Introduction

Bohemian Rhapsody – Introduction

Welcome to the guitar lesson on what is referred to as the greatest rock song of all time, Bohemian Rhapsody by Queen. It is a 6-minute ‘suite’ –a musical performance that typically includes four or five dances, according to Western classical music. But Bohemian Rhapsody is nothing like a classical piece. It is, in fact, the opposite of a classical piece. It is an alternative rock song parodying orchestral music.

Freddie Mercury was born to Parsi-Indian parents in Zanzibar, which is an island town on the east coast of Africa. After the Zanzibar revolution began, they had to flee to Middlesex, England, to save their lives. Since that is the environment Freddie grew up around, it makes sense for him to choose alt-rock and prog-rock as his genres.

Bohemian Rhapsody Guitar Lesson

The lesson on this song is taught by our beloved expert, Mike Walker, who explains all the different sections of the song –and there are many –in the simplest of ways. The lesson is divided into multiple sections, explaining all the parts of the song section by section –from the intro that talks about the chords and different voicings of those chords, to the rhythms and solos of the song.

The song contains an iconic intro, a ballad segment, an orchestral passage, a rock progression, an iconic solo, and an outro. It is almost as if the song is a contraption of multiple songs. Consequently, it has a number of chords and key changes. The instructor, though, gives time to explain all the changes meticulously.

The song follows the following keys: B♭ Major, E♭ Major, A Major and F Major. With most of the chords being non-standard shapes, for instance, the intro features flat-6 and 7th chords, and minor 7th chords. There is a motif in the verse that makes the section iconic –a set of repeating two notes –G to F while on a Bb chord, A to G on the Gmin, and D to C on the Cmin. The instructor shows how to play it in great detail and along with the original track.

Another iconic part of the song is Brian May’s guitar solo, which has been deemed one of the greatest solos of all time. Featuring a guitar that Brian built in his garage, sloppy vibratos, dynamics, and pure emotional playing make it one of the greatest.

The lesson also has a breakdown of the main solo and the outro solo, including the rhythm distortion guitar parts as well, shown in full by the tutor.

Q. Is Bohemian Rhapsody playable on an acoustic guitar?

Yes, once you master the chord shapes, you can easily play the fingerstyle version of the song and sing along.

Q. What effects does Brian May use?

Brian used a Phaser pedal into a treble booster that then went into a Vox AC30.

Q. How do I sing and play this at the same time?

Practice playing the chords first. The ballad actually follows the vocal melody and so mastering the chords can easily get you there.

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Introduction

Disturbed is known as a heavy metal band. When the band was starting out, the sound they followed was more of “nu metal”. Guarded was a promotional single from the band’s third album, Ten Thousand Fists. The lyrics show how the lifestyle forces David Draiman to guard himself on a certain level.

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: This song does not use traditional arpeggios. It is primarily a riff-driven song that includes heavy power chords in addition to the chugging rhythms. 

Strumming Pattern 

If you notice, the song's main riff has a more galloping tone. As a result, the strumming pattern that you need to follow for this song is: D - DUD - D - DUD

• D = Down strum
• U = Up strum
• - = Brief pause (muted)

Song Structure 

Introduction: In this introduction, Mike Walker, who will be your guitar instructor for this song lesson, explains how to tune your electric guitar. 

Song Arrangement: This is the part where you will learn all the chord progressions you will use in this song. 

Song Demo: This is the last part of the guitar lesson. Mike will play the entire guitar section of the song alongside the backing track. 

Introduction

Voices of the Soul is the song from the seventh and final studio album of the Florida-based death metal band called “Death.” This particular song has an eerie spectre, and it is one of the most experimental and expansive songs from Death, with impressive songwriting. 

Chords Used in Wake Me Up When September Ends

Arpeggios Verse & Chorus Chords: Open chords. The song is played in the key of G, and there is no need for a capo. 

Chorus Variation: The chorus of the song is pretty short, and the guitar chords used in it are similar to those of the verse. 

Strumming Pattern 

The entirety of the song follows the same strumming pattern: Down-Up, Down-Up, Down-Up. (DUDUDU)

Song Structure 

Introduction: In this section, J.J. Pattishall will show you the key in which the song is to be played. 

