Introduction
Fear of the Dark - Introduction
Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.
The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.
Fear of the Dark Guitar Lesson
Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.
The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.
For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.
The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.
Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.
FAQs
Q. What tuning does Iron Maiden use for this song?
Standard tuning (EADGBE), though they sometimes play it half-step down live.
Q. How do I play the rhythm correctly?
Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.
Q. Why does the solo sound so dramatic?
It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).
Q. Can I play this song on a single guitar?
Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.
Fear of the Dark
Introduction
Intro Riff-Distortion
Clean Intro
Verse and Chorus
Interlude 1
Remaining Verses and Choruses
Interlude 2
Interlude 2-Backing Track
Song Demo
Song Demo-Guitar 2
Interlude 3
Interlude 3-Backing Track
Solo 1
Solo 2
Fear of the Dark - Introduction
Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.
The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.
Fear of the Dark Guitar Lesson
Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.
The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.
For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.
The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.
Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.
FAQs
Q. What tuning does Iron Maiden use for this song?
Standard tuning (EADGBE), though they sometimes play it half-step down live.
Q. How do I play the rhythm correctly?
Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.
Q. Why does the solo sound so dramatic?
It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).
Q. Can I play this song on a single guitar?
Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.
Fear of the Dark
Introduction
Intro Riff-Distortion
Clean Intro
Verse and Chorus
Interlude 1
Remaining Verses and Choruses
Interlude 2
Interlude 2-Backing Track
Song Demo
Song Demo-Guitar 2
Interlude 3
Interlude 3-Backing Track
Solo 1
Solo 2
Explore More in English Songs
Introduction
Torrins brings you another heartfelt country classic—Always on My Mind by Willie Nelson, taught by Mike Dugan. This in-depth lesson covers everything from basic chords to advanced rhythm techniques, making it accessible for both beginners and advanced players.
Fun Fact: Always on My Mind was the Billboard number one country album of the year in 1982. It remained on the Billboard Top Country Albums chart for an astonishing 253 weeks, holding the number one spot for 22 weeks. It even spent 99 weeks on the Billboard 200, peaking at number two for three weeks!
Chords Used in Always on My Mind
Beginner Chords:
- D, A, Bm, etc (alternative chords provided for those struggling with barre chords)
- Bm/G# and other slash chords (simplified option available)
- Basic downstrumming technique
Advanced Chords:
- Walk-down from Bm barre chord to G, creating a smooth transition
- Em, A, D, and motion chord movement from Em to F#, along with other chord voicings
- Includes A/C# to add depth to the song
Rhythm & Strumming Pattern
Beginner Rhythm:
- Simple downstrumming throughout the song for easy playability
Advanced Rhythm:
- More dynamic strumming pattern: DUDDUD with variations in the upstrokes
- Incorporates subdivisions and expressive chord transitions to match the song’s emotional tone
Song Structure
This song follows a classic country ballad structure:
- Intro
- Verse 1 & 2
- Bridge – Separate versions for beginners and advanced players
- Solo Verse – Melody-driven section
- Bridge Repeat
Solo Section
- Uses the D major scale for advanced players
- Simple yet effective solo incorporating D and Bm/A chords, to name a few
- Captures the melody of the song to create an emotional instrumental moment
Improvisation Techniques
For those wanting to add their own flavour, Mike shares techniques to elevate their playing:
- Walk-down motions to create smoother transitions
- Letting open strings ring for a fuller sound
- Subtle rhythmic variations to match Willie Nelson’s expressive phrasing
Why Learn Always on My Mind?
This lesson is a great way to enhance your expressiveness as a guitarist. Whether you’re learning the basic chords or mastering the advanced transitions, Mike ensures that every player walks away with valuable skills.
FAQs – Always on My Mind Guitar Lesson
Q1. Is this song beginner-friendly?
Ans: It’s better suited for intermediate and advanced players, but Mike breaks it down for beginners as well.
Q2. What if I struggle with barre chords?
Ans: Alternative chord shapes are provided for Bm and Bm/G# to make it easier.
Q3. How can I improve my strumming on this song?
Ans: Beginners should start with downstrumming, while advanced players can incorporate upstroke variations and subdivisions for a more dynamic feel.
Q4. Does this lesson include a solo?
Ans: Yes! The solo is based on the D major scale and includes a simple yet effective melody.
Introduction:
Get ready to learn You Send Me by Sam Cooke with instructor Mike Dugan on Torrins. This lesson covers everything from basic chords and strumming patterns to advanced solo techniques, making it suitable for both beginners and more experienced players. Mike breaks down the song step-by-step, helping you match your vocals with the chords and refine your rhythm for a polished performance.
