Introduction

Introduction

Hello is a song by Lionel Richie, an American singer and songwriter. It was the third single from his second studio album, Can’t Slow Down, which was released in 1983. This song had a total of three guitarists: Darrell Jones, Tim Ray, and Louis Shelton, who played electric and acoustic guitar, respectively. 

In this video lesson Steve Luciano teaches how to play the song Hello as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement, Song Demo, Advanced Voicing and Solo Lesson. Don't forget to make use of the chords and tabs provided with the song lesson!

Strumming Pattern 

The strumming patterns are: D D U U D U. 

Song Structure 

Here is the song structure which you need to follow to learn Hello by Lionel Richie:

Introduction: This is the start of the lesson, during which Steve Luciano, your instructor, will explain all the technicalities you will encounter during the learning stage of this song. 

Song Arrangement: Here, you will learn all the chords necessary to play this song. 

Song Demo: In this section, Steve will play the guitar part of the song alongside the track to help you understand how to sync chords with the vocals. 

Advanced Voicing: For individuals who can play advanced chords, this particular section is for them. It is the bonus of the lesson to make your guitar play more intricately.

Solo Lesson: In this section, you'll learn how to play the slow part of the song — a beautiful example of an instrumental pop solo, the kind that's rarely highlighted in mainstream pop music.

Bohemian Rhapsody – Introduction

Welcome to the guitar lesson on what is referred to as the greatest rock song of all time, Bohemian Rhapsody by Queen. It is a 6-minute ‘suite’ –a musical performance that typically includes four or five dances, according to Western classical music. But Bohemian Rhapsody is nothing like a classical piece. It is, in fact, the opposite of a classical piece. It is an alternative rock song parodying orchestral music.

Freddie Mercury was born to Parsi-Indian parents in Zanzibar, which is an island town on the east coast of Africa. After the Zanzibar revolution began, they had to flee to Middlesex, England, to save their lives. Since that is the environment Freddie grew up around, it makes sense for him to choose alt-rock and prog-rock as his genres.

Bohemian Rhapsody Guitar Lesson

The lesson on this song is taught by our beloved expert, Mike Walker, who explains all the different sections of the song –and there are many –in the simplest of ways. The lesson is divided into multiple sections, explaining all the parts of the song section by section –from the intro that talks about the chords and different voicings of those chords, to the rhythms and solos of the song.

The song contains an iconic intro, a ballad segment, an orchestral passage, a rock progression, an iconic solo, and an outro. It is almost as if the song is a contraption of multiple songs. Consequently, it has a number of chords and key changes. The instructor, though, gives time to explain all the changes meticulously.

The song follows the following keys: B♭ Major, E♭ Major, A Major and F Major. With most of the chords being non-standard shapes, for instance, the intro features flat-6 and 7th chords, and minor 7th chords. There is a motif in the verse that makes the section iconic –a set of repeating two notes –G to F while on a Bb chord, A to G on the Gmin, and D to C on the Cmin. The instructor shows how to play it in great detail and along with the original track.

Another iconic part of the song is Brian May’s guitar solo, which has been deemed one of the greatest solos of all time. Featuring a guitar that Brian built in his garage, sloppy vibratos, dynamics, and pure emotional playing make it one of the greatest.

The lesson also has a breakdown of the main solo and the outro solo, including the rhythm distortion guitar parts as well, shown in full by the tutor.

Q. Is Bohemian Rhapsody playable on an acoustic guitar?

Yes, once you master the chord shapes, you can easily play the fingerstyle version of the song and sing along.

Q. What effects does Brian May use?

Brian used a Phaser pedal into a treble booster that then went into a Vox AC30.

Q. How do I sing and play this at the same time?

Practice playing the chords first. The ballad actually follows the vocal melody and so mastering the chords can easily get you there.

Game of Throne Rock Version Cover by Kfir Ochaion - Introduction

The "Game of Thrones" theme is one of the most recognizable TV scores ever written, and Kfir Ochaion’s rock cover gives it a powerful new energy. Kfir is an Israeli guitarist known for turning vocal melodies into expressive guitar lines. His version takes the original orchestral arrangement and transforms it into a full rock instrumental, complete with soaring leads and heavy rhythms. The cover stays true to the epic feel of the original while adding guitar-driven intensity.

Kfir Ochaion started playing guitar at age 10, inspired by classic rock legends. His YouTube channel, launched in 2014, has grown to over 2.2 million subscribers thanks to his unique style. He doesn’t just play the notes—he makes the guitar "sing" like a human voice. This "Game of Thrones" cover is a great example of his approach, where every bend and vibrato mimics the drama of the original melody. His version keeps the song’s grand scale but makes it fit perfectly for electric guitar.

Game of Throne Rock Version Cover by Kfir Ochaion Guitar Lesson

Taught by Mike Walker, this lesson breaks down Kfir Ochaion’s rock arrangement of the "Game of Thrones" theme. The song is in E minor, and the main melody follows the original tune closely but with added rock techniques. The opening riff uses sustained notes with wide vibrato to copy the horn section from the TV version. The left hand must control each note’s pitch carefully to keep the melody sounding smooth and powerful.

