Introduction

Fear of the Dark - Introduction

Fear of the Dark is one of Iron Maiden’s most famous songs, released in 1992 on the album of the same name. Written by bassist Steve Harris, it explores the fear of darkness and the unknown. The song starts slow and eerie, then explodes into fast, heavy riffs. It became a fan favorite, especially in live shows where the crowd sings along.

The lyrics describe the creeping fear of being alone in the dark, where every shadow feels threatening. Bruce Dickinson’s powerful vocals and the twin-guitar harmonies make it unforgettable. The song’s structure is dynamic; starting quiet, building tension, then bursting into full energy. It remains one of their most-streamed tracks today.

Fear of the Dark Guitar Lesson

Taught by Mike Walker, this lesson breaks down the song’s F major to D minor shifts. The intro uses clean arpeggios (F - C - Dm - Bb) before the heavy riff kicks in. The main riff is in D minor, played with palm muting for a tight sound. The tempo starts at 80 BPM but speeds up later.

The verse has a chugging rhythm (D5 - C5 - Bb5), while the chorus opens up with power chords (F5 - C5 - D5 - Bb5). The solos use the D harmonic minor scale (D-E-F-G-A-Bb-C#), giving them a dark, dramatic feel. The twin-guitar harmonies are a key feature—two guitars play different but matching melodies.

For the solos, Dave Murray and Adrian Smith use the D harmonic minor scale (D-E-F-G-A-Bb-C#). This scale gives the leads their dramatic, almost classical sound. The twin-guitar harmonies are a key feature—one guitar plays a melody while the other plays a matching part at a different pitch. These harmonies use intervals of thirds and sixths to create that classic Iron Maiden sound.

The bridge section before the final chorus has a rhythm part with quick chord changes. Here, you switch between D5 - F5 - C5 - Bb5 in rapid succession. The key is to keep your palm muting consistent while moving between chords. The song ends with a repeat of the intro arpeggios.

Beginners should start by learning the power chord shapes and the galloping rhythm pattern. Practice the palm muting to get that tight, punchy sound. Intermediate players can work on the twin-guitar harmonies—try recording one part and playing the other over it. Advanced players should focus on the vibrato and bends in the solos, which need to be precise to match the original recording.

FAQs

Q. What tuning does Iron Maiden use for this song?

Standard tuning (EADGBE), though they sometimes play it half-step down live.

Q. How do I play the rhythm correctly?

Use downstrokes on the main beats and upstrokes in between (down-down-up). Start slow with a metronome.

Q. Why does the solo sound so dramatic?

It uses the D harmonic minor scale, which has a raised 7th note (C# instead of C natural).

Q. Can I play this song on a single guitar?

Yes, but you’ll miss the harmonies. Try recording one guitar part and playing the other over.

Tore Down - Introduction

Tore Down is a blues classic originally recorded by Freddie King in 1961 under the title "I'm Tore Down." Written by pianist Sonny Thompson, the song became one of King's biggest hits, reaching #5 on Billboard's R&B chart. The track showcases King's powerful voice and sharp guitar work, blending Texas blues with a raw, energetic delivery. Decades later, Eric Clapton covered the song for his 1994 blues album From the Cradle, staying true to King's original arrangement while adding his signature touch.

Clapton's version keeps the song's essential elements—the falsetto vocal phrases, punchy guitar fills, and that unmistakable blues shuffle. His recording was so well-received that it also reached #5, this time on Billboard's Mainstream Rock chart. Over the years, Clapton has performed "Tore Down" live many times, including at his Live in Hyde Park concert and John Mayall’s 70th Birthday show. The song’s enduring appeal lies in its raw emotion and tight groove, making it a favourite among blues guitarists.

