dreamy texture, which makes it stand out in the sea of digital-heavy soundtracks. 

Song Structure 

Introduction: The introduction for this guitar lesson starts with J.J. Pattishall played the key chords for the song. In addition to this, J.J. will be your guitar instructor as well, so before proceeding any further, he will tell you how to tune up the guitar for this song. You will be playing the guitar parts as close to the original tune which was part of the recording. 

Song Arrangement - Part 1 (Intro Piece): J.J. talks about how the tuning changes up the tonality of the strings and gives you a sound that you can experiment with according to your requirements. Also, you have to use a capo on the 2nd fret for this song, 

Song Arrangement - Part 2: This part of the song lesson shows you how to play the chords for the extended chorus part of the song. 

Rhythm: Here, you will learn about the rhythm that you need to follow in this song; your guitar instructor divides the rhythm section into two parts: the first one is the chorus rhythm, and the second is the verse rhythm. 

Song Demo: This is the final part, where J.J. shows you how to play the guitar parts of the song with the backing track. 

Why Learn Aasai Oru Pulveli Song From Attakathi?

It is a beautifully composed song that is a blend of modern melodies and does hold a nostalgic retro feel to it as well. The song features simple and flowing chord changes that are pretty easy to grasp, making them great for practice. It helps in improving your timing, transitions and rhythm. 

Furthermore, you can experiment with gentle fingerpicking or mellow strumming, as the song lets you do both things, giving you space to showcase your versatility. It has a laid-back tempo, and the melody urges you to sing along, thus making it a fun song to perform solo with vocals and guitar in a live performance setup.  

Introduction

In this video lesson your instructor, Mike Walker teaches how to play the song Stairway to Heaven as part of our guitar series on English songs. It is one of the most iconic piece of rock music. Playing it on your guitar instantly earns you street cred as a guitarist. 

Don't forget to make use of the chords and tabs provided with the song lesson!

Strumming Pattern 

The intro and the verse section of the song are all about fingerpicking, but as the song moves towards the more guitar-centric section strumming does come into play, and the strumming pattern is as follows: D - D U - U D U

• D = Down strum
• U = Up strum
• - = Pause or hold

Song Structure 

• Introduction: Mike Walker will introduce this song lesson. He will be your guitar instructor for this lesson. He will teach you how to tune your guitar and share his advice on why every rock fan should learn this song. 
• Intro Piece: This is the part when you play instantly makes everyone acknowledge that you are playing Stairway to Heaven. 
• Section A and B: Section A is pretty similar to the intro piece, Mike tells you which chords to play to make it sound different and how to play Section B.
• Section C and D: This part of the guitar lesson continues with the acoustic guitar chord. 
• Section E and F: Here, you will learn the most repeated guitar part of the song, section E. The F section is about the last acoustic part of the song. 
• Song Demo: In this part, Mike will show you how to play the entire acoustic guitar section alongside the backing track. 
• Solo Lesson: This is the most anticipated part of the song; Mike breaks Jimmy Page’s iconic solo with multiple licks and plays them with the backing track. 
• Overdubs: This is the last section of the guitar lesson, and here, you will learn about overdubs, which are basically the additional layer of guitar tracks used in the song. 

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Fish Rock – Introduction

Fish Rock is a standout track by the Indian band Thaikkudam Bridge, known for blending intense death metal with local Kerala culture. Released in 2014 during a live session on Kappa TV’s Music Mojo, the song quickly caught fire online, gaining millions of views and establishing the band as a powerful force in the Indian indie rock scene. What makes Fish Rock so unique is its playful inspiration—a love for fish fry, a popular dish in coastal Kerala—which the band turns into an energetic metal anthem full of fast riffs and powerful vocals.

The song features lyrics in Malayalam, peppered with local slang and phrases that add authenticity and regional flavor, making it feel both raw and personal. Led by Govind Menon’s songwriting and Anish Krishnan’s fierce vocals, Fish Rock combines aggressive metal instrumentation with catchy melodies and rhythms. The track became a key highlight of Thaikkudam Bridge’s debut album Navarasam in 2015, showcasing their ability to mix heavy music with cultural storytelling, which helped redefine Indian rock in a fresh and exciting way.

Fish Rock – Guitar Lesson

Mike Walker’s lesson on Fish Rock dives into how to nail the song’s heavy, gritty sound using drop D tuning, where the lowest string is tuned down a whole step from E to D. This tuning gives the guitar a deeper, punchier tone that’s perfect for the chunky riffs and aggressive rhythm playing the song demands. Mike takes you through the main riff, focusing on the powerful use of open strings and palm muting to create that tight, percussive feel common in metal.

The soloing section in Fish Rock is built around the minor pentatonic scale, which is a go-to scale for rock and metal soloing. Mike breaks down the solo ideas simply by showing how the minor pentatonic scale works—basically a five-note scale that sounds dark and bluesy. He explains how to use bends, slides, and hammer-ons to add expression without overcomplicating the solo, making it approachable for players looking to get into metal lead playing.

Throughout the lesson, Mike emphasizes keeping the rhythm tight and clean, which is key in heavy music to avoid a muddy sound. He also talks about dynamics—how to build tension by mixing softer muted riffs with bursts of aggressive picking. For players wanting to get the full feel of Fish Rock, Mike’s guidance on using the drop D tuning effectively, combined with minor pentatonic lead ideas, helps capture the song’s raw energy while making it accessible for learners.

FAQs

Q. What tuning is used in Fish Rock?

The song uses drop D tuning, which means the low E string is tuned down one whole step to D.

Q. What scale is used for the solo in Fish Rock?

The solo is based mainly on the minor pentatonic scale, which is a simple and common scale for rock and metal solos.