Introduction

Introduction:

The Philosopher song was originally written by Monty Python and composed by Eric Idle. The Florida-based death metal band Death covered the song in their fifth studio album, Individual Thought Patterns, which was released in 1993. 

The Philosopher has been described as one of the more accessible cuts from Death’s later music catalog, and for some fans, it is their biggest hit to this day. 

In this video lesson Bobby Koelble teaches how to play the song The Philosopher as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Tapping Piece, Verse, Prechorus, and Chorus, Solo Rhythm and Post Solo Rhythm Sections, Main Solo, Ending Solo Improv and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure:

Introduction: This is going to be the introduction to the song, the band, and the tune that you will be learning in this guitar lesson. Bobby describes this guitar song as pretty straightforward and not that technical to begin with. 

Intro Tapping Piece: The intro of the song starts with a two-hand tapping part, along with other undertone notes, all of which you will learn in this part.

Verse, Pre-chorus, and Chorus: Here, you will learn how to play the famous guitar riff that makes the song memorable. 

Solo Rhythm and Post Solo Rhythm Sections: This section explains how to play the riffs below Chuck’s solo. 

Main Solo: Here is the main solo of the song, which is in the key of A minor. Bobby will also help you get accustomed to that one lick, which moves pretty fast. 

Ending Solo Improv: This part of the guitar lesson builds your confidence in how you should improvise at the end of Chuck's solo and adds bits of your tunes as well. 

Song Demo: This is the final part. Here, your guitar instructor will play the entire guitar section of the song alongside the backing track. 

Believer – Introduction

Welcome to the guitar lesson on a sensational pop blockbuster by one of the greatest pop-rock artists of modern music, Believer by Imagine Dragons. This song needs no introduction, for it amassed 2.8 billion views on YouTube and made Imagine Dragons world-famous, charting their way to everyone’s playlist.

Written in part and sung by Dan Reynolds, the song is about overcoming suffering and pain. He says, “The meaning of the song is reflecting on the painful things in my life, rising above that, finding a place where I could be appreciative of the pain and make it my greatest strength”. The message in the song is acceptance of pain in order to overcome it and cultivate belief in oneself through it, hence the title.

Believer peaked at number four on the US Billboard Hot 100, becoming the band's third top ten single after ‘Radioactive’ and ‘Demons’.

Believer Guitar Lesson

In this lesson, the tutor goes through talking about the individual parts of the song, one section after another. The first section contains the basic information about the song, like the key, tuning and tone. The second section talks about the chords and rhythm and the chords used in the song, followed by a section on the structural arrangement of the song, as in the position of verses and choruses. Finally, the tutor demonstrates how to play the song in its entirety with some improvisation tips.

Believer guitar chords are in the key of Bb minor. Mainly, three chords repeat over the length of the track, and palm-muted ‘chugs’ on the thicker strings give the song a metal vibe, while the special 12/8 time signature gives it a pop vibe. 12/8 time commonly feels like a shuffling rhythm, as if counting 1-2-3 repeatedly. The chords used are Bbm, F and F#.

The interesting bit about the arrangement here is in the overdubbed use of multiple guitars or guitar sounds. The tutor explains how there is a distorted rhythm guitar playing the power chords leaning on the low frequencies and the clean lead guitar playing the high frequency harmonies on top of it, both covering the sound space.

The instructor also goes through the lead or the vocal melody section of the song and shows how to play note by note, along with a demonstration on how to improvise on the track using the Bb minor pentatonic scale shape on the fretboard.

Consequently, this tutorial explores all the sections of the great power ballad of a song that Believer is and delivers the lesson in a structured format.

FAQs

Q. What is the story behind Believer by Imagine Dragons?

Dan Reynolds, the frontman of the band, was diagnosed with ankylosing spondylitis, which is a form of arthritis and causes great physical pain. His experience with the pain and rising above it is where the song comes from.

Q. Does Believer have a guitar solo?

Believer does not have a specific guitar solo in the track, but there is plenty of room in the track that you can solo over the chords using the Bb minor pentatonic scale.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Bohemian Rhapsody – Introduction

Welcome to the guitar lesson on what is referred to as the greatest rock song of all time, Bohemian Rhapsody by Queen. It is a 6-minute ‘suite’ –a musical performance that typically includes four or five dances, according to Western classical music. But Bohemian Rhapsody is nothing like a classical piece. It is, in fact, the opposite of a classical piece. It is an alternative rock song parodying orchestral music.

