Introduction

Praise – Introduction

Welcome to the guitar lesson on the Christian rock gospel track by Everlasting Worship called Praise. The song was released in mid-2023 and has since been streamed over 150 million times on YouTube. Praise is a collaborative effort by Brandon Lake, Chris Brown & Chandler Moore in the name of Jesus.

The message in the song is a declaration of devotion to Jesus Christ, lord and Saviour, who is all worthy of praise. There is deep devotional meaning in the lyrics of the song that talks about praising the lord in every situation and stage of life, for he is sovereign and true. The artists say, “Praise is also a weapon… Praise is how you fight for your perspective. Praise is how you take your imagination back from the enemy. Praise is how you inspire your faith and remember God’s faithfulness”.

Praise Guitar Lesson

The lesson here covers all parts of the song section by section, including the introduction, chords and rhythms, and the different techniques required to play this song perfectly. The tutor has demonstrated how to play the song using a capo as well as without a capo in the latter part of the lesson.

Praise chords are derived from the A major scale, which are A, Dadd9, F#m, E, and Bm. But since the open chord shapes sound louder and brighter, they make it tricky to produce the muted tones. Hence, the instructor suggests the use of a capo, which, instead of the nut pressing the strings from the bottom, does it from the top, and the muting effect becomes easy to achieve. Consequently, there arises a need to then transpose the song two frets ahead, which makes the chord shapes easier to play.

The song features augmented chords and minor 7th chords. They give a dreamy and expanding feel to the song. The strumming resembles a shuffle pattern with some muted strums for a percussive effect. This pattern, which is a little complex to master but sounds most fun to play, is carefully shown by the instructor, which the learners will find helpful.

FAQs

Q. What chords are used in ‘Praise’ by Elevation Worship?

The song uses standard chords like G, Cadd9, Em7, and D, using a capo on the 2nd fret. This is a common modern worship progression that is quite easy to play.

Q. Is Praise suitable for acoustic guitar beginners?

Yes, Praise is suitable for beginners. Although it has a higher tempo, that is only because of the strumming pattern, which is easy to play with a capo on. The chords are also easy to play with a capo on.

Q. How can I improve playing Praise live?

The greatest obstacle in live playing is the nerves, the adrenaline that makes your hands shake in front of an audience. A good way to deal with that is to not face the audience directly and stand at an angle, partly facing the audience and partly the band members.

Introduction: 1000 Eyes by Death is the song from their sixth studio album called Symbolic which was released on March 21st, 1995 under the label of Roadrunner records. 

Fun Fact: The song talks about the unstoppable surveillance of the government on society. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: You will be using single-note arpeggios instead of full chords, and the arpeggios in the verse are as follows: 

e|---------------------|  

B|---------------------|  

G|----7----5----4-----|  

D|---5----4----3------|  

A|--3----2----1-------|  

E|---------------------| 

Strumming Pattern:

The strumming pattern you have to follow for this song is a bit more of a fast alternate picking, tremolo picking, and palm-muted chugging. As a result, here’s how you will be strumming: 

For palm muted chugging: D - D - DUD - D - D - DUD

Palm muted galloping: D - DUD - D - D - D - DUD  

• D = Down strum
• U = Up strum

Song Structure:

• Introduction: In the introduction your guitar instructor Bobby Koelble shares his insights about the song, what it means and the tuning required for it. 
• Intro Riff: Here you will learn about the intro of the song which is 8 bars in length. Also, you will learn how to play all the measures that are present in the intro. 
• Intro Solo: This section shows you how to play Chuck's solo part in the intro of the song. 
• Song Arrangement Part 1: From this section the main part of the song begins as Chuck 

starts to sing from here. The guitar instructor breaks the arrangement down in several parts to make things easier here. 

• Song Arrangement Part 2: This part of the guitar lesson deals with the guitar playing you will be doing alongside the main chorus of the song. It is pretty faced paced strumming and chord progression so you need to have your full focus. 
• Song Demo: This is the part where Bobby is going to play the entirety of the song while the backing track is played. It is to show you how to strum and play chords in different parts. 
• Solo Lesson: Finally you will be learning Chuck's solo in this section, it is present in the Key of A minor. The riff which plays under the solo has already been taught in the above section of the song lesson. 

Why should you learn 1000 Eyes By Death Song?

1000 Eyes has some of the most excruciating fast-paced riffs, which makes it challenging to play both for alternate picking and fret-hand coordination. As a result, it is a perfect song to build your speed and precision. It also gives you a challenge, so if you feel like all the songs that you have been playing on the guitar are too easy for you, this song will surely turn things around. 

FAQs for 1000 Eyes by death Guitar Lesson

Q1. What happened to the Death band? 

Ans. The band before breaking up in 2001 went through a lot of changes, all of this happened after the death of Schuldiner. The final line up of the band before the break up was Schuldiner on guitars and vocals, Shannon Hamm on guitars, Richard Christy on drums. 

Q2. Was Chuck Schuldiner a good person in real life? 

Ans. The death metal legend was friendly and loved his family members. Throughout his life, he had a bunch of his friends, and they all stuck together. His parents were still in contact with other band members and told them how Chuck helped them when they needed it the most. 

Introduction

Ironic is the song by Canadian singer and songwriter Alanis Morissette. It was the third single from her 1995 studio album, Jagged Little Pill. 

In this video lesson Amy May teaches how to play the song Ironic as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Chords, Rhythm, and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: You will use open chords for this song. 

Chorus Variation: D G D E-minor are the chords you will use when playing chorus variation. 

