Intro Section
Time
Introduction
Intro Section
Song Arrangement
Song Demo
Overdub Section
Solo Lesson
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Introduction
Intro Section
Song Arrangement
Song Demo
Overdub Section
Solo Lesson
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Introduction
Welcome to the bass lesson for Have You Ever Seen the Rain (Smokie version). Originally written by John Fogerty and released by Creedence Clearwater Revival in 1971, this timeless classic has been covered by many artists, including Smokie on their 1995 album The World and Elsewhere.
This lesson is taught by Mike Walker and is set in the key of C with standard tuning. It’s a straightforward yet expressive song, making it perfect for both beginners looking to sharpen their technique and intermediate players who want to refine their timing and feel.
Lesson Breakdown
Mike takes a step-by-step approach to make learning smooth and approachable.
- Intro: The intro starts with a short, tasteful lick that begins on the G string before moving to the low E. Mike also demonstrates a subtle twist here: taking the 5th of the note lower instead of the usual higher, which adds a unique flavor to the line. This is followed by another short lick, carefully broken down so you can catch every nuance.
- Verse: The verse introduces a light hammer-on lick and moves back and forth between the G and C strings. It also includes a simple but effective walking bass line. Mike explains each step slowly, highlighting when to use chromatic movements and when to hold back, making it very beginner-friendly.
- Chorus: In the chorus, Mike divides the section into smaller movements for easier learning. He also explains how to lock in your groove with the guitar and drums to create a tight rhythm section feel.
- Underneath the Guitar Solos: You’ll also learn what’s happening in the bass line beneath the guitar solos. This part involves a subtle kick-drum-inspired rhythm, moving across the frets using four key chords to keep the groove steady.
Once all the sections are covered, Mike ties it all together by playing the full arrangement along with a backing track. This demo helps reinforce everything you’ve learned and is perfect for practising your transitions smoothly.
Introduction
Join our expert instructor, Bobby Koeble, for an in-depth lesson on "Always With Me, Always With You" by Joe Satriani. This song is a lyrical masterpiece known for its challenging legato-style licks and smooth melodic phrasing. This intermediate to advanced-level lesson will walk you through every section of the song, helping you master both the technical and emotional elements that make it so iconic.
Interesting fact: Joe Satriani wrote "Always With Me, Always With You" as a heartfelt tribute to his wife. Unlike many of his other complex, high-energy tracks, this song stands out for its melodic simplicity and emotional depth. Satriani has said that the song represents a peaceful and constant connection with his wife, capturing the feeling of always being together no matter the distance.
Bobby has broken down the song lesson into various sections for a detailed understanding.
- Introduction
- Separate lessons for Solo section 1-6
- Conclusion and backing track
Chords Used
This song is in the key of B major and follows a 3/4 time signature. Some of the key chords used are:
- B11 – Uses the E string for added depth.
- E major – Bobby teaches a unique fingering that differs from standard chord shapes.
- G# minor and F#sus4 – Essential for the song’s harmonic feel.
Tune into the song lesson to learn the rest of the chords that make up this song.
Strumming Pattern
The rhythm of this song is signature to the tune. It follows a strict 8-note rhythm with incorporated techniques such as:
- Palm muting
- Arpeggios
- Sliding
Bobby also shares alternative ways to approach the rhythm so you can find what works best for you.
Song Structure
This song features a flowing, solo-driven structure:
Intro: It has a lyrical melody featuring legato-style licks
Solo Section 1: It is played in the key of B major and incorporates harmonics, vibrato, and sliding.
Solo Section 2: Moves higher up the neck and incorporates heavy use of vibrato and smooth phrasing.
Solo Section 3: This section has a harmony and melody change and is slightly longer and more complex. It introduces left-hand legato techniques.
Solo Section 4: Main melody moves up an octave and incorporates two-handed tapping.
Solo Section 5: It is the most rhythmically challenging part that includes double stops and varied phrasing.
Solo Section 6: Returns to the earlier melody with subtle variations in slide and inflexion. It has a fast legato-based lick to close out.
Outro: Bobby wraps up the lesson by playing along with the backing track
Why Learn This Song?
- Master left-hand legato techniques
- Develop precise control over sliding and vibrato
- Incorporate bluesy elements into your playing
- Build confidence with soloing and tapping
FAQs- Always With Me, Always With You Song Guitar Lesson
Q1. Is this song suitable for beginners?
No, this lesson is best for intermediate to advanced players due to the complex legato and tapping techniques.
Q2. How can I improve my sliding and vibrato?
Focus on timing and pressure consistency. Bobby shares detailed tips on mastering both.
Similar Rock Songs
If You Like Pink Floyd, You'll Love These
Introduction
Tune into a simple fingerpicking guitar song lesson on "Goodbye Blue Sky" on Torrins. This lesson is led by our instructor, Steve Luciano, who breaks down the various sections of the song for easy understanding. This Goodbye Blue Sky guitar tutorial covers the strumming pattern, fretting, and rhythm techniques that make this song sound so great.
