Preview

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).

In this video lesson Steve Luciano teaches how to play the song Jai Ho (Slumdog Millionaire) as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Intro Lead, Chords, Rhythm, and Backing Track and Capo Version. Don't forget to make use of the chords and tabs provided with the song lesson!

In this video lesson Mike Walker teaches how to play the song Mujhko Pehchaan Lo (Don 2) as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Licks, Verse and Jazz Bridge, Don Theme , Pedal Lick Section, Chorus and Tritone Section, Wah Wah Section, Improvisation and Song with Backing Track. Don't forget to make use of the chords and tabs provided with the song lesson!

Introduction

Bombtrack is one of the explosive songs from Rage Against the Machine’s debut album. In addition to this, it comes with powerful riffs, and groove-driven rhythms and it also includes aggressive energy.  

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: There are no traditional arpeggios in the verse, instead you have to follow heavy power chords with a combination of muted rhythms. 

e|---------------------------------|  

B|---------------------------------|  

G|---------------------------------|  

D|---------4-4-2-2-4--------------|  

A|---2-2--------------------------|  

E|---------------------------------|

Strumming Pattern 

This song follows a more tight-riff playing than your traditional strumming. As a result, you have to follow the rhythm guitar approach to be more precise and smooth. Here is how you should be strumming with a palm-muted downstroke approach for punchy rhythm: D D D D D U D U. 

• D = Down strum
• U = Up strum

Song Structure 

Introduction: In this introduction section Mike Walker your guitar instructor teaches you how to tune up the guitar for this song. 

Song Arrangement: Here Mike shows you how to play the intro, midsection and the outro of the song. He shares his knowledge of guitar playing and how the intro is a 4 bar phase. 

Overdub: Here, you will learn how to play the overdubs which come at the start of the song. 

Song Demo: This is where you will learn how to play the entire song with the backing track to keep up guitar chords with the original time signature of the song.

Solo 1: Over here you will be learning how to play the first solo which is present right after the first bridge. 

Outro Solo: This is the final part of this guitar lesson, here Mike is going to show you how to play outro solo. 

Why Learn Bombtrack By Rage Against The Machine Song?

This is a pretty intricate song to learn that starts with simple yet heavy riffs, as a result, it is perfect for learning palm muting, power chord slides and even for practicing tight picking. This is one of the few songs from Rage Against the Machine which is beginner friendly, the guitar lesson that we have here is perfect for individuals who want to improve their riff-based playing. 

FAQs – Bombtrack Guitar Lesson

Q1. Why is Range Against the Machine Controversial? 

Ans. One of the biggest reasons why Rage Against the Machine is controversial is because of their fiercely political music that comes with sloganeering left-wing rants against the corporate culture of America. 

Q2. How many BPM is Bombtrack? 

Ans. This song is at 152 BPM; the song runs for 4 minutes and 3 seconds in the key of E and with a major mode.

Q3. Is Rage Against the Machine anti-capitalist?

Ans. Yes, that can be said for Rage Against the Machine because they have voiced their disagreement on various political, domestic and foreign policies that were introduced by the US government. 

Q4. What is the heaviest Rage Against the Machine song?

Ans. Bullet in the Head is the heaviest song from Rage Against the Machine according to their fans. The song is a reference to how the government is trying to use the media to influence their control over the population. 

Dilbar Mere Kab Tak Mujhe - Introduction

Dilbar Mere Kab Tak Mujhe is a classic romantic song from the 1982 Hindi film Satte Pe Satta. The legendary Kishore Kumar sang this track with additional humming by Annette Pinto. Music director R.D. Burman created the memorable melody while Anand Bakshi wrote the emotional lyrics. In the movie, the song plays during a wedding reception scene featuring Amitabh Bachchan and Hema Malini. The lyrics express deep longing, with lines asking how long the lover will keep tormenting the singer.

The song uses a 6/8 time signature which gives it a gentle waltz-like feel. This rhythm pattern makes the melody flow smoothly like a dance. The orchestration blends Western instruments with Indian melody structures. Even after 40 years, the song remains popular because of its simple yet powerful emotional expression through music.

Dilbar Mere Kab Tak Mujhe Guitar Lesson

Taught by Steve Luciano, this lesson breaks down the song's structure in F minor. The chord progression follows a repeating pattern of Fm - Bbm - Eb - Db. These chords create the sad yet romantic mood of the song. The 6/8 timing means you count six beats per measure with emphasis on beats 1 and 4.

The strumming pattern uses downstrokes on the main beats with some light upstrokes in between. For the verse, play two downstrokes per chord lasting three beats each. The pre-chorus switches to arpeggios where you pluck individual notes of each chord slowly. The chorus returns to strumming but with more energy.

The melody uses the F natural minor scale (F-G-Ab-Bb-C-Db-Eb). This scale gives the song its emotional quality. The vocal line moves step-by-step through this scale with occasional jumps. On guitar, you can play these melody lines by focusing on the first three strings (G, B, E) between frets 1-5.

For beginners, start by mastering the chord changes slowly. The Bbm to Eb transition needs special attention. Intermediate players can work on matching the vocal melody on guitar. Advanced players should focus on the subtle dynamics - where the song gets louder and softer to match the emotions.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE) works perfectly for this song.

Q. How to count 6/8 timing?

Count it as "1-2-3-4-5-6" with slight emphasis on 1 and 4.

Q. What's the best way to play the Bbm chord?

Use the barre chord version at fret 1 or the simpler three-finger shape without barre.

Q. How to make it sound more authentic?

Add gentle vibrato on longer notes and use dynamics to follow the vocal emotion.

Q. Can I use a capo?

Yes, capo on 1st fret and play in E minor shapes if easier.