Freddie Mercury was born to Parsi-Indian parents in Zanzibar, which is an island town on the east coast of Africa. After the Zanzibar revolution began, they had to flee to Middlesex, England, to save their lives. Since that is the environment Freddie grew up around, it makes sense for him to choose alt-rock and prog-rock as his genres.

Bohemian Rhapsody Guitar Lesson

The lesson on this song is taught by our beloved expert, Mike Walker, who explains all the different sections of the song –and there are many –in the simplest of ways. The lesson is divided into multiple sections, explaining all the parts of the song section by section –from the intro that talks about the chords and different voicings of those chords, to the rhythms and solos of the song.

The song contains an iconic intro, a ballad segment, an orchestral passage, a rock progression, an iconic solo, and an outro. It is almost as if the song is a contraption of multiple songs. Consequently, it has a number of chords and key changes. The instructor, though, gives time to explain all the changes meticulously.

The song follows the following keys: B♭ Major, E♭ Major, A Major and F Major. With most of the chords being non-standard shapes, for instance, the intro features flat-6 and 7th chords, and minor 7th chords. There is a motif in the verse that makes the section iconic –a set of repeating two notes –G to F while on a Bb chord, A to G on the Gmin, and D to C on the Cmin. The instructor shows how to play it in great detail and along with the original track.

Another iconic part of the song is Brian May’s guitar solo, which has been deemed one of the greatest solos of all time. Featuring a guitar that Brian built in his garage, sloppy vibratos, dynamics, and pure emotional playing make it one of the greatest.

The lesson also has a breakdown of the main solo and the outro solo, including the rhythm distortion guitar parts as well, shown in full by the tutor.

Q. Is Bohemian Rhapsody playable on an acoustic guitar?

Yes, once you master the chord shapes, you can easily play the fingerstyle version of the song and sing along.

Q. What effects does Brian May use?

Brian used a Phaser pedal into a treble booster that then went into a Vox AC30.

Q. How do I sing and play this at the same time?

Practice playing the chords first. The ballad actually follows the vocal melody and so mastering the chords can easily get you there.

Sing is the lead single from Ed Sheeran's sophomore album “X” (Multiply). This was the first time Ed moved past his acoustic singer persona. The song was produced by Pharell Williams, and after it got released it really did shock some of his fans, at the same time it delighted critics. 

Sing is a funky, falsetto-driven song, and even after a decade, this song holds true to be one of the most intriguing and enduring tracks that came out from Ed’s album. It’s a song that shows his willingness to evolve and take those creative risks that many artists fear to take when they reach the height of their career. 

Fun Fact: Ed Sheeran, in one of his videos, said he took the inspiration from Justin Timberlake’s Justified album. The composer Pharrell Williams also worked on the same album and leaned towards the idea of creating something similar for Ed. 

Half of Sing’s credit needs to be devoted to Pharrell, Ed was reluctant on using Falsetto heavy style, feeling it will be too far from his original sound, but Pharell insisted that he should try it out and the result was such a massive breakout that Ed was able to reach UK #1 spot for the first time in his career. 

Why Learn to Sing By Ed Sheeran On Guitar?

''Sing'' is the exception in Ed Sheeran’s discography, most of his fans think of Ed as a tender acoustic musician. It was Sing that flipped the narrative. From this song, Ed offered a danceable energy to his fans, in addition to confidence and versatility. 

Sing is there to help you level up your guitar playing techniques, allowing you to practice strumming precision and the musical groove of a song. At first glance, you will find that the chord progression present in this song is quite simple, but if you look closely, the challenge lies in the rhythm and feel. 

The song requires you to master percussive and palm-muting techniques, which creates a funk-guitar style sound. With this song, you will develop tight timing and rhythmic accuracy. 

Furthermore, it also teaches you to properly use muting, ghost notes, and silence that are crucial means for groove. 

FAQs – Sing By Ed Sheeran Song Guitar Lesson

Q1. Which chords do I need to use to play Sing by Ed Sheeran on guitar? 

Ans. Am, F, C, and G are the few chords that you need to keep on repeating throughout this song, because it is a loop-style progression. 

Q2. In which key does the song Sing by Ed Sheeran present in? 

Ans. The song is present in A minor, which is considered the relative minor of C major. Keep in mind that there are no sharps or flats present in it. As a result, it is much easier for beginners to navigate through the guitar using it. 

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).