Introduction

Introduction

Disturbed is known as a heavy metal band. When the band was starting out, the sound they followed was more of “nu metal”. Guarded was a promotional single from the band’s third album, Ten Thousand Fists. The lyrics show how the lifestyle forces David Draiman to guard himself on a certain level.

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: This song does not use traditional arpeggios. It is primarily a riff-driven song that includes heavy power chords in addition to the chugging rhythms. 

Strumming Pattern 

If you notice, the song's main riff has a more galloping tone. As a result, the strumming pattern that you need to follow for this song is: D - DUD - D - DUD

• D = Down strum
• U = Up strum
• - = Brief pause (muted)

Song Structure 

Introduction: In this introduction, Mike Walker, who will be your guitar instructor for this song lesson, explains how to tune your electric guitar. 

Song Arrangement: This is the part where you will learn all the chord progressions you will use in this song. 

Song Demo: This is the last part of the guitar lesson. Mike will play the entire guitar section of the song alongside the backing track. 

Hotel California - Introduction

Welcome to the guitar lesson on the acoustic version of one of the greatest songs of all time, Hotel California by The Eagles. This specific arrangement replaces the original electric instruments with nylon-string guitars, creating a different interpretation of the song. The track keeps the same chord progression and structure as the studio version but uses fingerpicking patterns and multiple guitar harmonies.

Hotel California, as writer Henley put it, is more of a symbolic piece about America in general, and added, “Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about the loss of innocence”.

The song follows a narrative about a traveller staying at a mysterious hotel, with lyrics that some interpret as commentary on American culture, for instance, the most iconic line of the song being “you can check out anytime you like, but you can never leave”.

Hotel California Guitar Lesson

Hotel California guitar lesson is taught by our beloved expert, Mike Walker, who explains all the different sections of the song in a section-by-section manner, starting from the intro that talks about the chords and different voicings of those chords, through the acoustic overdubs and the guitar solo section.

The song features a number of minor 7ths, dominants, suspended and augmented chords. The intro alone covers all these variations of these chords. The tutor, nevertheless, goes into detail explaining how to play them using a fingerpicking pattern.

The song is written in B minor; the live acoustic version uses a capo on the 7th fret, making it an E minor. The intro follows a repeating progression of Em-B7-Dsus-A7-C-G-Am7-B7, which establishes the harmonic foundation.

Since this is an acoustic version of the song, played by multiple guitarists. There are a number of artistic motifs and embellishments using techniques like double stops, arpeggios, and most importantly, the individual guitarists harmonising with each other throughout the song.

The tutor explains all the solos of the song in great detail, the last of which features some of the notes from the harmonic minor scale, which carry a signature sound of the desert, or the Middle East. This lends itself literally to the theme of the narrative of the song.

FAQs

Q. Do I need a nylon-string guitar to play this version?

While the original recording uses nylon strings, you can play it on a steel-string acoustic. The tone will sound brighter, but the chords and techniques remain the same.

Q. Why is the capo on the 7th fret? Can I play it without one?

The capo transposes the chords to match the original key (B minor) and allows easier open-position shapes. Without a capo, you’ll need to play full barre chords in B minor.

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Snowtime is an understated song by James Taylor, and this song exemplifies Taylor’s enduring ability to create intimacy and warmth by using simple musical elements. Taylor is known for composing masterful fingerpicking and mellow vocal tones, and even with the inclusion of these two signature styles of his, Taylor has made this song feel like a quiet 

conversation with his listeners rather than a performance. 

Snowtime keeps up with the folk-pop sensibilities, which is again Taylor’s signature sound; he uses clean guitar lines, gentle melodies and even simple lyrics, which somehow feel like a personal reflection and universal relatability. The guitar work you have to learn for this song is deceptively simple, yet it has technical finesse to it. 

In order to play this song similar to Taylor’s version, you have to learn precise fingerpicking, which is something generations of acoustic guitarists have to learn if they wish to learn guitar as more than just a hobby.

Snowtime is a song masterclass of a song that was held by restraints; it’s a gentle and introspective song that combines simplicity and sincerity. Whenever you are going to play this song on guitar, you and your audience will feel like they have been transported to their old friend’s home for a cup of evening tea or a cold beer. 

Why Learn Snowtime Song By James Taylor Song On Guitar?

The signature fingerpicking of Taylor is present in Snowtime, and as you learn it, you will get to know about precision, control and independence between your thumb and fingers. This song could be one of the best practical exercises you can do to develop smooth, melodic fingerpicking, doesn’t matter if you are a beginner or an intermediate guitar player. 

Snowtime is a song that describes the life of a performer, and ironically, as you learn this song on guitar, you will have a perfect song to play in an acoustic setting. Just Imagine yourself playing this song live, with confidence and full control over chord progression!!

FAQs – Snowtime Song By James Taylor Guitar Lesson

Q1. Which guitar tuning does James Taylor use for the song Snowtime?

Ans. James usually tunes his guitar in standard tuning of EADGBE when he has to play Snowtime, but to play this song; he also applies signature string gauge adjustments and tweaks the guitar’s tuning to enhance the tonality; if you are just learning how to play this song on guitar, it would be best to go with the standard tuning. 

Q2. Which of the fingerpicking techniques do I need to learn for the song Snowtime?  

Ans. Travi-style fingerpicking is our best pick to learn if you do not wish to follow a strumming pattern for this song.