Introduction

Good Times Bad Times - Introduction

Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.

John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.

Good Times Bad Times Guitar Lesson

Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.

The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.

For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.

Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.

FAQs

Q. What tuning does this song use?

Standard tuning (E A D G B E). No special tuning needed.

Q. Is this song good for beginners?

The power chords are easy, but the slides and strumming take practice.

Q. What guitar effects were used?

Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.

Introduction

Voices of the Soul is the song from the seventh and final studio album of the Florida-based death metal band called “Death.” This particular song has an eerie spectre, and it is one of the most experimental and expansive songs from Death, with impressive songwriting. 

Chords Used in Wake Me Up When September Ends

Arpeggios Verse & Chorus Chords: Open chords. The song is played in the key of G, and there is no need for a capo. 

Chorus Variation: The chorus of the song is pretty short, and the guitar chords used in it are similar to those of the verse. 

Strumming Pattern 

The entirety of the song follows the same strumming pattern: Down-Up, Down-Up, Down-Up. (DUDUDU)

Song Structure 

Introduction: In this section, J.J. Pattishall will show you the key in which the song is to be played. 

Song Arrangement: Here, you will learn how and why the guitar instructor has broken down this song into several different parts. This particular section will show you how to play the guitar parts of the intro, verse, chorus, and bridge. 

Rhythm: Here, you will learn the open chords used to provide backing rhythm to the verse and chorus of the song. 

Song Demo: Right here, after showing you how to play all the different chords for this song, J.J. Pattishall will show you how to play the guitar alongside the song. 

Solo Lesson: This is the last part, where you learn how to play the epic solo from the song.

To become a well-rounded guitarist or to witness the magic of James Taylor’s fingerpicking at its best, you need to learn the intermediate guitar version of the song Snowtime. This is the one-song lesson that serves as a perfect blend of technical as well as musical growth; in addition to this, the entire guitar lesson is pure playing satisfaction. 

With this intermediate version of the song Snowtime, you will be introduced to Travis playing, in addition to the subtle-note alternations, a skill that develops precision and independence between thumb and fingers. 

Musically speaking, the song slowly builds on soft and flowing acoustic guitar with unmistakable smooth vocals layered on top of them. From this lesson, you are going to capture the serene and contemplative mood present in the song, which is quite often associated with winter. It’s a song that teaches you that sometimes simplicity when executed with proper finesse, can create a powerful musical experience. 

Strumming Pattern 

The song is known for its gentle fingerpicking, but when it comes to learning the intermediate version, then you have to follow the given strumming pattern to capture a laid-back and flowing feel of the song: D – D U – U D U.

• D = Down Strum. 
• U = Up Strum. 

If you wish to add more feel to the song, you can use this optional strumming variation: D – D – x – U – D U. 

• D = Down Strum. 
• U = Up Strum.
• X = muted percussive strumming, which helps you add texture without overpowering the song. 

Strumming works well in this song, but if you wish to capture the sound of the original recording truly, we would advise you to blend light fingerpicking with strumming transitions.  

Why Learn Snowtime Song Intermediate Version On Guitar?

Snowtime by James Taylor is considered to be the perfect first step towards learning fingerstyling with light strumming; this lesson simplifies the intricate part just enough that the song lesson becomes a bit challenging and, at the same time, rewarding. 

It’s a song that requires you to play your guitar gently and cleanly and follow the required rhythm. The kind of control you will learn in this song lesson will take you one level above beginners and make your sound stage-ready. 

Here, you will be playing open chords, which come with tasteful embellishments; this helps you in mastering transitions while still showing you how to add musical sophistication to your guitar playing. 

Snowtime is being played at a steady, reflective pace; playing it on guitar trains your mind and hands-on timing; as a result, with this slow tempo, you will learn to avoid rushing and lock your chord progression with vocals. 

Introduction

Black Bird is one of the greatest songs by none other than The Beatles. It’s a song where Sir Paul McCartney performed a solo piece. It is a song that many artists from all around the world cover. The song is also used as an introduction to another hit song by The Beatles called “Yesterday.”

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: For this song, you will be using your thumb for bass notes and playing the melody with the first two fingers. 

Strumming Pattern 

Due to fingerpicking, it does not use the traditional strumming pattern, so you have to learn Travis's picking style, which your guitar instructor is going to teach you in this lesson. Here’s how you will be using it: Thumb (T) → Index (I) → Thumb (T) → Middle (M)

Song Structure 

Introduction: In the introduction, you will learn how to tune up your guitar to play this song. 

Chords and Rhythm: In this part, Mike Walker, your guitar instructor for this song lesson, will show you the required fingerpicking technique, chords and rhythms that you need to follow. 

Song Arrangement: Right in this part, you will learn how to play the different parts of the 

song, starting from the intro and then verses, chorus, and outro. 

Song Demo: Finally, in this section, Mike will show you how to play the song on guitar with a backing track. 

Introduction

Disturbed is known as a heavy metal band. When the band was starting out, the sound they followed was more of “nu metal”. Guarded was a promotional single from the band’s third album, Ten Thousand Fists. The lyrics show how the lifestyle forces David Draiman to guard himself on a certain level.

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: This song does not use traditional arpeggios. It is primarily a riff-driven song that includes heavy power chords in addition to the chugging rhythms. 

