The times they are a-changin'
Introduction
Chords and Rhythm
Intro+Verse 1
Verse 2
Interlude 1-5
Song Arrangement
Vocal Melody
Song Demo
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The times they are a-changin'
Introduction
Chords and Rhythm
Intro+Verse 1
Verse 2
Interlude 1-5
Song Arrangement
Vocal Melody
Song Demo
Explore More in English Songs
Introduction
Tune into a classic Pink Floyd guitar lesson on Wish You Were Here at Torrins.com, led by our experienced tutor, Mike Dugan. He breaks down the lesson into various sections: Introduction, Intro Chords & Rhythm, Intro Lead, Verse & Chorus Lesson, Solo Improvisation, Arrangement & Playing with Backing Track.
Interesting Fact: In the song's intro, you can hear David Gilmour coughing and breathing heavily before the guitar kicks in. Rumour had it that Gilmour’s smoking habit caused the cough, and that he quit smoking afterwards out of frustration with the recording. But Gilmour later clarified he never smoked!
Mike plays the song using various open chords, including Em, Em7, G, A, and Am. Tune into the complete lesson to learn the rest of the chords that make up this song. This song is a great choice for both beginners and intermediate players.
Chords Used in "Wish You Were Here" Guitar Lesson
This song is played using simple open chords, making it accessible for both beginners and intermediate players. For intermediate players, Mike introduces some alternate chord voicings to stay true to the song’s original sound while adding a unique touch.
Strumming Pattern
The strumming pattern is beginner-friendly with consistent downstrums. For those wanting to level up, Mike shares an advanced rhythm that incorporates upstrums for a more dynamic feel.
Song Structure
"Wish You Were Here" follows a clear and structured arrangement:
- Intro: Lead + rhythm section (Mike provides a simpler alternative for beginners)
- Lead Riffs: Based on the E minor pentatonic scale and its extensions, featuring double stops and hammer-ons.
- Verse 1: Smooth chord transitions; beginners can use downstrums, while advanced players can follow the more complex rhythm.
- Solo: You can either repeat the intro solo or follow Mike’s improvisation using the E minor pentatonic scale.
- Verse 2: Similar to Verse 1, with consistent strumming and clean transitions.
- Final Solo: A concluding solo based on the intro lead and E minor pentatonic improvisation.
Improvisation Techniques
Mike teaches how to improvise using the E minor pentatonic scale. He also adds his own flair by playing it on the 12th fret in true David Gilmour style.
Singing Along
Mike also walks you through the singing component, helping you match the chord changes with the lyrics.
Pro Tip: Make use of tabs and lyrics for smoother learning.
Why Learn "Wish You Were Here"?
This lesson helps you improve your chord transitions and develop a smooth, expressive playing style. It's a great piece to master for solo and sing-along sessions. Plus, learning David Gilmour’s style will sharpen your improvisation skills.
Tips to Improve:
- Focus on clean chord transitions.
- Keep your strumming hand relaxed to maintain a steady rhythm.
FAQs – "Wish You Were Here" Guitar Lesson
Q1. Is this song beginner-friendly?
Yes! The chords are straightforward, and Mike provides a simplified version of the intro for beginners.
Q2. Can I just strum the song instead of fingerpicking?
Yes! You can simplify the song with consistent downstrums or follow the more advanced strumming pattern Mike shares.
Songs with Similar Difficulty
Introduction
Torrins brings you an exciting guitar lesson on Insomnia by Rob Marcello, taught by the artist himself. This means you are learning the song's intricacies directly from the creator, giving you a unique insight into the techniques and creative choices behind this guitar masterpiece.
Fun Fact: Rob Marcello was quite young when he composed this song and admitted that he wasn’t fully familiar with advanced music theory at the time. While Insomnia may not have achieved mainstream chart success, it remains a respected piece within the guitar community.
Chords Used in Insomnia Guitar Lesson
- Intro: Intro is played in the key of G harmonic minor and uses a C minor arpeggio and triad. It also includes an F# chord along with other chords.
- Verse: Chords used: Gm, F/G. It’s a simple verse structure with basic licks. Practising this verse is a good exercise for picking accuracy.
- Chorus: In chorus, the key changes to C minor. This section involves arpeggios, sliding, and tapping
- Break Section: The key of G harmonic minor returns. It has a metal-style lick. One of the chords is a D chord.
- Classical Section: Has a key of G major. Ensure you have a clean note separation in this section. Tip: Lift each finger as you play.
- Pre-Solo Section: Some of the chords used are D major and E♭ major. This section involves sliding up the neck and is still in the key of G harmonic minor.
- First Solo: Base stays on G and includes F major arpeggio.
- Main Solo: It uses harmonic picking, a guitar technique where you pick a note while lightly touching the string to create a bright, bell-like overtone. The solo starts with blues licks played through a wah-wah pedal and follows a pentatonic blues box shape.
There are other segments in this song that cover Dominant 7 tapping lick, string skipping & pentatonic licks, and lastly, he ends the lesson by playing along with a backing track.
Why Learn Insomnia?
Insomnia is an excellent song for players looking to improve their left-hand legato, harmonic picking, and tapping techniques. It blends metal, blues, and classical influences, making it a well-rounded piece for guitarists aiming to develop technical precision and creative expression. It is better suited for advanced players.
Tips for Playing Insomnia:
- Pay attention to the rhythmic phrasing in the break section.
- Master the sliding and tapping techniques in the solos for a polished sound.
FAQs – Insomnia Guitar Lesson
Q1. Is this song beginner-friendly?
No, this lesson is suited for advanced players due to the complex techniques involved.
Q2. How can I master the classical section?
Ensure clean note separation by lifting each finger immediately after playing the note.


