Tore Down Guitar Lesson

Taught by Mike Dugan, this lesson breaks down Eric Clapton’s version of ‘Tore Down’, focusing on the blues shuffle rhythm, stop-time sections, and lead fills. The song is in the key of A major and follows a classic 12-bar blues structure, but with some clever variations. The most distinctive feature is the stop-time verses, where the band cuts out on the 1st beat, leaving space for Clapton’s vocals to drive the song forward. There are two types of stops—short stops (just a quick pause) and long stops (a full beat of silence).

The rhythm guitar part uses a Texas blues shuffle, played with a light swing feel. The basic pattern is A5-D5-A5-E5-D5-A5, but the magic is in the muting and dynamics. Use palm muting on the lower strings to keep it tight, and let the chords ring out slightly on the turnaround. Clapton’s version has a crisp, clean tone, so roll back your guitar’s tone knob a bit and use a tube amp with mild breakup.

For the lead fills, Clapton sticks mostly to the A minor pentatonic scale (A-C-D-E-G) but adds bluesy bends and quick hammer-ons for extra flavour. The opening riff is simple but effective—just a few well-placed notes with vibrato. The solo builds on Freddie King’s original licks but with Clapton’s smoother phrasing. Pay attention to his bending accuracy—he often bends up a whole step (from C to D) with perfect pitch control.

The stop-time sections require tight coordination with the band. When the band stops on the 1st beat, keep your strumming hand moving in time so you can jump back in smoothly. Beginners should practice the stops slowly, counting out loud (1-2-3-4-STOP) to internalise the rhythm. Advanced players can work on Clapton’s subtle variations, like adding a quick chromatic slide into a chord or throwing in a double-stop lick before a stop.

FAQs

Q. How do I play the Texas shuffle rhythm?

Use a down-up strum pattern with swing feel, muting the strings lightly between chords.

Q. What scale does Clapton use for solos?

Mostly A minor pentatonic, with some blues scale (added flat 5th) notes for extra grit.

Introduction

Disturbed is known as a heavy metal band. When the band was starting out, the sound they followed was more of “nu metal”. Guarded was a promotional single from the band’s third album, Ten Thousand Fists. The lyrics show how the lifestyle forces David Draiman to guard himself on a certain level.

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: This song does not use traditional arpeggios. It is primarily a riff-driven song that includes heavy power chords in addition to the chugging rhythms. 

Strumming Pattern 

If you notice, the song's main riff has a more galloping tone. As a result, the strumming pattern that you need to follow for this song is: D - DUD - D - DUD

• D = Down strum
• U = Up strum
• - = Brief pause (muted)

Song Structure 

Introduction: In this introduction, Mike Walker, who will be your guitar instructor for this song lesson, explains how to tune your electric guitar. 

Song Arrangement: This is the part where you will learn all the chord progressions you will use in this song. 

Song Demo: This is the last part of the guitar lesson. Mike will play the entire guitar section of the song alongside the backing track. 

Aces High - Introduction

Aces High" is the eleventh single by legendary British heavy metal band Iron Maiden, written by bassist Steve Harris for their 1984 album Powerslave. The song's lyrics vividly depict a British RAF pilot's experience during the Battle of Britain (1940), with the band's mascot Eddie appearing as a Spitfire pilot on the single artwork. The track has become one of Iron Maiden's most iconic songs, featured in numerous video games and extreme sports films.

The song's B-side contains a cover medley of Nektar's "Crying in the Dark" and "King of Twilight" from their 1972 album. The music video, filmed during the World Slavery Tour in Poland, incorporates authentic Battle of Britain newsreel footage. This powerful imagery became a staple of Iron Maiden's live shows, often paired with Winston Churchill's famous wartime speeches as an introduction.

Aces High Guitar Lesson

This lesson with Mike Walker teaches you how to play "Aces High" properly. The song keeps changing keys - it starts in C, then goes to A, then G, then back to C. This makes the song exciting but tricky to play. When the key changes, the mood of the song changes too, just like how a dogfight has calm moments and crazy moments.

