Introduction
Good Times Bad Times - Introduction
Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.
John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.
Good Times Bad Times Guitar Lesson
Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.
The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.
For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.
Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.
FAQs
Q. What tuning does this song use?
Standard tuning (E A D G B E). No special tuning needed.
Q. Is this song good for beginners?
The power chords are easy, but the slides and strumming take practice.
Q. What guitar effects were used?
Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.
Good Times Bad Times
Introduction
Song Arrangement
Solo
Song Demo with Rhythm Parts
Song Demo with Solo
Good Times Bad Times - Introduction
Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.
John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.
Good Times Bad Times Guitar Lesson
Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.
The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.
For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.
Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.
FAQs
Q. What tuning does this song use?
Standard tuning (E A D G B E). No special tuning needed.
Q. Is this song good for beginners?
The power chords are easy, but the slides and strumming take practice.
Q. What guitar effects were used?
Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.
Good Times Bad Times
Introduction
Song Arrangement
Solo
Song Demo with Rhythm Parts
Song Demo with Solo
Explore More in English Songs
Introduction
Torrins brings you an exciting guitar lesson on Insomnia by Rob Marcello, taught by the artist himself. This means you are learning the song's intricacies directly from the creator, giving you a unique insight into the techniques and creative choices behind this guitar masterpiece.
Fun Fact: Rob Marcello was quite young when he composed this song and admitted that he wasn’t fully familiar with advanced music theory at the time. While Insomnia may not have achieved mainstream chart success, it remains a respected piece within the guitar community.
Chords Used in Insomnia Guitar Lesson
- Intro: Intro is played in the key of G harmonic minor and uses a C minor arpeggio and triad. It also includes an F# chord along with other chords.
- Verse: Chords used: Gm, F/G. It’s a simple verse structure with basic licks. Practising this verse is a good exercise for picking accuracy.
- Chorus: In chorus, the key changes to C minor. This section involves arpeggios, sliding, and tapping
- Break Section: The key of G harmonic minor returns. It has a metal-style lick. One of the chords is a D chord.
- Classical Section: Has a key of G major. Ensure you have a clean note separation in this section. Tip: Lift each finger as you play.
- Pre-Solo Section: Some of the chords used are D major and E♭ major. This section involves sliding up the neck and is still in the key of G harmonic minor.
- First Solo: Base stays on G and includes F major arpeggio.
- Main Solo: It uses harmonic picking, a guitar technique where you pick a note while lightly touching the string to create a bright, bell-like overtone. The solo starts with blues licks played through a wah-wah pedal and follows a pentatonic blues box shape.
There are other segments in this song that cover Dominant 7 tapping lick, string skipping & pentatonic licks, and lastly, he ends the lesson by playing along with a backing track.
Why Learn Insomnia?
Insomnia is an excellent song for players looking to improve their left-hand legato, harmonic picking, and tapping techniques. It blends metal, blues, and classical influences, making it a well-rounded piece for guitarists aiming to develop technical precision and creative expression. It is better suited for advanced players.
Tips for Playing Insomnia:
- Pay attention to the rhythmic phrasing in the break section.
- Master the sliding and tapping techniques in the solos for a polished sound.
FAQs – Insomnia Guitar Lesson
Q1. Is this song beginner-friendly?
No, this lesson is suited for advanced players due to the complex techniques involved.
Q2. How can I master the classical section?
Ensure clean note separation by lifting each finger immediately after playing the note.
Introduction
Join our expert instructor, Bobby Koeble, for an in-depth lesson on "Always With Me, Always With You" by Joe Satriani. This song is a lyrical masterpiece known for its challenging legato-style licks and smooth melodic phrasing. This intermediate to advanced-level lesson will walk you through every section of the song, helping you master both the technical and emotional elements that make it so iconic.
Interesting fact: Joe Satriani wrote "Always With Me, Always With You" as a heartfelt tribute to his wife. Unlike many of his other complex, high-energy tracks, this song stands out for its melodic simplicity and emotional depth. Satriani has said that the song represents a peaceful and constant connection with his wife, capturing the feeling of always being together no matter the distance.
Bobby has broken down the song lesson into various sections for a detailed understanding.
- Introduction
- Separate lessons for Solo section 1-6
- Conclusion and backing track
Chords Used
This song is in the key of B major and follows a 3/4 time signature. Some of the key chords used are:
- B11 – Uses the E string for added depth.
- E major – Bobby teaches a unique fingering that differs from standard chord shapes.
- G# minor and F#sus4 – Essential for the song’s harmonic feel.
Tune into the song lesson to learn the rest of the chords that make up this song.
Strumming Pattern
The rhythm of this song is signature to the tune. It follows a strict 8-note rhythm with incorporated techniques such as:
- Palm muting
- Arpeggios
- Sliding
Bobby also shares alternative ways to approach the rhythm so you can find what works best for you.
Song Structure
This song features a flowing, solo-driven structure:
Intro: It has a lyrical melody featuring legato-style licks
Solo Section 1: It is played in the key of B major and incorporates harmonics, vibrato, and sliding.
Solo Section 2: Moves higher up the neck and incorporates heavy use of vibrato and smooth phrasing.
Solo Section 3: This section has a harmony and melody change and is slightly longer and more complex. It introduces left-hand legato techniques.
Solo Section 4: Main melody moves up an octave and incorporates two-handed tapping.
Solo Section 5: It is the most rhythmically challenging part that includes double stops and varied phrasing.
Solo Section 6: Returns to the earlier melody with subtle variations in slide and inflexion. It has a fast legato-based lick to close out.
Outro: Bobby wraps up the lesson by playing along with the backing track
Why Learn This Song?