Song Arrangement: Here, you will learn how and why the guitar instructor has broken down this song into several different parts. This particular section will show you how to play the guitar parts of the intro, verse, chorus, and bridge. 

Rhythm: Here, you will learn the open chords used to provide backing rhythm to the verse and chorus of the song. 

Song Demo: Right here, after showing you how to play all the different chords for this song, J.J. Pattishall will show you how to play the guitar alongside the song. 

Solo Lesson: This is the last part, where you learn how to play the epic solo from the song.

Introduction: 1000 Eyes by Death is the song from their sixth studio album called Symbolic which was released on March 21st, 1995 under the label of Roadrunner records. 

Fun Fact: The song talks about the unstoppable surveillance of the government on society. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: You will be using single-note arpeggios instead of full chords, and the arpeggios in the verse are as follows: 

e|---------------------|  

B|---------------------|  

G|----7----5----4-----|  

D|---5----4----3------|  

A|--3----2----1-------|  

E|---------------------| 

Strumming Pattern:

The strumming pattern you have to follow for this song is a bit more of a fast alternate picking, tremolo picking, and palm-muted chugging. As a result, here’s how you will be strumming: 

For palm muted chugging: D - D - DUD - D - D - DUD

Palm muted galloping: D - DUD - D - D - D - DUD  

• D = Down strum
• U = Up strum

Song Structure:

• Introduction: In the introduction your guitar instructor Bobby Koelble shares his insights about the song, what it means and the tuning required for it. 
• Intro Riff: Here you will learn about the intro of the song which is 8 bars in length. Also, you will learn how to play all the measures that are present in the intro. 
• Intro Solo: This section shows you how to play Chuck's solo part in the intro of the song. 
• Song Arrangement Part 1: From this section the main part of the song begins as Chuck 

starts to sing from here. The guitar instructor breaks the arrangement down in several parts to make things easier here. 

• Song Arrangement Part 2: This part of the guitar lesson deals with the guitar playing you will be doing alongside the main chorus of the song. It is pretty faced paced strumming and chord progression so you need to have your full focus. 
• Song Demo: This is the part where Bobby is going to play the entirety of the song while the backing track is played. It is to show you how to strum and play chords in different parts. 
• Solo Lesson: Finally you will be learning Chuck's solo in this section, it is present in the Key of A minor. The riff which plays under the solo has already been taught in the above section of the song lesson. 

Why should you learn 1000 Eyes By Death Song?

1000 Eyes has some of the most excruciating fast-paced riffs, which makes it challenging to play both for alternate picking and fret-hand coordination. As a result, it is a perfect song to build your speed and precision. It also gives you a challenge, so if you feel like all the songs that you have been playing on the guitar are too easy for you, this song will surely turn things around. 

FAQs for 1000 Eyes by death Guitar Lesson

Q1. What happened to the Death band? 

Ans. The band before breaking up in 2001 went through a lot of changes, all of this happened after the death of Schuldiner. The final line up of the band before the break up was Schuldiner on guitars and vocals, Shannon Hamm on guitars, Richard Christy on drums. 

Q2. Was Chuck Schuldiner a good person in real life? 

Ans. The death metal legend was friendly and loved his family members. Throughout his life, he had a bunch of his friends, and they all stuck together. His parents were still in contact with other band members and told them how Chuck helped them when they needed it the most. 

July Matham - Introduction

July Matham is a beloved Tamil song from the 1993 film Pudhiya Mugam, composed by A.R. Rahman in his early career. The song features the legendary voices of S.P. Balasubrahmanyam and Annupamaa, with lyrics by Vairamuthu. It is set in Pilu raga, which gives it a sweet yet melancholic feel. The film tells the story of an assassin who transforms into a hero, and this song plays during a key emotional moment.

The melody flows gently, with soft orchestration and expressive vocals. Rahman’s use of harmonies and subtle rhythm changes makes the song stand out. Even today, it remains a favorite among fans of 90s Tamil music because of its simple yet deep emotional appeal. The way the vocals glide through the notes makes it perfect for guitar adaptation.