Strumming Pattern 

If you notice, the song's main riff has a more galloping tone. As a result, the strumming pattern that you need to follow for this song is: D - DUD - D - DUD

• D = Down strum
• U = Up strum
• - = Brief pause (muted)

Song Structure 

Introduction: In this introduction, Mike Walker, who will be your guitar instructor for this song lesson, explains how to tune your electric guitar. 

Song Arrangement: This is the part where you will learn all the chord progressions you will use in this song. 

Song Demo: This is the last part of the guitar lesson. Mike will play the entire guitar section of the song alongside the backing track. 

Introduction

Bombtrack is one of the explosive songs from Rage Against the Machine’s debut album. In addition to this, it comes with powerful riffs, and groove-driven rhythms and it also includes aggressive energy.  

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: There are no traditional arpeggios in the verse, instead you have to follow heavy power chords with a combination of muted rhythms. 

e|---------------------------------|  

B|---------------------------------|  

G|---------------------------------|  

D|---------4-4-2-2-4--------------|  

A|---2-2--------------------------|  

E|---------------------------------|

Strumming Pattern 

This song follows a more tight-riff playing than your traditional strumming. As a result, you have to follow the rhythm guitar approach to be more precise and smooth. Here is how you should be strumming with a palm-muted downstroke approach for punchy rhythm: D D D D D U D U. 

• D = Down strum
• U = Up strum

Song Structure 

Introduction: In this introduction section Mike Walker your guitar instructor teaches you how to tune up the guitar for this song. 

Song Arrangement: Here Mike shows you how to play the intro, midsection and the outro of the song. He shares his knowledge of guitar playing and how the intro is a 4 bar phase. 

Overdub: Here, you will learn how to play the overdubs which come at the start of the song. 

Song Demo: This is where you will learn how to play the entire song with the backing track to keep up guitar chords with the original time signature of the song.

Solo 1: Over here you will be learning how to play the first solo which is present right after the first bridge. 

Outro Solo: This is the final part of this guitar lesson, here Mike is going to show you how to play outro solo. 

Why Learn Bombtrack By Rage Against The Machine Song?

This is a pretty intricate song to learn that starts with simple yet heavy riffs, as a result, it is perfect for learning palm muting, power chord slides and even for practicing tight picking. This is one of the few songs from Rage Against the Machine which is beginner friendly, the guitar lesson that we have here is perfect for individuals who want to improve their riff-based playing. 

FAQs – Bombtrack Guitar Lesson

Q1. Why is Range Against the Machine Controversial? 

Ans. One of the biggest reasons why Rage Against the Machine is controversial is because of their fiercely political music that comes with sloganeering left-wing rants against the corporate culture of America. 

Q2. How many BPM is Bombtrack? 

Ans. This song is at 152 BPM; the song runs for 4 minutes and 3 seconds in the key of E and with a major mode.

Q3. Is Rage Against the Machine anti-capitalist?

Ans. Yes, that can be said for Rage Against the Machine because they have voiced their disagreement on various political, domestic and foreign policies that were introduced by the US government. 

Q4. What is the heaviest Rage Against the Machine song?

Ans. Bullet in the Head is the heaviest song from Rage Against the Machine according to their fans. The song is a reference to how the government is trying to use the media to influence their control over the population. 

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favourite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quietly, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Amrinder Gill is a man who is known to create soulful music; he has made his name in Punjabi classic pop music with his deep storytelling narrative. With the help of this song, you will be able to capture the heartfelt emotion and soulful charm of Punjabi music; you can learn to play this song on both acoustic and electric guitar, depending on your requirements. 

Furthermore, it’s an ideal song to learn for both beginners and intermediate guitar players as it involves emotional depth, simple chords, and smooth strumming patterns, making the learning process enjoyable and satisfying at the same time. 

Why Learn Dildarian Song On Guitar?

One of the main reasons why you should be learning this song on guitar is that it is both gentle and has a heartfelt vibe to it, so with this song, you learn to express emotion through your playing. It has simple open chords combined with an easy strumming pattern, so even new guitar players can make this song feel polished as they learn to play it on guitar. 

Dildarian has a steady guitar rhythm, and it also follows a predictable structure. Thus, it’s an ideal song for practicing singing and playing guitar at the same time. Apart from this, you get to practice smooth chord transitions in addition to better strumming dynamics, which are two of the most essential techniques to master for aspiring guitarists. 

Lastly, Dildarian is a song that shines best when you play it solo; you can bring Punjabi authenticity to your setlist by learning this song. 

FAQs – Dildarian By Amrinder Gill Song Guitar Lesson

Q1. To play Dildarian by Amrinder Gill, do I need to put a capo on my guitar? 

Ans. You can play Dildarian songs without using a capo if you are just playing it for yourself or practicing it. But if you wish to play it exactly as it sounds in the original recording, that it would be best to put the capo on the 2nd fret of the guitar. 

Q2. Can I sing Dildarian while playing it on guitar? 

Ans. Yes, it’s a simple song to learn on guitar, and it follows a slow tempo, making it much easier for you to strum and keep your vocals in the correct pitch. 

Q3. What key is the song Dildarian in, and how does the capo affect it?

Ans. The song uses the key of G major in open chord position, but once you put a capo on the 2nd fret, it raises up the pitch to A major, which matches up with the original studio recording key while allowing you to use much easier chord shapes.