Introduction

Introduction: 1000 Eyes by Death is the song from their sixth studio album called Symbolic which was released on March 21st, 1995 under the label of Roadrunner records. 

Fun Fact: The song talks about the unstoppable surveillance of the government on society. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: You will be using single-note arpeggios instead of full chords, and the arpeggios in the verse are as follows: 

e|---------------------|  

B|---------------------|  

G|----7----5----4-----|  

D|---5----4----3------|  

A|--3----2----1-------|  

E|---------------------| 

Strumming Pattern:

The strumming pattern you have to follow for this song is a bit more of a fast alternate picking, tremolo picking, and palm-muted chugging. As a result, here’s how you will be strumming: 

For palm muted chugging: D - D - DUD - D - D - DUD

Palm muted galloping: D - DUD - D - D - D - DUD  

• D = Down strum
• U = Up strum

Song Structure:

• Introduction: In the introduction your guitar instructor Bobby Koelble shares his insights about the song, what it means and the tuning required for it. 
• Intro Riff: Here you will learn about the intro of the song which is 8 bars in length. Also, you will learn how to play all the measures that are present in the intro. 
• Intro Solo: This section shows you how to play Chuck's solo part in the intro of the song. 
• Song Arrangement Part 1: From this section the main part of the song begins as Chuck 

starts to sing from here. The guitar instructor breaks the arrangement down in several parts to make things easier here. 

• Song Arrangement Part 2: This part of the guitar lesson deals with the guitar playing you will be doing alongside the main chorus of the song. It is pretty faced paced strumming and chord progression so you need to have your full focus. 
• Song Demo: This is the part where Bobby is going to play the entirety of the song while the backing track is played. It is to show you how to strum and play chords in different parts. 
• Solo Lesson: Finally you will be learning Chuck's solo in this section, it is present in the Key of A minor. The riff which plays under the solo has already been taught in the above section of the song lesson. 

Why should you learn 1000 Eyes By Death Song?

1000 Eyes has some of the most excruciating fast-paced riffs, which makes it challenging to play both for alternate picking and fret-hand coordination. As a result, it is a perfect song to build your speed and precision. It also gives you a challenge, so if you feel like all the songs that you have been playing on the guitar are too easy for you, this song will surely turn things around. 

FAQs for 1000 Eyes by death Guitar Lesson

Q1. What happened to the Death band? 

Ans. The band before breaking up in 2001 went through a lot of changes, all of this happened after the death of Schuldiner. The final line up of the band before the break up was Schuldiner on guitars and vocals, Shannon Hamm on guitars, Richard Christy on drums. 

Q2. Was Chuck Schuldiner a good person in real life? 

Ans. The death metal legend was friendly and loved his family members. Throughout his life, he had a bunch of his friends, and they all stuck together. His parents were still in contact with other band members and told them how Chuck helped them when they needed it the most. 

Introduction:

In this video lesson Mike Walker teaches how to play the song Home as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning. Home is the coronation song and a debut single from the winner of American Idol season 11, Phill Phillips. The song was co-written by Drew Pearson and Greg Holden. Phill performed this song for the first time on May 12th, 2012, when he was giving the season's final performance. 

Song Structure:

Introduction: The introduction consists of tuning requirements for the guitar and the basics of what you need to play this song. 

Song Arrangement: This part helps you learn about the intro section. Also, Mike shows you two different picking patterns that you can use for this song and how to move back and forth between the two patterns. 

Song Demo: In this section Mike your guitar instructor is going to teach you how to play the guitar parts of the song alongside backing tracks. 

Vocal Melody: This is the final section of this guitar lesson, and it's the added bonus where Mike teaches you how to play the vocal melody which is present in the song. 

Chords Used in Song Guitar Lesson: The entire song is written in the key of C major with a bright tempo.

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.