July Matham Guitar Lesson

Taught by Mike Walker, this lesson covers the song’s structure in D minor, shifting to D major in some sections. The harmonic minor scale (D-E-F-G-A-Bb-C#) is used for the sorrowful parts, while the major scale brightens the mood. The chords follow a cycle of Dm - Bb - F - C, with occasional passing chords like Gm and A7 for tension.

The strumming pattern is relaxed, matching the 6/8 rhythm. Use downstrokes on beats 1 and 4, with light upstrokes in between. The pre-chorus has arpeggiated chords, where you pluck individual notes instead of strumming. The chorus returns to fuller strums, emphasizing the emotional highs.

For the melody, focus on the D minor pentatonic scale (D-F-G-A-C). The vocal line moves smoothly, often sliding between notes. On guitar, try bending into some notes for expression, like bending the F (1st fret, high E string) slightly upwards. The bridge shifts to D major, changing the mood completely before returning to the minor key.

Beginners should practice the chord transitions first, especially Dm to Bb. Intermediate players can work on the arpeggiated sections, ensuring each note rings clearly. Advanced players can experiment with subtle vibrato and slides to mimic the vocal phrasing.

FAQs

Q. How to play the arpeggios smoothly?

Pluck the strings one by one in order and keep your fingers close to the frets. Avoid moving your arm and try maintaining a rhythm with moving only your wrists.

Q. Why does the song switch between minor and major?

The minor scale brings sadness, while the major parts add hope, matching the song’s emotional journey.

Q. Can I use a pick for this song?

Yes, you can use a pick for the picking patterns but the songs’ authentic feel comes only when fingerpicking is involved.

Q. What effects should I use?

A little reverb and delay help recreate the original’s dreamy sound. 

Auliya – Introduction

Auliya is a deeply emotional song from the 2019 Bollywood film Hum Chaar, sung by Atif Aslam. The song blends traditional and modern musical styles, creating a calm and reflective mood that touches on themes of devotion and longing. The lyrics, written by Shabbir Ahmed, speak to a heartfelt yearning and spiritual connection, which Atif Aslam delivers with sincere emotion. This combination makes Auliya stand out as a beautiful ballad that resonates with many listeners.

The film Hum Chaar tells the story of four friends navigating their relationships and personal growth, and Auliya fits perfectly into this narrative as a soulful reflection of their emotional struggles. Composed by Vipin Patwa, the song’s melody and arrangement carry a softness that matches the film’s thoughtful tone. The song’s lyrical video, with its simple yet expressive visuals, has also helped it gain popularity, making it a memorable and meaningful part of the movie’s soundtrack.

Auliya – Guitar Lesson

Steve Luciano’s lesson on Auliya breaks down the guitar work in a way that’s approachable and easy to follow. The song features a variety of chords that create a rich and layered sound, starting with some basic shapes like Bm7, D, and E, then moving to more colorful ones like Bbmaj7 and Gb/Bb. These chords give the song a blend of warmth and depth, making it interesting to play and listen to.

The arrangement uses some chord variations that might sound complex at first, but Steve simplifies them by explaining how each chord relates to the song’s key and mood. For example, the Asus2 chord adds a gentle, open sound, while Bm/A and A/C# are examples of chords with bass notes that add smooth transitions and melodic movement in the progression. Steve highlights these to help players understand how small changes in chord shapes can make a big emotional impact.

Steve also focuses on rhythm and dynamics, showing how playing softly and with feeling can bring out the song’s introspective quality. The strumming pattern isn’t rushed; it lets the chords breathe, matching the slow, meditative pace of the song. For those interested in fingerpicking, Steve demonstrates how picking certain notes within the chords can add texture and emphasize the melody, giving beginners a chance to develop control and expression in their playing.

Overall, the lesson is designed to make the song accessible while still preserving its emotional depth. Whether you’re new to guitar or more experienced, Steve’s clear guidance helps you capture the spirit of Auliya, making it a rewarding song to learn and perform.

FAQs

Q. What key is Auliya played in?

The song uses chords mostly around B minor and D major, giving it a warm and reflective feel.

Q. Are there difficult chords in Auliya?

There are some chord shapes with added bass notes like Bm/A and A/C#, but Steve breaks them down simply for easier learning.