Somewhere I belong
Preview
Introduction
Chords and Rhythm-Regular
Chords and Rhythm-Easy
Song Arrangement-Easy
Song Arrangement-Regular
Song Recap
Vocal Melody
Song Demo-Regular
Song Demo-Easy
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Somewhere I belong
Preview
Introduction
Chords and Rhythm-Regular
Chords and Rhythm-Easy
Song Arrangement-Easy
Song Arrangement-Regular
Song Recap
Vocal Melody
Song Demo-Regular
Song Demo-Easy
Explore More in English Songs
Introduction
Tune in to a detailed guitar song lesson on What It’s Like, a single by the American musician, Everlast. This 1998’s release was the lead single from his second studio album called Whitey Ford Sings the Blues.
This guitar song lesson is taught by Mike Walker, an experienced musician and instructor at Torrins. He breaks the lesson down into sections: Introduction, Intro Chord Progression, Verse & Chorus, Arrangement, Interlude, and Outro.
Mike Walker teaches the What It’s Like Song guitar lesson using just 3 chords, two of which are Dm and C. No capo is needed!
Chords Used in What It's Like Guitar Lesson
- This song primarily revolves around three simple chords, making it accessible for players of all levels.
- The strumming pattern follows a DDU rhythm, adding a steady groove.
Strumming & Picking Techniques
The song subtly blends strumming and arpeggiation, giving it a dynamic and textured feel. The intro is centered around a D minor chord, with the occasional addition of Dsus4 to introduce subtle variation. Arpeggiated picking is used here to create a melodic and flowing texture, setting the tone for the rest of the song.
In the verse, the D minor chord continues to anchor the progression, while an arpeggiated riff adds depth and makes it more rhythmic.
Moving into the chorus, the strumming follows a consistent DDU (Down-Down-Up) pattern, repeated four times. On the fourth repetition, however, there’s a variation introduced at the end which is a distinctive 8-note strum pattern that adds energy and creates a pumping, driving effect.
Song Structure & Arrangement
The song builds gradually, with familiar sections repeating and subtle changes keeping things interesting. Here's a simple breakdown of how the song flows:
- Intro: A catchy opening riff sets the mood and is played four times.
- Verse 1: The main melody kicks in and repeats six times, helping you settle into the groove.
- Chorus: This part brings in energy. It’s played four times, with a twist added on the fourth round to keep things fresh.
- Interlude: A gentle picking section gives you a short breather before heading back into the main theme.
- Verse 2: Similar to the first verse, but extended — this time it's played eight times.
- Chorus: Returns with the same pattern, repeated four times.
- Bridge: Feels like a throwback to the intro, but with a longer run — played six times.
- Verse 3: Back again for eight repetitions.
- Final Chorus: Played three times as the song winds down.
- Outro: The song gradually fades out, giving it a smooth ending.
Mike shares a tip for those struggling with Fmaj7? Try leading with your third finger—this helps you get the note covered first, giving you an extra split second to position the rest of your fingers.
Why Learn What It’s Like?
- This lesson covers both strumming and fingerpicking, making it great for building dexterity.
- The song’s structure teaches you how to transition smoothly between sections and add dynamics to your playing.
- This song is a fantastic example of storytelling through music, giving you a chance to add emotion to your performance.
FAQs – What It’s Like Guitar Lesson
- Q1: Is this song beginner-friendly?
- Yes! While the Fmaj7 chord can be tricky, the slow tempo and repetitive structure make it easier to master.
- Q2: How can I improve my arpeggiation?
- Start slow, focus on even picking, and gradually increase speed.
- Q3: Do I need a capo?
- No capo is required for this version.
Fun Fact: The song became Everlast’s biggest solo hit after he left the trio House of Pain and transitioned from rap to a bluesy, acoustic hip-hop style, which was a bold and unexpected move at the time!
Introduction:
Torrins brings you another legendary blues guitar lesson—Stormy Monday as played by The Allman Brothers Band, taught by Mike Dugan. This classic blues song is packed with soulful chords, smooth rhythm, and expressive lead playing, making it a must-learn for any blues guitarist.
Fun Fact: Originally written by T-Bone Walker, Stormy Monday inspired blues legends like B.B. King to pick up the electric guitar. Moreover, the Allman Brothers' 1971 version, with jazzy organ and extended solos, transformed it into an iconic 8-minute masterpiece.
Chords & Song Arrangement
- This song follows a 12-bar blues progression in the key of G, incorporating both open and barre chords:
- Chords Used – G#7, Am7, Bbm7, and more. Some chords are barre chords, but Mike provides easier alternatives for different playing levels.
- Since T-Bone was known for his 9th chords, Mike also teaches 9th chord variations to bring out that authentic blues feel.
- The song includes a subtle sharp climb, adding to the T-Bone Walker-style phrasing.
