Song Demo

Introduction:

Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.

Interesting Fact

Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.

Chords & Progression

This song is in the key of D minor and uses both barre and open chords.

Chords include: Dm (barre), Bb, A7, F, and others.

The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.

Song Structure

Each section is covered in detail, including how the chords and rhythms evolve throughout the song.

Intro Rhythm and Bounce Feel

One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.

Riff Rhythm

The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing

Verse and Chorus – Singing & Playing Together

Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.

Intro Lead and Riffs

The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.

Solo Improvisation

The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.

Main Riff Breakdown

To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.

FAQs – Sultans of Swing Guitar Lesson

Q1: Is this song beginner-friendly?

It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.

Q2: Do I need a capo?

No capo is needed for this version.

Q3: How do I get the “Knopfler feel”?

Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.

[Verse 1]
DmYou get a shiver in the Cdark, it's raining in the Bbpark but meanA7time
DmSouth of the river you Cstop and you Bbhold everything A7
FA band is blowing Dixie double Cfour time
BbYou feel alright when you hear that music Dmring Bb- C

[Verse 2]
DmWell now, you step in side but you Cdon't Bbsee too many faces A7
DmComing in out of the Crain to hear the Bbjazz go A7down
FCompetition in other Cplaces
BbUh, but the horns they blowin' that Dmsound
Bb- Cway on down south
Bb- Cway on down south
DmLondon Town CBbCDm

[Verse 3]
DmYou check out Guitar CGeorge, he knows all the Bbchords A7
DmMind he's strictly rhythm Che doesn't Bbwant to make it cry or A7sing
FThey say an old guitar is Call he can afford
BbWhen he gets up under the lights to Dmplay his thing Bb- C

[Verse 4]
DmAnd Harry doesn't Cmind if he doesn't make the Bbscene A7
DmHe's got a daytime Cjob, he's doin' alBbright A7
FHe can play the honky Ctonk like anything
BbSaving it up for DmFriday night Bb- C
Bb- Cwith the Sultans
Dmwith the Sultans of Swing

[Verse 5]
DmThen a crowd of young Cboys, they're foolin' around in the Bbcorner A7
DmDrunk and dressed in their Cbest brown baggies and their Bbplatform A7soles
FThey don't give a damn Cabout any trumpet playin' band
BbIt ain't what they call Dmrock and roll Bb- C
Bb- Cand the Sultans
DmYeah, the Sultans, they play Creole

[Verse 6]
DmAnd then the man he Csteps right up to the Bbmicrophone A7
DmAnd says at last just Cas the time bell Bbring A7
FGoodnight, now it's Ctime to go home
BbThen he makes it fast with Dmone more thing Bb- C
Bb- CWe are the Sultans
DmWe are the Sultans of Swing

Unlock Full Access to Lyrics & Chords with Torrins Membership

Unlock with premium

Introduction:

Torrins brings you an exciting guitar lesson on Sultans of Swing by Dire Straits, taught by Mike Dugan. This song blends fingerstyle finesse with classic rock grooves, and Mike breaks it all down into bite-sized lessons so you can follow along at your own pace.

Interesting Fact

Mark Knopfler originally wrote the song on a National Steel guitar in open tuning. He thought it sounded dull—until he tried it on his 1961 Fender Stratocaster. The moment he plugged it in, the song “came alive,” and the now-famous chord changes practically wrote themselves.

Chords & Progression

This song is in the key of D minor and uses both barre and open chords.

Chords include: Dm (barre), Bb, A7, F, and others.

The progression is smartly structured across the different sections, and Mike breaks down which chords go where and how they’re distributed across measures.

Song Structure

Each section is covered in detail, including how the chords and rhythms evolve throughout the song.

Intro Rhythm and Bounce Feel

One of the most iconic parts of Sultans of Swing is its bounce. Mike explains how this bounce is created by returning to the D minor chord in the intro, and how to use finger lifts and muting to shape the rhythm. He simplifies the feel for beginners while encouraging a relaxed hand to avoid letting the guitar ring too much. The subtle muting helps create those signature accents that make this riff so catchy.

Riff Rhythm

The riff acts as the instrumental bridge between verses and chorus, and it’s rhythmically complex. Mike shares a unique method to help you internalize the up and down strumming pattern and nail the timing

Verse and Chorus – Singing & Playing Together

Mike walks you through how to match your vocals with the guitar parts, offering tips on timing and phrasing. The chorus uses a repetitive chord progression, so once you lock it in, you can focus more on dynamics and vocal delivery.

Intro Lead and Riffs

The lead parts are based around the D minor pentatonic scale, with one note borrowed from F major, and also include arpeggios. Mike breaks this down note by note, making the intro riff approachable even for those who are new to lead playing.

Solo Improvisation

The end solo of the song is a masterclass in feel and phrasing. Mike starts at the 10th fret and teaches the solo string by string. He introduces a cool technique called calming, along with triplet patterns, giving your solo a more expressive touch.

Main Riff Breakdown

To wrap up, Mike teaches the main riff of the song, played using a pick and two fingers for a hybrid picking effect. The riff includes the D minor triad and showcases how intricate fingerpicking can add character to a song.

FAQs – Sultans of Swing Guitar Lesson

Q1: Is this song beginner-friendly?

It’s more suited for intermediate players, but Mike breaks it down clearly, and beginners can still follow along section by section.

Q2: Do I need a capo?

No capo is needed for this version.

Q3: How do I get the “Knopfler feel”?

Focus on muting, dynamic accents, and hybrid picking. Let the rhythm breathe, and play with feel over flash.

[Verse 1]
DmYou get a shiver in the Cdark, it's raining in the Bbpark but meanA7time
DmSouth of the river you Cstop and you Bbhold everything A7
FA band is blowing Dixie double Cfour time
BbYou feel alright when you hear that music Dmring Bb- C

[Verse 2]
DmWell now, you step in side but you Cdon't Bbsee too many faces A7
DmComing in out of the Crain to hear the Bbjazz go A7down
FCompetition in other Cplaces
BbUh, but the horns they blowin' that Dmsound
Bb- Cway on down south
Bb- Cway on down south
DmLondon Town CBbCDm

[Verse 3]
DmYou check out Guitar CGeorge, he knows all the Bbchords A7
DmMind he's strictly rhythm Che doesn't Bbwant to make it cry or A7sing
FThey say an old guitar is Call he can afford
BbWhen he gets up under the lights to Dmplay his thing Bb- C

[Verse 4]
DmAnd Harry doesn't Cmind if he doesn't make the Bbscene A7
DmHe's got a daytime Cjob, he's doin' alBbright A7
FHe can play the honky Ctonk like anything
BbSaving it up for DmFriday night Bb- C
Bb- Cwith the Sultans
Dmwith the Sultans of Swing

[Verse 5]
DmThen a crowd of young Cboys, they're foolin' around in the Bbcorner A7
DmDrunk and dressed in their Cbest brown baggies and their Bbplatform A7soles
FThey don't give a damn Cabout any trumpet playin' band
BbIt ain't what they call Dmrock and roll Bb- C
Bb- Cand the Sultans
DmYeah, the Sultans, they play Creole

[Verse 6]
DmAnd then the man he Csteps right up to the Bbmicrophone A7
DmAnd says at last just Cas the time bell Bbring A7
FGoodnight, now it's Ctime to go home
BbThen he makes it fast with Dmone more thing Bb- C
Bb- CWe are the Sultans
DmWe are the Sultans of Swing

Unlock Full Access to Lyrics & Chords with Torrins Membership

Unlock with premium

Explore More in English Songs

Similar Rock Songs