Fun Fact: This was Sam Cooke’s debut single and it was a glorious debut– it peaked at number 1 position on both Billboard's Rhythm & Blues Records chart and the Billboard Hot 100. It was also named as one of the 500 most important rock and roll recordings by the Rock & Roll Hall of Fame.
Chords and Techniques Used in You Send Me
- Key: The original song is in the key of F for vocals, but Mike moves it to the key of G since it’s easier to follow on the guitar.
- Chords Used:
- G, D or D7, Am, and others
- He explains easy chord transitions and provides alternatives for beginners struggling with barre chords.
- Strumming Pattern:
- For Beginners:
- Use downstrokes, with two strums per chord for the verse.
- The verse uses open chords, with downstrokes on the numbers and upstrokes on the "and" counts.
- Tip: Don’t force the upstrokes—keep them light and natural.
- For Advanced Players:
- Mike demonstrates an advanced rhythm pattern using downstrokes with a triplet feel.
- He explains how to create a smoother, more dynamic strumming effect.
- For Beginners:
Song Structure
- Verse 1 and Verse 2: The two verses follow the same chord pattern and strumming technique. He also teaches how to match your vocals with the chords for a cohesive sound.
- Bridge: The bridge includes barre chords, but Mike teaches open chord alternatives for beginners. He explains the correct positioning for barre chords in detail to help you improve your grip and clarity.
- Solo Section: The solo is in the key of G major. The lead follows the relative minor of G (E minor), using the E minor pentatonic scale. For advanced players, he demonstrates a creative technique that makes the solo sound very close to the original recording.
Why Learn You Send Me?
This lesson not only teaches you how to play the song but also helps you develop better rhythm, improve chord transitions, and explore creative soloing techniques. The mix of beginner-friendly guidance and advanced options makes it a well-rounded learning experience.
Tips to Improve Your Playing
- Start slow with the strumming pattern to build muscle memory.
- Focus on smooth transitions between chords.
- For the solo, practice the E minor pentatonic scale separately before combining it with the backing track.
- Follow along with the tabs provided for a comprehensive learning experience.
FAQs – You Send Me Guitar Lesson
Q1. Is this song suitable for beginners?
Ans: Yes! The lesson includes beginner-friendly chords and strumming patterns, along with alternatives for challenging barre chords.
Q2. What’s the best way to improve my chord transitions?
Ans: Start slowly and focus on switching between two chords at a time before increasing your speed.
Q3. Do I need a capo for this song?
Ans: No capo is required, but you can experiment with different chord voicings to match your vocal range.
Introduction:
Torrins brings you another legendary blues guitar lesson—Stormy Monday as played by The Allman Brothers Band, taught by Mike Dugan. This classic blues song is packed with soulful chords, smooth rhythm, and expressive lead playing, making it a must-learn for any blues guitarist.
Fun Fact: Originally written by T-Bone Walker, Stormy Monday inspired blues legends like B.B. King to pick up the electric guitar. Moreover, the Allman Brothers' 1971 version, with jazzy organ and extended solos, transformed it into an iconic 8-minute masterpiece.
Chords & Song Arrangement
- This song follows a 12-bar blues progression in the key of G, incorporating both open and barre chords:
- Chords Used – G#7, Am7, Bbm7, and more. Some chords are barre chords, but Mike provides easier alternatives for different playing levels.
- Since T-Bone was known for his 9th chords, Mike also teaches 9th chord variations to bring out that authentic blues feel.
- The song includes a subtle sharp climb, adding to the T-Bone Walker-style phrasing.
Rhythm & Strumming Pattern
- Time Signature: 4/4
- Main Rhythm: A slow blues groove with a simple strumming pattern at first.
- Alternative Rhythm: A 6-feel rhythm (double-time feel), adding an upbeat bluesy bounce.
Mike also demonstrates advanced rhythmic techniques, incorporating double stops, slides, and dynamic accents to enhance the song’s groove.
Intro Lick, Turnaround & Ending
- Intro Lick – A G9 chord-based intro, first broken down in a simplified version before introducing more advanced variations using sharp and augmented chords.
- Turnaround – Mike walks through classic turnaround chords, showing how they fit into the blues form.
- Ending – He teaches a common blues-style ending which is useful for countless other blues songs.
Sing & Play – Coordinating Vocals & Guitar
Want to sing while playing? Mike shares practical tips on how to sync your vocals with the guitar. He encourages adding your own feel to the song while staying true to its blues roots.