Rhythm & Strumming Pattern
- Time Signature: 4/4
- Main Rhythm: A slow blues groove with a simple strumming pattern at first.
- Alternative Rhythm: A 6-feel rhythm (double-time feel), adding an upbeat bluesy bounce.
Mike also demonstrates advanced rhythmic techniques, incorporating double stops, slides, and dynamic accents to enhance the song’s groove.
Intro Lick, Turnaround & Ending
- Intro Lick – A G9 chord-based intro, first broken down in a simplified version before introducing more advanced variations using sharp and augmented chords.
- Turnaround – Mike walks through classic turnaround chords, showing how they fit into the blues form.
- Ending – He teaches a common blues-style ending which is useful for countless other blues songs.
Sing & Play – Coordinating Vocals & Guitar
Want to sing while playing? Mike shares practical tips on how to sync your vocals with the guitar. He encourages adding your own feel to the song while staying true to its blues roots.
Lead Fills & Lead Playing
- Lead Fills: The lesson starts with small lead fills that complement the vocals.
- Key & Scales: He uses the G minor pentatonic blues scale and major blues in G for expressive phrasing.
- Playing Lead in Slow Blues: Mike demonstrates bends, sustains, and dynamics, making your solos sound rich and emotional.
Improvisation & Playing with a Backing Track
- Here Mike explains how to improvise and when to use the major vs. minor scale. He also demonstrates how to craft a melodic, bluesy solo.
- Follow his approach, and soon, you’ll be confidently improvising your own slow blues solos!
Final Playthrough with Backing Track
To wrap up the lesson, Mike plays the full song with a backing track, reinforcing all the techniques covered. Watch closely and play along to lock in the feel and phrasing of this blues classic.
Why Learn Stormy Monday?
- Classic blues structure – great for understanding blues chord progressions.
- Improves both rhythm & lead playing – covers everything from chords to expressive solos.
- Perfect for improvisation – teaches you how to craft slow blues solos with feel.
FAQs – Stormy Monday Guitar Lesson
Q1: Is this lesson beginner-friendly?
Yes! Mike provides simplified chord alternatives and breaks down the song step by step.
Q2: What’s the most challenging part?
The double-time solo can be tricky, but Mike teaches how to ease into it.
Q3: How do I make my solos sound bluesier?
Focus on bends, vibrato, and using both the major & minor blues scales—all of which Mike explains in detail!
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Introduction
Torrins brings you an exciting guitar lesson on Insomnia by Rob Marcello, taught by the artist himself. This means you are learning the song's intricacies directly from the creator, giving you a unique insight into the techniques and creative choices behind this guitar masterpiece.
Fun Fact: Rob Marcello was quite young when he composed this song and admitted that he wasn’t fully familiar with advanced music theory at the time. While Insomnia may not have achieved mainstream chart success, it remains a respected piece within the guitar community.
Chords Used in Insomnia Guitar Lesson
- Intro: Intro is played in the key of G harmonic minor and uses a C minor arpeggio and triad. It also includes an F# chord along with other chords.
- Verse: Chords used: Gm, F/G. It’s a simple verse structure with basic licks. Practising this verse is a good exercise for picking accuracy.
- Chorus: In chorus, the key changes to C minor. This section involves arpeggios, sliding, and tapping
- Break Section: The key of G harmonic minor returns. It has a metal-style lick. One of the chords is a D chord.
- Classical Section: Has a key of G major. Ensure you have a clean note separation in this section. Tip: Lift each finger as you play.
- Pre-Solo Section: Some of the chords used are D major and E♭ major. This section involves sliding up the neck and is still in the key of G harmonic minor.
- First Solo: Base stays on G and includes F major arpeggio.
- Main Solo: It uses harmonic picking, a guitar technique where you pick a note while lightly touching the string to create a bright, bell-like overtone. The solo starts with blues licks played through a wah-wah pedal and follows a pentatonic blues box shape.
There are other segments in this song that cover Dominant 7 tapping lick, string skipping & pentatonic licks, and lastly, he ends the lesson by playing along with a backing track.
Why Learn Insomnia?
Insomnia is an excellent song for players looking to improve their left-hand legato, harmonic picking, and tapping techniques. It blends metal, blues, and classical influences, making it a well-rounded piece for guitarists aiming to develop technical precision and creative expression. It is better suited for advanced players.
Tips for Playing Insomnia:
- Pay attention to the rhythmic phrasing in the break section.
- Master the sliding and tapping techniques in the solos for a polished sound.
FAQs – Insomnia Guitar Lesson
Q1. Is this song beginner-friendly?
No, this lesson is suited for advanced players due to the complex techniques involved.
Q2. How can I master the classical section?
Ensure clean note separation by lifting each finger immediately after playing the note.




























