Introduction
Overture 1928
Introduction
Intro Riff
Chord Sections
Whole Tone Riff in E
Solo 1-Bm Section
Solo 1-Gb Section
Solo 2
Post Solo Lick in Em
Chromatic Riff
Outro Chords
Song Demo
Overture 1928
Introduction
Intro Riff
Chord Sections
Whole Tone Riff in E
Solo 1-Bm Section
Solo 1-Gb Section
Solo 2
Post Solo Lick in Em
Chromatic Riff
Outro Chords
Song Demo
Explore More in English Songs
Similar Metal Songs
Introduction:
Torrins brings you an electrifying guitar lesson—Symphony of Destruction by Megadeth, taught by Clay Foster. This heavy-hitting metal track is part of our guitar song lesson series and is broken down into easy-to-follow sections.
Fun Fact: In an interview, vocalist Dave Mustaine shared that the lyrics for Symphony of Destruction were sparked by a headache he got while driving home. He scribbled the first lines on the back of a sushi receipt—“My metal brain’s corroding, my head is going to explode.” That spontaneous moment led to one of Megadeth’s most iconic songs, recorded on their fifth studio album Countdown to Extinction in 1992.
Song Arrangement
The song is taught in separate segments so you can master each part before moving to the next.
The song is in the key of E.
Verse
Verse is built around the F power chord and an open E power chord, along with other chords.
Downstrokes and palm muting are used in the verse—make sure to mute the strings to avoid letting notes ring out too long. Clay shares techniques like using your thumb or extra fingers to stop the sound cleanly.
Pre-Chorus
Features open palm muting and chromatic downs, creating that tight, chugging rhythm. Our lessons have a 3-angle video setup so you can clearly see hand positions and copy along easily.
Chorus
This section opens up with ringing E chords and a chromatic descending run. Chords like Bb, G#, and the D power chord makes the chorus sound more intense. Though it’s slightly more complex than the verse, Clay carefully breaks down the finger positioning and covers some fingerpicking techniques to help you through it.
After the first chorus, the main riff returns and leads into the second verse and pre-chorus, just like earlier.
The second chorus is a bit longer. The first half mirrors the first chorus, while the second half introduces new elements. Clay walks you through the difference so you can follow along confidently.
Solo Lesson
Clay breaks down the guitar solo into manageable sections.
- The first part has a bluesy riff with vibrato, bending, and palm muting.
- The second part is a 16-note rhythmic figure built around the Am6 chord, featuring some sliding techniques.
- Tune into the lesson to learn each section in detail and pick up essential phrasing skills along the way.
Sound and Tone
To capture the song’s feel, Clay dives into the tone settings. The tone is mid-rangy, which is a signature sound of Marty Friedman. Clay recommends listening to some of Friedman’s work to understand the sweet, expressive tone he’s known for.
For gear settings, Clay suggests using the middle pickup to replicate that tone more accurately.
Song Demo
The lesson wraps up with a full song demo, where Clay ties everything together. You can play along with him to practice transitions, polish your technique, and check your accuracy in real time.
FAQs – Symphony of Destruction Guitar Lesson
Q1: Is this song beginner-friendly?
Yes. While it has a few technical sections, the lesson breaks everything down clearly and provides enough guidance for newer players.
Q2: Do I need specific gear for the tone?
Clay suggests using a mid-range-focused setting with the middle pickup to get closer to Marty Friedman's tone. However, you can start with what you have and tweak as needed.
Q3: Is the solo hard to learn?
It’s approachable when broken into parts. Clay walks you through each phrase, so with some practice, you’ll be able to nail it.
Introduction:
Torrins brings you another electrifying guitar lesson "Crystal Mountain by Death", taught by none other than Bobby Koelble, one of the original guitarists on the track. This lesson breaks down the intricate riffs, solos, and powerful progressions that make this song a metal masterpiece.
Fun Fact: Crystal Mountain was inspired by Chuck Schuldiner’s real-life experiences with his not-so-friendly next-door neighbour. Their unpleasant interactions fueled the aggression and emotion behind this legendary track!
Tuning & Gear
- Tuning: Standard tuning down a whole step.
- Use the provided tabs for a more comprehensive learning experience.
Song Breakdown
This lesson is structured into multiple sections to make learning seamless:
- Introduction
- Intro Riff
- Verse
- Chorus
- Bridge
- Solo-Tapping Section
- Main Solo
- Acoustic Solo
- Song Demo (Chuck’s Part)
- Song Demo (Bobby’s Part)
- Full Song Demo (Combining All Parts)
Chords & Riffs in Crystal Mountain
Intro Riff
- The first 8 bars feature power chords like E, Bb, and F, with vibrato. Tune in to the lesson to learn the rest of the chords.
- The second half of the intro is harmonised down a perfect 5th.
- Scale: E Harmonic Minor.
Verse
- The Am chord is played with a variation in arpeggio.
- Includes F power chords and some single notes, along with other chords.