The main riff uses something called harmonised guitars - that means two guitars play the same tune but at different pitches, making a cool twin sound. The rhythm is called "galloping" because it goes fast like a horse (down-down-up, down-down-up). You need to palm mute the strings near the bridge to get that tight, machine-gun sound Iron Maiden is famous for.

The solos use a special scale that sounds Middle Eastern. It's basically the minor scale but with the second note lowered (so in E minor, you play F natural instead of F#). This makes the solo sound tense and dramatic, which goes well for a war song. The fast parts need alternate picking - down-up-down-up - to play cleanly at high speed.

For beginners, start by learning just the power chords (C5, A5, G5) and the galloping rhythm slowly. The chords are simple, but switching between them fast is hard. Advanced players should work on the twin guitar harmonies and the quick key changes. The song is tough, but satisfying to play once you get it right, like most metal songs.

FAQs

Q. What tuning is used in Aces High?

The original recording uses Eb tuning (all strings tuned half-step down) but can be played in standard tuning.

Q. How to play the galloping rhythm?

Use alternate picking with emphasis on the downstrokes: Down-Down-Up pattern repeated.

Q. Is this song suitable for beginners?

The simplified power chord version is accessible, but the full arrangement requires intermediate skills.

Introduction:

The Philosopher song was originally written by Monty Python and composed by Eric Idle. The Florida-based death metal band Death covered the song in their fifth studio album, Individual Thought Patterns, which was released in 1993. 

The Philosopher has been described as one of the more accessible cuts from Death’s later music catalog, and for some fans, it is their biggest hit to this day. 

In this video lesson Bobby Koelble teaches how to play the song The Philosopher as part of our guitar series on English songs. The song is broken down into multiple lessons for easy learning - Introduction, Intro Tapping Piece, Verse, Prechorus, and Chorus, Solo Rhythm and Post Solo Rhythm Sections, Main Solo, Ending Solo Improv and Song Demo. Don't forget to make use of the chords and tabs provided with the song lesson!

Song Structure:

Introduction: This is going to be the introduction to the song, the band, and the tune that you will be learning in this guitar lesson. Bobby describes this guitar song as pretty straightforward and not that technical to begin with. 

Intro Tapping Piece: The intro of the song starts with a two-hand tapping part, along with other undertone notes, all of which you will learn in this part.

Verse, Pre-chorus, and Chorus: Here, you will learn how to play the famous guitar riff that makes the song memorable. 

Solo Rhythm and Post Solo Rhythm Sections: This section explains how to play the riffs below Chuck’s solo. 

Main Solo: Here is the main solo of the song, which is in the key of A minor. Bobby will also help you get accustomed to that one lick, which moves pretty fast. 

Ending Solo Improv: This part of the guitar lesson builds your confidence in how you should improvise at the end of Chuck's solo and adds bits of your tunes as well. 

Song Demo: This is the final part. Here, your guitar instructor will play the entire guitar section of the song alongside the backing track. 

Holy Diver - Introduction

Holy Diver is one of the most iconic heavy metal songs ever recorded, serving as the title track of Dio’s debut album in 1983. Written by the legendary Ronnie James Dio after his stints with Rainbow and Black Sabbath, the song showcases his signature lyrical style—filled with medieval imagery, heroic themes, and battles between good and evil. The lyrics tell the story of a mysterious, divine warrior, often interpreted as a metaphor for spiritual struggle and redemption. Dio’s powerful, operatic vocals and Vivian Campbell’s crushing guitar riffs made the track an instant classic.

The music video, though dated by today’s standards, became legendary for its fantasy aesthetic, featuring Dio as a sword-wielding hero battling demons. The song’s mid-tempo groove, anthemic chorus, and unforgettable riff solidified its place in metal history. Over the years, "Holy Diver" has been covered by bands like Killswitch Engage and referenced in pop culture, proving its lasting influence. Ronnie James Dio’s performance on this track remains one of the greatest in metal, blending raw power with theatrical flair.

