Introduction
Good Times Bad Times - Introduction
Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.
John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.
Good Times Bad Times Guitar Lesson
Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.
The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.
For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.
Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.
FAQs
Q. What tuning does this song use?
Standard tuning (E A D G B E). No special tuning needed.
Q. Is this song good for beginners?
The power chords are easy, but the slides and strumming take practice.
Q. What guitar effects were used?
Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.
Good Times Bad Times
Introduction
Song Arrangement
Solo
Song Demo with Rhythm Parts
Song Demo with Solo
Good Times Bad Times - Introduction
Good Times Bad Times" is the first song on Led Zeppelin's 1969 debut album. The band released it as their first single in America. John Paul Jones wrote the main riff on a Hammond organ before playing it on bass. Jimmy Page used a Fender Telecaster guitar with a Tone Bender pedal for a fuzzy sound.
John Bonham played fast triplets on his bass drum with one foot. This drum technique impressed Jimi Hendrix. Robert Plant recorded his vocals twice to make them sound thicker. The song was almost called "A Man I Know" before they changed the title.
Good Times Bad Times Guitar Lesson
Mike Dugan's lesson breaks down every essential element of this classic track. The song's foundation lies in its deceptively simple power chord progression in E major. What makes it unique is the sliding technique between chords rather than the typical staccato approach. When playing the main riff (E5-D5-A5), focus on smoothly gliding between positions while maintaining steady palm muting for that tight, punchy sound. The verse rhythm follows a syncopated pattern that locks perfectly with John Bonham's groundbreaking drum work.
The guitar solo represents one of Jimmy Page's most inventive early recordings. Using a Leslie speaker cabinet (typically used for organs), Page created that distinctive swirling, phase-shifted tone. The solo primarily uses the E minor pentatonic scale (E-G-A-B-D) but incorporates several blues techniques. Pay special attention to the quick hammer-on/pull-off licks between the 12th and 15th frets on the B string, and the dramatic whole-step bends on the G string at the 14th fret. The solo's second half features rapid alternate picking that requires precise right-hand control.
For the rhythm parts, the secret lies in the dynamic contrast between sections. The verses use a tight, muted strumming pattern (down-up-down-up with emphasis on beats 2 and 4), while the choruses open up with full, ringing chords. Notice how Page slightly delays his strums during the verses to create that signature laid-back groove. The bridge section introduces a clever variation with quick chord changes (E-D-C#m-B) that build tension before returning to the main riff.
Advanced players should study the subtle nuances that make this recording special. Page's use of partial chords (often just the root and fifth with occasional added octaves) creates a lean, powerful sound. His muting technique - a combination of left-hand fret muting and right-hand palm muting - gives the rhythm parts their distinctive percussive quality. For authentic tone, use a Telecaster with the tone knob rolled back slightly, a medium-gain overdrive, and a small tube amp set clean with just a touch of natural breakup.
FAQs
Q. What tuning does this song use?
Standard tuning (E A D G B E). No special tuning needed.
Q. Is this song good for beginners?
The power chords are easy, but the slides and strumming take practice.
Q. What guitar effects were used?
Page used a Tone Bender fuzz pedal and Leslie speaker on the solo.
Good Times Bad Times
Introduction
Song Arrangement
Solo
Song Demo with Rhythm Parts
Song Demo with Solo
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Introduction
Torrins brings you another heartfelt country classic—Always on My Mind by Willie Nelson, taught by Mike Dugan. This in-depth lesson covers everything from basic chords to advanced rhythm techniques, making it accessible for both beginners and advanced players.
Fun Fact: Always on My Mind was the Billboard number one country album of the year in 1982. It remained on the Billboard Top Country Albums chart for an astonishing 253 weeks, holding the number one spot for 22 weeks. It even spent 99 weeks on the Billboard 200, peaking at number two for three weeks!
Chords Used in Always on My Mind
Beginner Chords:
- D, A, Bm, etc (alternative chords provided for those struggling with barre chords)
- Bm/G# and other slash chords (simplified option available)
- Basic downstrumming technique
Advanced Chords:
- Walk-down from Bm barre chord to G, creating a smooth transition
- Em, A, D, and motion chord movement from Em to F#, along with other chord voicings
- Includes A/C# to add depth to the song
Rhythm & Strumming Pattern
Beginner Rhythm:
- Simple downstrumming throughout the song for easy playability
Advanced Rhythm:
- More dynamic strumming pattern: DUDDUD with variations in the upstrokes
- Incorporates subdivisions and expressive chord transitions to match the song’s emotional tone
Song Structure
This song follows a classic country ballad structure:
- Intro
- Verse 1 & 2
- Bridge – Separate versions for beginners and advanced players
- Solo Verse – Melody-driven section
- Bridge Repeat
Solo Section
- Uses the D major scale for advanced players
- Simple yet effective solo incorporating D and Bm/A chords, to name a few
- Captures the melody of the song to create an emotional instrumental moment
Improvisation Techniques
For those wanting to add their own flavour, Mike shares techniques to elevate their playing:
- Walk-down motions to create smoother transitions
- Letting open strings ring for a fuller sound
- Subtle rhythmic variations to match Willie Nelson’s expressive phrasing
Why Learn Always on My Mind?
This lesson is a great way to enhance your expressiveness as a guitarist. Whether you’re learning the basic chords or mastering the advanced transitions, Mike ensures that every player walks away with valuable skills.
FAQs – Always on My Mind Guitar Lesson
Q1. Is this song beginner-friendly?
Ans: It’s better suited for intermediate and advanced players, but Mike breaks it down for beginners as well.
Q2. What if I struggle with barre chords?
Ans: Alternative chord shapes are provided for Bm and Bm/G# to make it easier.
Q3. How can I improve my strumming on this song?
Ans: Beginners should start with downstrumming, while advanced players can incorporate upstroke variations and subdivisions for a more dynamic feel.
Q4. Does this lesson include a solo?
Ans: Yes! The solo is based on the D major scale and includes a simple yet effective melody.



































