Preview

Introduction

I Will Wait is a song by Mumford & Sons. It was released in the United States in 2012 as a lead single for their second studio album, Babel (2012). Rolling Stones Magazine named this song as the 13th-best song that came out that year. 

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: In the key of D flat, you have to put on a capo on the first fret of your guitar to play this song. 

Strumming Pattern 

The basic strumming pattern which you need to follow for this song is: D - D - U - U D U. 

• D = Down strum
• U = Up strum

This strumming pattern results in a rolling, percussive feel, which resonates with the song’s energetic drive. 

Song Structure 

• Introduction: In this part of the guitar lesson, your guitar instructor talks about the song and the band Mumford & Sons. He will also teach you how to tune the guitar in order to play this song. 
• Chords and Rhythm: In this section, you will learn how to play both the rhythm and the vocal sections of the song. Furthermore, J.J. Pattishall will show you how to keep up with the underlying rhythm of the song. 
• Song Arrangement: This part of the guitar lesson is divided into five different sections: intro, verse, pre-chorus, bridge, and chorus to make it easier for you to learn chord progressions that you need to play at a certain point in the song. 
• Sing and Play: Here, you will learn how to sing along as you play chords on the guitar. Your guitar instructor will show you how you can mark certain downbeats to steer your vocal in the right direction as you sing along. 
• Song Demo: At this point, J.J is going to give a demo of the song where he plays the song on guitar and sings along with the backing track. 
• Non-Capo Version: This is the alternative version of the song, which does not require capo at all. 

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Praise – Introduction

Welcome to the guitar lesson on the Christian rock gospel track by Everlasting Worship called Praise. The song was released in mid-2023 and has since been streamed over 150 million times on YouTube. Praise is a collaborative effort by Brandon Lake, Chris Brown & Chandler Moore in the name of Jesus.

The message in the song is a declaration of devotion to Jesus Christ, lord and Saviour, who is all worthy of praise. There is deep devotional meaning in the lyrics of the song that talks about praising the lord in every situation and stage of life, for he is sovereign and true. The artists say, “Praise is also a weapon… Praise is how you fight for your perspective. Praise is how you take your imagination back from the enemy. Praise is how you inspire your faith and remember God’s faithfulness”.

Praise Guitar Lesson

The lesson here covers all parts of the song section by section, including the introduction, chords and rhythms, and the different techniques required to play this song perfectly. The tutor has demonstrated how to play the song using a capo as well as without a capo in the latter part of the lesson.

Praise chords are derived from the A major scale, which are A, Dadd9, F#m, E, and Bm. But since the open chord shapes sound louder and brighter, they make it tricky to produce the muted tones. Hence, the instructor suggests the use of a capo, which, instead of the nut pressing the strings from the bottom, does it from the top, and the muting effect becomes easy to achieve. Consequently, there arises a need to then transpose the song two frets ahead, which makes the chord shapes easier to play.

The song features augmented chords and minor 7th chords. They give a dreamy and expanding feel to the song. The strumming resembles a shuffle pattern with some muted strums for a percussive effect. This pattern, which is a little complex to master but sounds most fun to play, is carefully shown by the instructor, which the learners will find helpful.

FAQs

Q. What chords are used in ‘Praise’ by Elevation Worship?

The song uses standard chords like G, Cadd9, Em7, and D, using a capo on the 2nd fret. This is a common modern worship progression that is quite easy to play.

Q. Is Praise suitable for acoustic guitar beginners?

Yes, Praise is suitable for beginners. Although it has a higher tempo, that is only because of the strumming pattern, which is easy to play with a capo on. The chords are also easy to play with a capo on.

Q. How can I improve playing Praise live?

The greatest obstacle in live playing is the nerves, the adrenaline that makes your hands shake in front of an audience. A good way to deal with that is to not face the audience directly and stand at an angle, partly facing the audience and partly the band members.