Introduction

Introduction

Wake Me Up When September Ends is one of the most iconic songs from the American punk rock band Green Day. It is the fourth single from their seventh studio album, American Idiot, which was released in 2004. The lead vocalist Armstrong, wrote the lyrics of this song after his father's death in September 1982.

Chords Used in Wake Me Up When September Ends

Arpeggios Verse & Chorus Chords: Open chords. The song is played in the key of G, and there is no need for a capo. 

Chorus Variation: The chorus of the song is pretty short, and the guitar chords used in it are similar to those of the verse. 

Strumming Pattern 

The entirety of the song follows the same strumming pattern: Down-Up, Down-Up, Down-Up. (DUDUDU)

Song Structure 

Introduction: In this section, J.J. Pattishall will explain the key you need to play the song in.

Song Arrangement: Here, you will learn how and why the guitar instructor has broken down this song into several different parts. This particular section will show you how to play the guitar parts of the intro, verse, chorus, and bridge. 

Rhythm: Here, you will learn the open chords used to provide backing rhythm to the verse and chorus of the song. 

Song Demo: Right here, after showing you how to play all the different chords for this song, J.J. Pattishall will show you how to play the guitar alongside the song. 

Solo Lesson: This is the last part, where you learn how to play the epic solo from the song. 

Introduction

Hello is a song by Lionel Richie, an American singer and songwriter. It was the third single from his second studio album, Can’t Slow Down, which was released in 1983. This song had a total of three guitarists: Darrell Jones, Tim Ray, and Louis Shelton, who played electric and acoustic guitar, respectively. 

In this video lesson Steve Luciano teaches how to play the song Hello as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Song Arrangement, Song Demo, Advanced Voicing and Solo Lesson. Don't forget to make use of the chords and tabs provided with the song lesson!

Strumming Pattern 

The strumming patterns are: D D U U D U. 

Song Structure 

Here is the song structure which you need to follow to learn Hello by Lionel Richie:

Introduction: This is the start of the lesson, during which Steve Luciano, your instructor, will explain all the technicalities you will encounter during the learning stage of this song. 

Song Arrangement: Here, you will learn all the chords necessary to play this song. 

Song Demo: In this section, Steve will play the guitar part of the song alongside the track to help you understand how to sync chords with the vocals. 

Advanced Voicing: For individuals who can play advanced chords, this particular section is for them. It is the bonus of the lesson to make your guitar play more intricately.

Solo Lesson: In this section, you'll learn how to play the slow part of the song — a beautiful example of an instrumental pop solo, the kind that's rarely highlighted in mainstream pop music.

Introduction:

The Philosopher song was originally written by Monty Python and composed by Eric Idle. The Florida-based death metal band Death covered the song in their fifth studio album, Individual Thought Patterns, which was released in 1993. 

The Philosopher has been described as one of the more accessible cuts from Death’s later music catalog, and for some fans, it is their biggest hit to this day. 

In this video lesson Bobby Koelble teaches how to play the song The Philosopher as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Tapping Piece, Verse, Prechorus, and Chorus, Solo Rhythm and Post Solo Rhythm Sections, Main Solo, Ending Solo Improv and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure:

Introduction: This is going to be the introduction to the song, the band, and the tune that you will be learning in this guitar lesson. Bobby describes this guitar song as pretty straightforward and not that technical to begin with. 

Intro Tapping Piece: The intro of the song starts with a two-hand tapping part, along with other undertone notes, all of which you will learn in this part.

Verse, Pre-chorus, and Chorus: Here, you will learn how to play the famous guitar riff that makes the song memorable. 

Solo Rhythm and Post Solo Rhythm Sections: This section explains how to play the riffs below Chuck’s solo. 

Main Solo: Here is the main solo of the song, which is in the key of A minor. Bobby will also help you get accustomed to that one lick, which moves pretty fast. 

Ending Solo Improv: This part of the guitar lesson builds your confidence in how you should improvise at the end of Chuck's solo and adds bits of your tunes as well. 

Song Demo: This is the final part. Here, your guitar instructor will play the entire guitar section of the song alongside the backing track. 

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Black Magic Woman - Introduction

"Black Magic Woman" is one of Santana’s most famous songs, though it was originally written by Peter Green of Fleetwood Mac in 1968. Santana’s 1970 version, featured on the album Abraxas, transformed the track into a Latin rock masterpiece. The song blends bluesy guitar riffs with Afro-Latin percussion, creating a hypnotic and rhythmic groove. Carlos Santana’s smooth yet fiery guitar playing gives the track its signature sound, making it instantly recognizable.

The lyrics tell the story of a man enchanted by a mysterious woman, a common theme in blues music. Santana’s version extends the original with an instrumental section that transitions into "Gypsy Queen," a piece by jazz guitarist Gábor Szabó. This fusion of styles helped define Latin rock and cemented Santana’s place in music history. The song became a massive hit, reaching No. 4 on the Billboard Hot 100 in 1971, and remains a classic rock staple today.

Black Magic Woman Guitar Lesson

Taught by Mike Walker, this lesson breaks down how to play "Black Magic Woman" in the original key. The song revolves around three main chords: Dm7, Am7, and Gm7, giving it a moody, bluesy feel. The rhythm follows a Latin-inspired groove, with a steady pulse that makes it perfect for practicing timing and feel.

The intro features Santana’s iconic minor pentatonic lick, played with smooth bends and vibrato. The verse uses a repeating chord progression (Dm7 - Am7 - Gm7 - Dm7), with a laid-back strumming pattern that locks in with the percussion. The chorus shifts to a more open sound, letting the chords ring out before returning to the verse groove.