The rhythm parts use palm-muted power chords to build tension in the verses. The pre-chorus switches to open chords with ringing arpeggios, creating contrast before the heavy riff returns. Kfir’s version includes a guitar solo section that wasn’t in the original. This solo uses the E harmonic minor scale for a dramatic, cinematic sound. Fast alternate picking runs and controlled bends make this part challenging but rewarding to learn.

For the main theme, Kfir uses slides and legato to connect notes fluidly. The phrasing is key, with pauses in the right places. The chorus brings big power chords and double stops to thicken the sound. Dynamic control is crucial here, as the part shifts between loud, aggressive strums and softer, cleaner passages.

Beginners should start by learning the melody slowly, focusing on note accuracy before adding vibrato. Intermediate players can work on the solo’s faster licks and the precise muting needed for the rhythm parts. Advanced guitarists should study how Kfir blends techniques—hybrid picking, bends, and harmonics—to make the guitar sound almost orchestral.

FAQs

Q. What effects does Kfir use in this cover?

A medium-gain overdrive, delay for atmosphere, and reverb to create space.

Q. Is this song good for beginners?

The melody is playable at slower speeds, but the solo and dynamic control require intermediate skills.

Q. How do I practice the fast alternate picking parts?

Use a metronome starting at half speed. Increase tempo only when you can play cleanly.

Introduction:

Crazy Train by Ozzy Osbourne is the most legendary rock and metal song of all time. This song also has some of the best guitar play by Randy Rhoads.

Song Structure 

Introduction: In this part Mike Walker shows how much he loves playing this song and shares why it is important for every rock and metal fan to learn this song. 

Intro Riff: Here, you will be learning the very first lick of the song for which the song became famous in the first place. 

Pre-Verse: this is a 4 bar phrase, and it comes before the verse, 

Verse: In this section Mike shows you the guitar chords which you need to play in the verse parts of the song. He also showed how you should be focused on playing the last 2 bars because if you learn that you will be playing the entire part of the verse section on guitar. 

Pre Chorus: This is a four bar pre-chorus along with a couple of single notes present in it that Mike first shows how it is done then explains to you how you can play the same tune. 

Chorus: In this part of the guitar lesson you will learn about the main chorus of the song. Mike has broken the chorus in multiple parts to make it easier for you to understand how it needs to be played. 

Bridge: This is the part which works as a contrast between the chorus and the verse, you will be playing this part after the second chorus of the song, it has been used to give a fresh 

element to the song. 

Solo: This is one of the most intricate solos in metal music it goes up to 16 bars and it does have tons of guitar techniques which comes handy as a guitarist. 

Song Demo: This is the final part, where Mike will play the guitar alongside the backing track. 

Why Learn Crazy Train By Ozzy Osbourne Song?

The main riff of the song is instantly recognizable and if you learn it on guitar you will get to know about alternative picking precision. It includes a combination of power chords, single-note runs, and syncopation which is something essential for both rock and metal music. 

FAQs – This Song Guitar Lesson

Q1. Who originally recorded Crazy Train? 

Ans. Crazy Train is the debut single by English heavy metal singer Ozzy Osbourne, he released the song in the 1980s for his debut album which was his solo venture as an artist. 

Q2. What is the hidden meaning of the song Crazy Train?

Ans. Crazy train is about the cold war which happened during that time and consumed the entire world in the 1980s. Osbourne was talking about dictators when he said “One person is conditioned to rule and control.”

Q3. Is Ozzy Osbourne going through mental health problems?

Ans. No, Ozzy Osbourne doesn’t have mental health problems; he does have progressing Parkinson’s disease, which causes new mobility challenges as he grows old. 

Fun Fact: It was the first ever solo which Ozzy sang after leaving Black Sabbath, after the release it became an instant hit and even to this day it is one of the most recognizable songs of Ozzy Osbourne.

Introduction

Disturbed is known as a heavy metal band. When the band was starting out, the sound they followed was more of “nu metal”. Guarded was a promotional single from the band’s third album, Ten Thousand Fists. The lyrics show how the lifestyle forces David Draiman to guard himself on a certain level.

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: This song does not use traditional arpeggios. It is primarily a riff-driven song that includes heavy power chords in addition to the chugging rhythms. 

Strumming Pattern 

If you notice, the song's main riff has a more galloping tone. As a result, the strumming pattern that you need to follow for this song is: D - DUD - D - DUD

• D = Down strum
• U = Up strum
• - = Brief pause (muted)

Song Structure 

Introduction: In this introduction, Mike Walker, who will be your guitar instructor for this song lesson, explains how to tune your electric guitar. 

Song Arrangement: This is the part where you will learn all the chord progressions you will use in this song. 

Song Demo: This is the last part of the guitar lesson. Mike will play the entire guitar section of the song alongside the backing track. 