- Heavy distortion is used to achieve that signature Death sound.
Chorus
- Chorus features single notes and an active midsection involving the open 5th string.
- Chuck Schuldiner added an intricate melody over the chorus section. Bobby walks you through this in detail.
Bridge
- It begins with power chords in the rhythm track.
- It is layered with harmonised single-note phrases on top
Solo Sections
Tapping Solo
- This solo features harmonised tapping licks at the 12th fret.
Main Solo
- Chuck’s solo—short but iconic.
- It is in the key of G# minor.
- Uses triplets and expressive vibrato.
Acoustic Solo
- An acoustic solo is a rare touch in a Death song! Bobby demonstrates 4 simple acoustic licks to round off the song.
Final Song Demo
After breaking down every section, Bobby dedicates three lessons to the song demo:
- Chuck’s part
- His own part
- The full song, combining all elements
Why Learn Crystal Mountain?
- Learning this song will help you master intricate picking techniques.
- It will also help you understand harmonised riffs and solos.
- It will expand your knowledge of scales and metal phrasing.
FAQs – Crystal Mountain Guitar Lesson
Q1. Is this lesson suitable for beginners?
A: This lesson is best suited for intermediate to advanced players because of its complex chords and solos.
Q2. What is the most challenging part of the song?
A: The solo-tapping section and harmonised melodies require precise technique and practice.
Q3. Can I play this without tuning down?
A: Yes, you can, but tuning down a whole step helps achieve the authentic Death sound.
Introduction
Get ready to master another death metal classic on Torrins—Symbolic by the band Death. This lesson is taught by Bobby Koelble himself, one of the guitarists on the original track. Bobby breaks down the song into several parts, covering essential chords, rhythms, and guitar tones, ensuring a detailed and engaging learning experience.
Fun Fact
Bobby Koelble joined Death after being recommended to Chuck Schuldiner, the band's co-founder, by a friend working at a local music store. Koelble and Schuldiner had known each other since high school in Orlando. After joining the band, Koelble toured with Death across the United States, Canada, Europe, and Japan before the band eventually disbanded.
Chords and Techniques Used in Symbolic
- Tuning: Standard tuning down a whole step
- Key: E minor
- Some of the chords used in this song are G#, F#, Bm, and A7. Tune in to the lesson to know the rest of the chords used in this song.
Song Structure
- Main Riff: The main riff repeats seven times and features vibrato, alternative picking, and palm muting. It includes a few power chords, one being G#.
- Chorus: The chorus riff follows the same pattern as the main riff but repeats 14 times. Tune in to the lesson for a detailed breakdown of the rest of the chorus.
- Solo Section: The solo section features four power chords. In this section, there’s a transition riff as well, which consists of four single notes and a power chord.
- Solo section played by Bobby in the original song: It is played in the key of F# and features chords like B minor, F# power chord, and A7—all diatonic to F#. He breaks down the solo into three sections: beginning, middle, and end and shares valuable tips on mastering the solo, including his creative process behind crafting the iconic riff.
Bobby plays all elements slowly, first to make it easier to follow, then repeats them at normal speed. He also explains the guitar tone in detail.
Why Learn Symbolic?
This lesson provides a detailed breakdown of one of death metal’s most iconic tracks. Bobby Koelble’s insight into the composition and technique will help you refine your alternative picking, palm muting, and power chord transitions. It's a challenging yet rewarding song to master for any metal guitarist. If you’re an advanced player or an intermediate player looking for songs to improve your techniques, this song has to be in your repertoire.
Tips to Improve Your Playing
- Start by playing the riffs at a slower pace, then gradually increase your speed.
- Pay close attention to the vibrato and palm muting techniques to capture the song’s unique tone.
- Focus on smooth chord transitions during the solo to maintain the song’s flow.
FAQs – Symbolic Guitar Lesson
Q1. Is this song suitable for beginners?
Ans: This lesson is recommended for intermediate to advanced players due to its fast-paced riffs and complex solos.
Q2. What tuning is used for this song?
Ans: The song is played in standard tuning down a whole step.
Songs with Similar Difficulty
Introduction:
Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.
Interesting Fact
Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.
Chords & Progression
This song is in the key of D minor and uses both barre and open chords.
Chords include: Dm (barre), Bb, A7, F, and others.
The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.
Song Structure
Each section is covered in detail, including how the chords and rhythms evolve throughout the song.
Intro Rhythm and Bounce Feel
One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.
Riff Rhythm
The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing.
Verse and Chorus – Singing & Playing Together
Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.
Intro Lead and Riffs
The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.
Solo Improvisation
The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.
Main Riff Breakdown
To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.
FAQs – Sultans of Swing Guitar Lesson
Q1: Is this song beginner-friendly?
It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.
Q2: Do I need a capo?
No capo is needed for this version.
Q3: How do I get the “Knopfler feel”?
Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.



