Strumming Pattern 

This song has lots of repetition, making it easier for new guitar players to learn and play. The strumming pattern varies throughout the song, but for the most part, you will be playing:

Down-Down Up-Down Up-Down

Song Structure 

Chords, Rhythm, and Song Demo: This guitar lesson has only one section. Your instructor is Amy May, who will show you how to play specific chords for this song using a capo on the 4th fret. The tuning note for this song is Low-E. 

Why Learn This Song?

For six straight weeks, this song remained on top of the Canadian RPM 100 Hit Tracks chart, making it the second most successful song of the year in Canada. In addition to this, Ironic reached the top five spots in Australia, New Zealand, and Norway. This is a pretty catchy song, and once you start listening to it, you will be humming it day in and day out. 

Tips To Improve Guitar Playing: 

• When playing any chord, use one finger for one chord. 
• Always keep your thumb behind the middle finger and halfway down the neck. 
• You must understand that to become a better guitarist, you first need to be a better musician. 

Hotel California - Introduction

Welcome to the guitar lesson on the acoustic version of one of the greatest songs of all time, Hotel California by The Eagles. This specific arrangement replaces the original electric instruments with nylon-string guitars, creating a different interpretation of the song. The track keeps the same chord progression and structure as the studio version but uses fingerpicking patterns and multiple guitar harmonies.

Hotel California, as writer Henley put it, is more of a symbolic piece about America in general, and added, “Lyrically, the song deals with traditional or classical themes of conflict: darkness and light, good and evil, youth and age, the spiritual versus the secular. I guess you could say it's a song about the loss of innocence”.

The song follows a narrative about a traveller staying at a mysterious hotel, with lyrics that some interpret as commentary on American culture, for instance, the most iconic line of the song being “you can check out anytime you like, but you can never leave”.

Hotel California Guitar Lesson

Hotel California guitar lesson is taught by our beloved expert, Mike Walker, who explains all the different sections of the song in a section-by-section manner, starting from the intro that talks about the chords and different voicings of those chords, through the acoustic overdubs and the guitar solo section.

The song features a number of minor 7ths, dominants, suspended and augmented chords. The intro alone covers all these variations of these chords. The tutor, nevertheless, goes into detail explaining how to play them using a fingerpicking pattern.

The song is written in B minor; the live acoustic version uses a capo on the 7th fret, making it an E minor. The intro follows a repeating progression of Em-B7-Dsus-A7-C-G-Am7-B7, which establishes the harmonic foundation.

Since this is an acoustic version of the song, played by multiple guitarists. There are a number of artistic motifs and embellishments using techniques like double stops, arpeggios, and most importantly, the individual guitarists harmonising with each other throughout the song.

The tutor explains all the solos of the song in great detail, the last of which features some of the notes from the harmonic minor scale, which carry a signature sound of the desert, or the Middle East. This lends itself literally to the theme of the narrative of the song.

FAQs

Q. Do I need a nylon-string guitar to play this version?

While the original recording uses nylon strings, you can play it on a steel-string acoustic. The tone will sound brighter, but the chords and techniques remain the same.

Q. Why is the capo on the 7th fret? Can I play it without one?

The capo transposes the chords to match the original key (B minor) and allows easier open-position shapes. Without a capo, you’ll need to play full barre chords in B minor.

B.Y.O.B. – Introduction

Welcome to the guitar lesson on one of the greatest anti-establishment rebellion songs that brings together metal, punk, and Middle Eastern melodies into a politically charged anthem. – B.Y.O.B. by System of a Down. The song has been received with love across the world and has won a Grammy for the best hard rock performance in 2006. The song has amassed more than 500 million views on YouTube since its release in 2005.

The song name is an acronym for Bring Your Own Bombs, and was made as a form of protest against the american coalition led Iraq War (2003–2011), with lyrics calling out, “Why don't presidents fight the war? Why do they always send the poor?”. It is a song written in strong political commentary on the situation of wars and oppression around the world. The band has a reputation for speaking out for social justice and matters like drug abuse, politics, and suicide in the heavy metal genre.

B.Y.O.B. Guitar Lesson

The lesson on B.Y.O.B. is brought to you by our beloved instructor, Mike Walker, who demonstrates the song in its entirety and explains all parts of the song in great detail. Since this is a heavy metal song, there are a number of unconventional rhythmic patterns and fast melodic lines for the electric guitar, which is a signature sound for this genre of music.

The song is in the key of F major, but the tuning is half a step down; all the strings are tuned down a semitone. This, firstly, widens or brightens the tone, which makes it feel ‘heavy’ and secondly, loosens the strings, which makes it easier to play at a high tempo.

The lesson is easier to master as it only requires rhythmic proficiency to play in its entirety. The song is very drums and lyrics forward, as is with most heavy metal songs. The song is fun to play because of the distorted tone of the guitar. It’s a saturated machine-like sound that has low-frequency notes, which give it a slightly percussive vibe, usually called ‘djent’.

This is also a short lesson, taught easily by Mike, comfortably suited for beginners and advanced players alike.

FAQs

Q. Can I play BYOB in standard tuning?

Yes, you can play BYOB in standard tuning, but then you’ll have to play the song in E major instead of F major, and you’ll also lose the ‘crunch’ in the strumming.

Q. How to sound like Daron Malakian?

If you want to sound like Malakian, you need an Ibanez Iceman DMM1 guitar, going into a Boss HM-2 Heavy Metal distortion pedal, into a Marshall MF350 amp.

Q. Can I play this on an acoustic guitar?

Yes, you can, but it will not have the rage that is needed to lead a rebellion against the war profiteering world leaders.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).