Interesting Fact: The song’s soft, almost lullaby-like melody is a stark contrast to its dark theme of war and destruction. Roger Waters wrote it as a reflection of his childhood memories of the London Blitz during World War II. The track opens with a child's voice saying, "Look, mummy, there's an aeroplane up in the sky!"—a chilling moment that symbolizes the innocence of youth being shattered by the horrors of war.
Chords & Tuning
"Goodbye Blue Sky" is a simple fingerpicking song. Before getting started, tune your 6th string to Drop D—this gives the song its deep, resonant tone.
Fingerpicking Pattern
The fingerpicking technique adds an intricate and melodic touch to this song while keeping the rhythm steady, making this song perfect for practising control and precision.
Song Structure & Techniques
The song kicks off with a repeating section that features pull-offs, adding a smooth, connected feel to the melody. This section repeats four times and helps build fluidity in your playing. If you’re still getting comfortable with pull-offs, be sure to explore our in-depth lesson on this essential technique.
As the arrangement develops, you’ll come across hammer-ons, which lend a punchier articulation to the notes. Steve also incorporates power chords, specifically B and F#, along with an open G, contributing to a fuller, more dynamic sound. Later in the progression, he introduces barre chords across the 2nd and 3rd strings, creating a seamless, flowing texture. These techniques come together to give the song its distinct blues-rock character while helping you improve precision and control.
Learning Made Easier
The 3-angle camera view makes learning such songs so much easier. With dedicated angles on strumming, fretting, and an overall view, you get a detailed, close-up look at all the intricate finger movements, helping you learn efficiently and effectively.
Pro Tip for Mastering the Song
Steve recommends breaking the song into sections and practising each part individually before putting everything together. This will ensure you develop muscle memory for clean and precise playing.
FAQs – "Goodbye Blue Sky" Guitar Lesson
Q1. Is this song beginner-friendly?
A: While the song follows a simple fingerpicking style, it requires coordination and control. It's great for beginners looking to build finger independence and practice melodic fingerpicking.
Q2. Do I need to use a pick for this song?
A: No, this song is best played with fingerpicking, which gives it its signature soft and flowing sound.
Q3. What’s the best way to improve my fingerpicking accuracy?
A: Slow down and focus on precision before building up speed. Keep your right hand relaxed, and ensure each note rings out clearly.
Introduction
Tune into a classic Pink Floyd guitar lesson on Wish You Were Here at Torrins.com, led by our experienced tutor, Mike Dugan. He breaks down the lesson into various sections: Introduction, Intro Chords & Rhythm, Intro Lead, Verse & Chorus Lesson, Solo Improvisation, Arrangement & Playing with Backing Track.
Interesting Fact: In the song's intro, you can hear David Gilmour coughing and breathing heavily before the guitar kicks in. Rumour had it that Gilmour’s smoking habit caused the cough, and that he quit smoking afterwards out of frustration with the recording. But Gilmour later clarified he never smoked!
Mike plays the song using various open chords, including Em, Em7, G, A, and Am. Tune into the complete lesson to learn the rest of the chords that make up this song. This song is a great choice for both beginners and intermediate players.
Chords Used in "Wish You Were Here" Guitar Lesson
This song is played using simple open chords, making it accessible for both beginners and intermediate players. For intermediate players, Mike introduces some alternate chord voicings to stay true to the song’s original sound while adding a unique touch.
Strumming Pattern
The strumming pattern is beginner-friendly with consistent downstrums. For those wanting to level up, Mike shares an advanced rhythm that incorporates upstrums for a more dynamic feel.
Song Structure
"Wish You Were Here" follows a clear and structured arrangement:
- Intro: Lead + rhythm section (Mike provides a simpler alternative for beginners)
- Lead Riffs: Based on the E minor pentatonic scale and its extensions, featuring double stops and hammer-ons.
- Verse 1: Smooth chord transitions; beginners can use downstrums, while advanced players can follow the more complex rhythm.
- Solo: You can either repeat the intro solo or follow Mike’s improvisation using the E minor pentatonic scale.
- Verse 2: Similar to Verse 1, with consistent strumming and clean transitions.
- Final Solo: A concluding solo based on the intro lead and E minor pentatonic improvisation.
Improvisation Techniques
Mike teaches how to improvise using the E minor pentatonic scale. He also adds his own flair by playing it on the 12th fret in true David Gilmour style.
Singing Along
Mike also walks you through the singing component, helping you match the chord changes with the lyrics.
Pro Tip: Make use of tabs and lyrics for smoother learning.
Why Learn "Wish You Were Here"?
This lesson helps you improve your chord transitions and develop a smooth, expressive playing style. It's a great piece to master for solo and sing-along sessions. Plus, learning David Gilmour’s style will sharpen your improvisation skills.
Tips to Improve:
- Focus on clean chord transitions.
- Keep your strumming hand relaxed to maintain a steady rhythm.
FAQs – "Wish You Were Here" Guitar Lesson
Q1. Is this song beginner-friendly?
Yes! The chords are straightforward, and Mike provides a simplified version of the intro for beginners.
Q2. Can I just strum the song instead of fingerpicking?
Yes! You can simplify the song with consistent downstrums or follow the more advanced strumming pattern Mike shares.






