- Master left-hand legato techniques
- Develop precise control over sliding and vibrato
- Incorporate bluesy elements into your playing
- Build confidence with soloing and tapping
FAQs- Always With Me, Always With You Song Guitar Lesson
Q1. Is this song suitable for beginners?
No, this lesson is best for intermediate to advanced players due to the complex legato and tapping techniques.
Q2. How can I improve my sliding and vibrato?
Focus on timing and pressure consistency. Bobby shares detailed tips on mastering both.
Similar Rock Songs
Introduction:
Torrins brings you another country sing-and-play lesson "You Ain’t Goin’ Nowhere", recorded by The Byrds and originally written by Bob Dylan. Taught by Mike Dugan, this lesson makes it easy for anyone to learn, whether you’re just starting out or looking to refine your rhythm and strumming technique.
Fun Fact: Bob Dylan wrote You Ain’t Goin’ Nowhere in 1967 during his self-imposed exile following a motorcycle accident. The Byrds later popularized the song with their signature country-rock sound.
Chords & Song Structure
This song is played in the key of G and follows a simple country chord progression, making it a very easy song to learn and play for players of all skill levels.
Chords Used - G, Am, and others. Mike walks through the finger placements and transitions, ensuring you get a smooth chord change.
The lesson also covers chord distribution across measures, making it easy to follow along and learn.
Strumming Pattern & Rhythm
The song has two strumming approaches:
- Beginner-Friendly Strumming – Simple downstrums that keep the rhythm steady and easy to sing along with.
- Advanced Strumming – For players looking to add more depth, Mike introduces a DDUDD pattern, explaining where to add accents for a more dynamic sound.
The lesson also includes tips on rhythm timing to attain the song’s natural flow.
Sing & Play
One of the biggest challenges for many players is singing while playing. Mike breaks down the coordination between vocals and guitar, showing:
- Which words align with downstrums
- Where to pause or hold a chord
- How to gradually add complexity to your strumming without losing the vocal flow
If you want to be the life of the party, this lesson will help you sing and play smoothly, even if you’ve never done it before. So, get your guitar ready and start strumming along to this timeless country classic today.
Final Playthrough – Bringing It All Together
Mike plays through the entire song twice—once with the beginner strumming pattern and then with the advanced version. The song has a retarded (slowed-down) ending, which he explains in the end.
He also advises starting with simple strumming, building confidence, and then progressing to advanced strumming techniques.
Why Learn You Ain’t Goin’ Nowhere?
Perfect for beginners – The song has easy chords, simple structure, and a laid-back strumming pattern.
Great for sing-alongs – It will help you learn how to balance vocals and guitar.
Ideal for country and folk lovers – The song has a classic country rhythm and storytelling approach to the lyrics.
FAQs – You Ain’t Goin’ Nowhere Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! This lesson is one of the easiest sing-and-play songs to learn on Torrins.com.
Q2: What if I struggle with advanced strumming?
Stick with the basic downstrums first. Once you're comfortable, move on to the DDUDD pattern with accents.
Introduction
Do you want to learn a classic blues rock song—one that almost everyone has heard and can get anyone grooving? You’re exactly where you need to be. Tune into the guitar lesson for Cream’s Sunshine of Your Love on Torrins.com, led by our expert tutor Steve Luciano.
He breaks down this song into Introduction, Chords, Rhythm, and shares great tips on everything from finger positioning to chord transitions, to ensure a smooth learning journey. You can also find tabs and lyrics for this song, along with the guitar tutorial.
Chords Used in Sunshine of Your Love Song Tutorial
Verse & Chorus Chords: Power Chords
This song heavily relies on 5th root power chords (two-note chords made of the root note and its fifth), making it a must-learn for mastering chord transitions and control. Some of the chords used in this lesson are D, C, and Ab.
Mastering these chord transitions will significantly improve your power chord fluency.
Strumming & Rhythm Pattern
The rhythm alternates between a DDD pattern and a DUD pattern, giving the song its signature groove.
Song Structure
Sunshine of Your Love follows a 24-measure form, making it an excellent song for developing rhythm consistency and smooth chord shifts.
- The intro starts with a power chord on the 6th string
- A few measures later, the riff transitions to the 5th string (Make sure the 6th string is muted!)
- The position changes again as the song progresses
Steve also points out parts of the song where he uses string bending. It’s a technique that adds emotion and character to notes, often giving the song a signature bluesy rock vibe.
Why Learn Sunshine of Your Love Song on Guitar?
Learning how to play this song on guitar helps you master techniques like string bending and gain fluency over power chords. Learning these techniques helps you add expressive dynamics to your playing, and power chords are essential for classic rock and blues.
Sunshine of Your Love is a perfect song to add to your repertoire if you wish to develop better finger positioning & control and enhance your rhythm skills with a structured song.
FAQs – Sunshine of Your Love Guitar Lesson
Q1: Can I learn the song Sunshine of Your Love on guitar without tabs and lyrics?
Sure, it’s possible — but why make it harder than it needs to be? The tabs and lyrics included in our tutorial are there to guide you through the structure, chord changes, and timing. Especially if you're still building confidence, they’ll save you hours of trial and error.
Q2: What techniques will this lesson help me improve?
This lesson is a goldmine for anyone looking to tighten their rhythm and power chord game. You'll get hands-on with strumming patterns, chord transitions, and some expressive string bending — all crucial techniques if you're aiming to play blues or classic rock with the right attitude and feel.
Fun Fact: The iconic riff of Sunshine of Your Love was directly inspired by Jimi Hendrix! After witnessing Hendrix's electrifying performance at London’s Saville Theatre on January 29, 1967, Cream’s bassist Jack Bruce went home and came up with the song’s signature riff that same night, and then the song was written on top of it. Guitarist Eric Clapton later described it as a tribute to Hendrix’s incredible playing.

