Holy Diver Guitar Lesson

Taught by Mike Walker, this lesson dives deep into playing "Holy Diver" in dropped C tuning (C-G-C-F-A-D), which gives the song its thick, heavy sound. The main riff, played by Vivian Campbell, is built around power chords (C5, G5, A♭5) and uses palm muting to create a tight, aggressive groove. The tuning allows for easy sliding between chords while maintaining a massive low-end presence.

The verse follows a C5 - G5 - A♭5 progression, with the riff emphasizing the open C string for a chugging effect. The chorus shifts to a C5 - G5 - F5 pattern, adding a melodic lift before returning to the main riff. The solo section is where Campbell’s playing shines—using the C minor pentatonic scale (C-E♭-F-G-B♭) with fast alternate picking and wide bends for dramatic flair. The harmonic minor scale (C-D-E♭-F-G-A♭-B) also appears in the solo, giving it a darker, classical edge.

For the rhythm parts, focus on tight palm muting and consistent downstrokes to match the song’s driving feel. The pre-chorus introduces a syncopated riff that requires precise timing—practice it slowly with a metronome before speeding up. The bridge features harmonized leads, where two guitars play complementary melodies, a technique Dio borrowed from his Rainbow days.

Beginners should start by mastering the main riff and power chords in dropped C tuning. Intermediate players can work on the syncopated rhythms and solo licks, paying attention to vibrato and bends. Advanced players should study the harmonic minor passages and experiment with adding their own fills.

FAQs

Q. How do I tune my guitar to dropped C for this song?

Lower your sixth string from E to C, fifth from A to G, and leave the rest in standard tuning (C-G-C-F-A-D).

Q. What scales does Vivian Campbell use in the solo sections?

Primarily C minor pentatonic (C-E♭-F-G-B♭) with touches of C harmonic minor (C-D-E♭-F-G-A♭-B) for a classical metal feel.

Introduction

Bombtrack is one of the explosive songs from Rage Against the Machine’s debut album. In addition to this, it comes with powerful riffs, and groove-driven rhythms and it also includes aggressive energy.  

Chords Used in Song Guitar Lesson

Arpeggios Verse & Chorus Chords: There are no traditional arpeggios in the verse, instead you have to follow heavy power chords with a combination of muted rhythms. 

e|---------------------------------|  

B|---------------------------------|  

G|---------------------------------|  

D|---------4-4-2-2-4--------------|  

A|---2-2--------------------------|  

E|---------------------------------|

Strumming Pattern 

This song follows a more tight-riff playing than your traditional strumming. As a result, you have to follow the rhythm guitar approach to be more precise and smooth. Here is how you should be strumming with a palm-muted downstroke approach for punchy rhythm: D D D D D U D U. 

• D = Down strum
• U = Up strum

Song Structure 

Introduction: In this introduction section Mike Walker your guitar instructor teaches you how to tune up the guitar for this song. 

Song Arrangement: Here Mike shows you how to play the intro, midsection and the outro of the song. He shares his knowledge of guitar playing and how the intro is a 4 bar phase. 

Overdub: Here, you will learn how to play the overdubs which come at the start of the song. 

Song Demo: This is where you will learn how to play the entire song with the backing track to keep up guitar chords with the original time signature of the song.

Solo 1: Over here you will be learning how to play the first solo which is present right after the first bridge. 

Outro Solo: This is the final part of this guitar lesson, here Mike is going to show you how to play outro solo. 

Why Learn Bombtrack By Rage Against The Machine Song?

This is a pretty intricate song to learn that starts with simple yet heavy riffs, as a result, it is perfect for learning palm muting, power chord slides and even for practicing tight picking. This is one of the few songs from Rage Against the Machine which is beginner friendly, the guitar lesson that we have here is perfect for individuals who want to improve their riff-based playing. 

FAQs – Bombtrack Guitar Lesson

Q1. Why is Range Against the Machine Controversial? 

Ans. One of the biggest reasons why Rage Against the Machine is controversial is because of their fiercely political music that comes with sloganeering left-wing rants against the corporate culture of America. 