For the solo sections, Santana uses the D minor pentatonic scale (D-F-G-A-C) with added bluesy bends and expressive phrasing. The key is to play with emotion—let notes sustain, add vibrato, and slide between positions for that signature Santana sound. The transition into "Gypsy Queen" introduces faster, more intricate picking patterns, so start slow and focus on clarity.

Beginners should first master the chord changes and basic rhythm. Intermediate players can work on the intro riff and solo licks, paying attention to bends and vibrato. Advanced players should experiment with improvisation over the Dm7 vamp, using Santana’s phrasing as inspiration.

FAQs

Q. What tuning is used for this song?

Standard tuning (EADGBE)—no drop tuning or capo needed.

Q. How do I get Santana’s tone?

Use a smooth overdrive (not too distorted), with slight delay and reverb. Roll off some treble for warmth.

Q. What’s the strumming pattern?

A relaxed down-down-up with emphasis on beats 2 and 4 to match the Latin groove.

Q. Can I play this without a band?

Yes, but focus on keeping the rhythm tight—the groove is essential.

Q. How do I practice the bends in the solo?

Start slow, ensuring each bend reaches the correct pitch (e.g., bend G to A in the D minor scale).

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

In this video lesson Mike Walker teaches how to play the song Rock On as part of our guitar series on Indian songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Riff, Verse and Chorus, Solo Rhythm, Bridge, and Overdubs, Song with Backing Track, Solo Lesson and Improvisation. Don't forget to make use of the chords and tabs provided with the song lesson!

For many homegrown talents, Rock On was the first step towards choosing the life of an artist, be it guitarist, drummer, or vocalist for a band. One of the popular songs from the movie Rock On is Tum Ho Toh; this song is a power-packed rock ballad. It was composed by Shankar-Eshaan-Loy and sung by none other than Farhan Akhtar.

The composer trio Shanker-Eshaan-Loy did not go for a professional singer; they thought about having someone with an unpolished voice that brings out emotional honesty from the singer. As a result, the trio chose Farhan Akhtar as their lead singer for most of their composition for this movie, and this particular choice became the defining element of their album’s appeal. 

So, in a way, Tum Ho Toh was one of the songs that was born out of both musical expertise and vulnerability; the balance between the two was immaculate, and thus, it perfectly captures the ache of emotional emptiness. 

Song Structure 

Introduction and Song Arrangement: For this lesson, Ehsaan Noorani is your guitar instructor; he starts with the basic introduction of the song, where he shares how you can produce the exact sound with the help of delay. He starts with the verse of the song where you will be using C, Dm, and G. 

Song Demo: Once you get a nick of chord progressions you need to play for this song, the next thing to learn is how to keep up your guitar chords with that of other instruments, which are a keyboard and a drum. For this, Ehsaan shows you a full song demo, of the song, that allows you to grasp all the little details of playing this song on guitar. 

Improvisation: Right here, in this part of the song lesson, you get to see some of the improvisation techniques used by Ehsaan Noornai in the outro of the song. He shares his thoughts on how you should implement improvisation in this song to make it sound more unique and special. 

Why Learn Tum Ho Toh (by Ehsaan) Song On Guitar?

The reason why you should be learning this song on guitar is that it is acoustic friendly, the chords are quite simple, and you can play this entire song using open chords if you wish to; as a result, this song feels and sounds pretty impressive without even overcomplicating things. 

Furthermore, with this song, you learn how to infuse your guitar play with emotions; here, you will be going through soft verses and a powerful chorus, which allows you to understand the dynamics of expressive playing. The iconic fingerpicking intro is unmatched when it comes to playing it in a live setup; it is also useful in training your fingers for independence. 

Sing is the lead single from Ed Sheeran's sophomore album “X” (Multiply). This was the first time Ed moved past his acoustic singer persona. The song was produced by Pharell Williams, and after it got released it really did shock some of his fans, at the same time it delighted critics. 

Sing is a funky, falsetto-driven song, and even after a decade, this song holds true to be one of the most intriguing and enduring tracks that came out from Ed’s album. It’s a song that shows his willingness to evolve and take those creative risks that many artists fear to take when they reach the height of their career. 

Fun Fact: Ed Sheeran, in one of his videos, said he took the inspiration from Justin Timberlake’s Justified album. The composer Pharrell Williams also worked on the same album and leaned towards the idea of creating something similar for Ed. 

Half of Sing’s credit needs to be devoted to Pharrell, Ed was reluctant on using Falsetto heavy style, feeling it will be too far from his original sound, but Pharell insisted that he should try it out and the result was such a massive breakout that Ed was able to reach UK #1 spot for the first time in his career. 

Why Learn to Sing By Ed Sheeran On Guitar?

''Sing'' is the exception in Ed Sheeran’s discography, most of his fans think of Ed as a tender acoustic musician. It was Sing that flipped the narrative. From this song, Ed offered a danceable energy to his fans, in addition to confidence and versatility. 

Sing is there to help you level up your guitar playing techniques, allowing you to practice strumming precision and the musical groove of a song. At first glance, you will find that the chord progression present in this song is quite simple, but if you look closely, the challenge lies in the rhythm and feel. 

The song requires you to master percussive and palm-muting techniques, which creates a funk-guitar style sound. With this song, you will develop tight timing and rhythmic accuracy. 

Furthermore, it also teaches you to properly use muting, ghost notes, and silence that are crucial means for groove. 

FAQs – Sing By Ed Sheeran Song Guitar Lesson

Q1. Which chords do I need to use to play Sing by Ed Sheeran on guitar? 

Ans. Am, F, C, and G are the few chords that you need to keep on repeating throughout this song, because it is a loop-style progression. 

Q2. In which key does the song Sing by Ed Sheeran present in? 

Ans. The song is present in A minor, which is considered the relative minor of C major. Keep in mind that there are no sharps or flats present in it. As a result, it is much easier for beginners to navigate through the guitar using it.