Lead Fills & Lead Playing
- Lead Fills: The lesson starts with small lead fills that complement the vocals.
- Key & Scales: He uses the G minor pentatonic blues scale and major blues in G for expressive phrasing.
- Playing Lead in Slow Blues: Mike demonstrates bends, sustains, and dynamics, making your solos sound rich and emotional.
Improvisation & Playing with a Backing Track
- Here Mike explains how to improvise and when to use the major vs. minor scale. He also demonstrates how to craft a melodic, bluesy solo.
- Follow his approach, and soon, you’ll be confidently improvising your own slow blues solos!
Final Playthrough with Backing Track
To wrap up the lesson, Mike plays the full song with a backing track, reinforcing all the techniques covered. Watch closely and play along to lock in the feel and phrasing of this blues classic.
Why Learn Stormy Monday?
- Classic blues structure – great for understanding blues chord progressions.
- Improves both rhythm & lead playing – covers everything from chords to expressive solos.
- Perfect for improvisation – teaches you how to craft slow blues solos with feel.
FAQs – Stormy Monday Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! Mike provides simplified chord alternatives and breaks down the song step by step.
Q2: What’s the most challenging part?
The double-time solo can be tricky, but Mike teaches how to ease into it.
Q3: How do I make my solos sound bluesier?
Focus on bends, vibrato, and using both the major & minor blues scales—all of which Mike explains in detail!
Similar Metal Songs
If You Like Iron Maiden, You'll Love These
Introduction
Tune into a guitar lesson on the classic heavy metal song "The Trooper" brought to you by Torrins, led by our expert instructor, Bobby Koeble. This song by the English heavy metal band Iron Maiden was released in 1983, and a live version of the song was issued in 2005.
Fun Fact: "The Trooper" by Iron Maiden was inspired by the famous Charge of the Light Brigade during the Crimean War in 1854. The song’s lyrics are based on Alfred, Lord Tennyson’s poem of the same name, which describes the bravery and tragic loss of British cavalry who were misled into a deadly Russian artillery ambush. The intense galloping rhythm of the song reflects the chaos and urgency of the battlefield charge.
Bobby breaks down this classic song lesson into the following parts to ensure a smooth learning experience for learners:
Introduction
Intro Riff
Main Riff & Verse
Chorus & Song Arrangement
Solo 1- Part 1 & 2
Rhythm for Solos
Solo 2
Solo 2 using Whammy Bars
Discussion & Conclusion
Trooper with Backing Track
Chords Used in The Trooper Guitar Lesson
- Most of the song is in the key of E or E minor with a 4/4 time signature. Bobby plays the song in standard tuning.
- The chorus uses a D chord followed by a low E power chord.
- The solos are in the key of A minor and use chords like G, and F, along with others.
- There are harmony parts in the intro and main riffs, with techniques like pull-offs and whammy bar used in the solos.
Strumming Pattern
- The song follows a fast-paced, galloping rhythm—a signature Iron Maiden style.
- Bobby breaks down the strumming pattern and offers options for handling the harmony in the intro.
- Beginners can start with a simple downstroke rhythm, while more advanced players can work on refining the galloping feel.
Song Structure
The song unfolds with a clear and consistent progression that keeps listeners engaged from start to finish. It kicks off with a high-energy intro riff, a fast-paced harmony section that repeats four times to set the tone. This leads into the main riff and verse, where the finger placements and note sequences are broken down for easy understanding.
From there, the momentum builds into the chorus, which delivers a bold shift in rhythm and mood. After returning briefly to the main harmony riff, the song moves into the second verse, introducing a slight rhythmic variation with a galloping feel that adds fresh texture.
The next pass through the chorus sets the stage for not just one, but two solo sections, each packed with expressive phrasing and technique. After the solos, the main harmony riff reappears, anchoring the listener before launching into the third and final verse. Finally, the track winds down with an outro that circles back to the familiar intensity of the intro, bringing the piece full circle with a satisfying sense of closure.
Improvisation Techniques
- The solos are played in A minor.
- Solo 2 includes whammy bar technique for added depth and expression.
Bobby ends the lesson by playing along with a backing track—a great way to practice and refine your playing.
FAQs – The Trooper Guitar Lesson
Q1. Is this song suitable for beginners?
It’s more suited for intermediate players due to the fast-paced rhythm and advanced solo work.
Q2. What’s the key challenge in this song?
The galloping rhythm and smooth chord transitions require precision and practice.
Q3. Do I need a special tuning?
No, the song is played in standard tuning.