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Auliya – Introduction

Auliya is a deeply emotional song from the 2019 Bollywood film Hum Chaar, sung by Atif Aslam. The song blends traditional and modern musical styles, creating a calm and reflective mood that touches on themes of devotion and longing. The lyrics, written by Shabbir Ahmed, speak to a heartfelt yearning and spiritual connection, which Atif Aslam delivers with sincere emotion. This combination makes Auliya stand out as a beautiful ballad that resonates with many listeners.

The film Hum Chaar tells the story of four friends navigating their relationships and personal growth, and Auliya fits perfectly into this narrative as a soulful reflection of their emotional struggles. Composed by Vipin Patwa, the song’s melody and arrangement carry a softness that matches the film’s thoughtful tone. The song’s lyrical video, with its simple yet expressive visuals, has also helped it gain popularity, making it a memorable and meaningful part of the movie’s soundtrack.

Auliya – Guitar Lesson

Steve Luciano’s lesson on Auliya breaks down the guitar work in a way that’s approachable and easy to follow. The song features a variety of chords that create a rich and layered sound, starting with some basic shapes like Bm7, D, and E, then moving to more colorful ones like Bbmaj7 and Gb/Bb. These chords give the song a blend of warmth and depth, making it interesting to play and listen to.

The arrangement uses some chord variations that might sound complex at first, but Steve simplifies them by explaining how each chord relates to the song’s key and mood. For example, the Asus2 chord adds a gentle, open sound, while Bm/A and A/C# are examples of chords with bass notes that add smooth transitions and melodic movement in the progression. Steve highlights these to help players understand how small changes in chord shapes can make a big emotional impact.

Steve also focuses on rhythm and dynamics, showing how playing softly and with feeling can bring out the song’s introspective quality. The strumming pattern isn’t rushed; it lets the chords breathe, matching the slow, meditative pace of the song. For those interested in fingerpicking, Steve demonstrates how picking certain notes within the chords can add texture and emphasize the melody, giving beginners a chance to develop control and expression in their playing.

Overall, the lesson is designed to make the song accessible while still preserving its emotional depth. Whether you’re new to guitar or more experienced, Steve’s clear guidance helps you capture the spirit of Auliya, making it a rewarding song to learn and perform.

FAQs

Q. What key is Auliya played in?

The song uses chords mostly around B minor and D major, giving it a warm and reflective feel.

Q. Are there difficult chords in Auliya?

There are some chord shapes with added bass notes like Bm/A and A/C#, but Steve breaks them down simply for easier learning.

In this video lesson Steve Luciano teaches how to play the song Iktara (Original) as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement, Solo 1, Solo 2 and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Main Tenu Samjhawan Ki is a song that has a romantic melody and comes with heartfelt lyrics, thus making it a crowd pleaser, and you can even use it to impress someone close to you. The melody of the song complements the vocal expressions, so if you are looking for a song to improve your singing and guitar skills, then there’s no better love song than this one. 

Rahat Fateh Ali Khan sang the original song Main Tenu Samjhawan Ki for the Punjabi film Virsa (2010). The song quickly became a cult classic in Pakistan, who love to listen to indie music, and after that, Bollywood brought this song to Indian audiences. 

Strumming Pattern 

For the mellow vibe of the song, we have come up with a simple strumming pattern which goes like this: D–D UUD– UUD D–

• D = Down Strum. 
• U = Up Strum. 

To play this strumming pattern with precision, you should start with a gentle Down-Down, make sure you keep the strumming more relaxed and smooth, because the song is quite emotional and has a flowing feel to it. If you wish, you can slightly vary the dynamics during the verse and chorus sections of the song. 

Technical Skills You Are Going To Learn From The Guitar Lesson Of Main Tenu Samjhawan Ki-

Here’s what you are going to learn in this guitar lesson, instructed by Steve Luciano:

• Open chords and smooth transitions, which help you in improving left-hand flexibility and timing. 
• You will be developing expressive strumming patterns in order to match the song's emotional tonality. 
• Besides this, you can also incorporate expressive touch via fingerpicking, which allows you to mimic the original instrumental texture of the song. 

Why Learn the Main Tenu Samjhawan Ki Song On Guitar?

The song Main Tenu Samjhawan Ki is built on gentle and repetitive chord progressions, which are easy to play, so much so that even a beginner can play it after learning a few basic chords. At the same time, these chords pack a powerful yet ideal pattern that you can use for understanding strumming control and smooth transitions. 

FAQs – Main Tenu Samjhawan Ki Song Guitar Lesson

Q1. Do I need a capo to play the song Main Tenu Samjhawan Ki on my guitar?

Ans. See, a capo is optional if you are playing the song in its original key, but if you wish to use a capo, you can put it on the 3rd fret. On the other hand, if you are going with the male vocals, then it would be best to play the song without using a capo. 

Q2. Can I play this song on the guitar while singing it at the same time? 

Ans. Yes, that would be great. This is a perfect song for practicing strumming and singing together, all thanks to its slow tempo and predictable rhythm.