Q2. How many BPM is Bombtrack? 

Ans. This song is at 152 BPM; the song runs for 4 minutes and 3 seconds in the key of E and with a major mode.

Q3. Is Rage Against the Machine anti-capitalist?

Ans. Yes, that can be said for Rage Against the Machine because they have voiced their disagreement on various political, domestic and foreign policies that were introduced by the US government. 

Q4. What is the heaviest Rage Against the Machine song?

Ans. Bullet in the Head is the heaviest song from Rage Against the Machine according to their fans. The song is a reference to how the government is trying to use the media to influence their control over the population. 

Introduction

Voices of the Soul is the song from the seventh and final studio album of the Florida-based death metal band called “Death.” This particular song has an eerie spectre, and it is one of the most experimental and expansive songs from Death, with impressive songwriting. 

Chords Used in Wake Me Up When September Ends

Arpeggios Verse & Chorus Chords: Open chords. The song is played in the key of G, and there is no need for a capo. 

Chorus Variation: The chorus of the song is pretty short, and the guitar chords used in it are similar to those of the verse. 

Strumming Pattern 

The entirety of the song follows the same strumming pattern: Down-Up, Down-Up, Down-Up. (DUDUDU)

Song Structure 

Introduction: In this section, J.J. Pattishall will show you the key in which the song is to be played. 

Song Arrangement: Here, you will learn how and why the guitar instructor has broken down this song into several different parts. This particular section will show you how to play the guitar parts of the intro, verse, chorus, and bridge. 

Rhythm: Here, you will learn the open chords used to provide backing rhythm to the verse and chorus of the song. 

Song Demo: Right here, after showing you how to play all the different chords for this song, J.J. Pattishall will show you how to play the guitar alongside the song. 

Solo Lesson: This is the last part, where you learn how to play the epic solo from the song.

Introduction:

Fade to Black was the first power ballad recorded by the metal band Metallica in 1984. This was the first promotional single from the band’s second album which was Ride the Lightning (1984). The final solo of the song uses melody as a means to provide transition to heavy chords. 

Fun Fact: The song and its lyrics address the suicidal feelings because, during the time of its recording, some members of the band were having a really hard time in their personal lives. 

Chords Used in Song Guitar Lesson

Arpeggios: The solo has heavy chord progression and for the final solo section there are no arpeggios for you to learn. 

Strumming Pattern 

This particular solo is for the lead guitarist, so it doesn’t really follow a strumming pattern like a rhythm part. 

Solo Structure 

Final Solo Part 1: In this part of the guitar solo lesson your instructor is going to be Mike Walker. Mike has divided the final solo from the song Fade to Black in 3 parts, this is the first section from the three parts. 

Final Solo Part 2: This is the second part of the solo, here Mike shows you how to perform overlapping and using the licks that were present in the first part. 

Final Solo Part 3: The third and final section starts with a little pull 

Why Learn to Fade to Black-Final Solo By Metallica?

Learning the guitar solo of Fade to Black isn't an easy task, it is one of the things only lead guitarist in the band wants to try as it requires lots of technical knowledge of the guitar. Speaking of the solo it is the most emotional solo to be ever written and performed in metal history, for this solo you will have to learn how to use bends and vibrato efficiently.

FAQs-This Song Guitar Lesson

Q1. Which one is the saddest song recorded by Metallica? 

Ans. Fade to Black is considered to be the saddest song from the metal group Metallica. 

Q2. What is the meaning of the song Fade to Black? 

Ans. The story behind the creation of Fade to Black is that Hetfield, one of the band members, was kicked out of the band's manager's home after he drank all his booze and broke things. He then went to his friend’s house, and there, on the couch, he wrote the lyrics of Fade to Black. 

Q3. Has Metallica ever performed in India?

Ans. Yes, Metallica did come to India, they performed in Bangalore on October 18 in 2011. There was one more date in Gurugram but the band was not able to perform at that venue.